.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Dutch. (November 2017) Click [show] for important translation instructions.
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Guillaume Charlier: Marble busts of Henri Van Cutsem and his wife Léontine (née Van Opstal), Musée des Beaux-Arts, TournaiHenri Van Cutsem: Pastel portrait of Sarah Bernhardt, c. 1903, Reiss-Engelhorn-Museen, Mannheim
Henri-Émile Van Cutsem (1839–1904) was a Belgian patron of the arts, and also himself a painter
Biography
Van Cutsem was born in Brussels into a family of hoteliers[1] who had become wealthy from their business. He studied law at Liège. During long stays in Paris he developed good relations with many of the artistic community. In 1890 he acquired two adjacent blocks of flats on the Avenue des Arts in Saint-Josse-ten-Noode which he had refurbished by Victor Horta.
Van Cutsem developed his father's art collections and gave his moral and financial support to many artists, notably the sculptor Guillaume Charlier, to whom Van Cutsem bequeathed his property on the Avenue des Arts, which after Charlier's death became the Charlier Museum, established on 21 October 1928.
