.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Swedish. (March 2024) Click [show] for important translation instructions.
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The Gothenburg City Theatre
Gothenburg City Theatre (Swedish: Göteborgs stadsteater) opened in 1934 at Götaplatsen square in Gothenburg, Sweden. The theatre was designed by Swedish architect Carl Bergsten who gave the exterior a Neo-Classical look with a touch of Streamline Moderne. The critics thought it to be a too old-fashioned building – the International Style had had a big breakthrough some years before at the 1930 Stockholm Exhibition. But the interiors of the building pleased the reviewers who thought the auditorium to be "intimate" and “democratic”.[1] The theatre went through a major renovation some years ago and the auditorium was equipped with new technology and with new seats.
The big stage has a capacity of 600 people; there is also a smaller stage called the Studio.
Many of Sweden's well-known actors, directors, writers and designers have worked at the theatre, including Gösta Ekman (senior) and Ingmar Bergman. During the Second World War, Torsten Hammarén [sv] made the theatre famous for its anti-Nazi productions.[2] The current leader of the theatre is Anna Takanen [sv], and before that it was run by Bosnian-Swedish director Jasenko Selimovic, who during a ten-year period managed to please both audience and theatre critics.
Notes
^Guide till Sveriges arkitektur, by Waern, Caldenby (2001)
