Andrea Brady (born 1974^[1] in Philadelphia) is an American poet and lecturer at Queen Mary. She studied at Columbia University and the University of Cambridge^[2] Her academic work focuses on contemporary poetry and the early modern period.^[3] She is the curator of the Archive of the Now^[4] and the co-editor (with Keston Sutherland) of Barque Press.^[3]

Publications

Poetry

• Vacation of a Lifetime (Cambridge: Salt, 2001).
• Embrace (Glasgow: Object Permanence, 2005).
• Wildfire: A Verse Essay (San Francisco: Krupskaya, 2010).
• Mutability: Scripts for Infancy (Seagull Books, 2013)
• Cut from the Rushes (Hastings: Reality Street, 2013).
• Dompteuse (Toronto: Bookthug, 2014).
• The Strong Room (London: Crater Press, 2016).
• Desiring Machines (Boiler House Press, 2021).
• The Blue Split Compartments (Wesleyan University Press, 2021).

Criticism

• English Funerary Elegy in the Seventeenth Century: Laws in Mourning (2006) ISBN 140394105X
• The Uses of the Future in Early Modern Europe, co-ed. with Emily Butterworth (2009) ISBN 041599540X
• Poetry and Bondage: A History of Lyric and Constraint (2021) ISBN 9781108990684