The Hekhalot literature (sometimes transliterated Heichalot) from the Hebrew word for "Palaces", relating to visions of ascents into heavenly palaces. The genre overlaps with Merkabah or "Chariot" literature, concerning Ezekiel's chariot, so the two are sometimes referred to together as "Books of the Palaces and the Chariot" (ספרות ההיכלות והמרכבה‎). The Hekhalot literature is a genre of Jewish esoteric and revelatory texts produced some time between late antiquity – some believe from Talmudic times or earlier – to the Early Middle Ages.

Many motifs of later Kabbalah are based on the Hekhalot texts, and the Hekhalot literature itself is based upon earlier sources, including traditions about heavenly ascents of Enoch found among the Dead Sea scrolls and the Hebrew Bible pseudepigrapha.[1] Hekhalot itself has many pseudepigraphic texts.[2]

Texts

Title Page of Hekhalot, Lvov, Poland, 1850

Some of the Hekhalot texts are:[3]

Other similar texts are:[4]

Dating and genre

The Hekhalot literature is post-rabbinical, and not a literature of the rabbis, but since it seeks to stand in continuity with the Rabbinic literature, it is often pseudepigraphical.[5]

Hekhalot has examples of early alternate history texts.[2]

See also

References

  1. ^ Scholem, Gershom, Jewish Gnosticism, Merkabah Mysticism, and the Talmudic Tradition, 1965.
  2. ^ a b Elior, Rachel (1993). "Mysticism, Magic, and Angelology: The Perception of Angels in Hekhalot Literature". Jewish Studies Quarterly. 1 (1): 5. ISSN 0944-5706. JSTOR 40753108 – via JSTOR.
  3. ^ Schäfer, Peter (1992). The hidden and manifest God: some major themes in early Jewish mysticism. State University of New York Press. p. 7. ISBN 9780791410448.
  4. ^ Don Karr. "Notes on the Study of Merkabah Mysticism and Hekhalot Literature in English" (PDF). Retrieved 21 December 2010.
  5. ^ Judaism in late antiquity: Volume 1 - Page 36 Jacob Neusner, Alan Jeffery Avery-Peck, Bruce Chilton - 2001 "The Hekhalot literature is "not a literature of the rabbis, yet it seeks to stand in continuity with the Rabbinic literature" (p. 293); this literature is deeply pseudepigraphical and as such post-rabbinical."