Ida | |
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Directed by | Paweł Pawlikowski |
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Edited by | Jaroslaw Kaminski |
Music by | Kristian Eidnes Andersen |
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Running time | 82 minutes[1] |
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Box office | $10.7 million[2] |
Ida (pronounced [ida]) is a 2013 Polish drama film directed by Paweł Pawlikowski. The film has been nominated for the Best Foreign Language Film and Best Cinematography at the 87th Academy Awards.[3][4] It has won prestigious Polish and European industry awards, including Best Film awarded by the Polish Film Academy, and Best Film awarded by the European Film Academy.
In 1960s Polish People's Republic,[5] Anna, a young novice nun, is told by her prioress that before her vows can be taken, she must visit her family. Anna travels to visit her aunt Wanda, a heavy-drinking judge and former prosecutor associated with the Stalinist regime responsible for oppressing Polish anti-communist resistance soldiers. The aunt dispassionately reveals that Anna's actual name is Ida Lebenstein, and that her parents were Jewish and were murdered during World War II. Ida decides she wants to find their resting place. She and Wanda embark on a journey that both sheds light on their past and decides their futures.
The screenplay was written by Rebecca Lenkiewicz, who is mostly known as an English playwright, and the director Paweł Pawlikowski. The character of Wanda Gruz is based on Helena Wolińska-Brus, whom Pawlikowski met in the 1980s while she was living in England.[6] The first version of the screenplay was written in English by Lenkiewicz and Pawlikowski; Pawlikowski then translated the screenplay into Polish and revised it.[7]
Ida has a 96% rating based on 115 reviews on Rotten Tomatoes,[8] and a "Universal acclaim" score of 90 out of 100 based on 35 reviews on Metacritic.[9] A. O. Scott of the New York Times named Ida the second best film of 2014.[10] David Denby of The New Yorker has called Ida a "masterpiece" and "by far the best movie of the year".[11][12] Peter Debruge is more reserved, writing in Variety that "...dialing things back as much as this film does risks losing the vast majority of viewers along the way, offering an intellectual exercise in lieu of an emotional experience to all but the most rarefied cineastes."[13]
Grossing more than $3.6 million at the North American box office, the film has been described as a "crossover hit", especially for a foreign language film.[14] Nearly 500,000 people watched the film in France, making it one of the most successful Polish-language films ever screened there.[15]
Ida was screened in the Special Presentation section at the 2013 Toronto International Film Festival[16] where it won the FIPRESCI Special Presentations award.[17] Among other festivals Ida won Best Film at Gdynia, Warsaw, London, Bydgoszcz, Minsk, Gijón, Wiesbaden, Kraków. The film is also widely recognized for Agata Kulesza's and Agata Trzebuchowska's performances, and for the cinematography by Ryszard Lenczewski and Łukasz Żal.
The film was honoured by the national Polish Film Academy as the Best Film of 2013, winning in three other categories, and nominated in seven additional categories. The European Film Academy nominated the film in seven categories, winning 5, including Best European Film and People's Choice Award, at the 27th European Film Awards.[18] The film has received a nomination at the 72nd Golden Globe Awards for Best Foreign Language Film.[19] The British Academy of Film and Television Arts nominated film for Best Film Not in the English Language and Best Cinematography at the 68th BAFTA Awards. It has been also recognised by Swedish Film Institute (50th Guldbagge Awards) and Spanish Academy of Arts and Cinematographic Sciences (29th Goya Awards).
The film has been selected by the European Parliament for the Lux Prize. Thanks to this award, it has been screened in every one of the 28 EU Member States and has been translated into all 24 EU languages.
The film was criticized by some for its perspective on Polish-Jewish and Christian-Jewish relations.[20] Some have argued that the Poles in the film are portrayed negatively as being anti-Jewish, co-responsible for the Holocaust, although thousands of Poles were also killed by the Germans for helping and hiding the Jews.[21] Conversely, others have argued that Ida's aunt Wanda Gruz, a Jewish woman, was portrayed negatively in the film as someone who collaborated with the Soviets and persecuted the Polish underground opposition.[22][21][23]
The film's portrayal of communist Poland in the 1950s and 1960s may be compared with the 2009 Polish drama Reverse, while its examination of Polish-Jewish relations during World War II has elements in common with the 2012 thriller Aftermath. It has stylistic similarities to New Wave films such as Innocent Sorcerers and The 400 Blows.[23]
2: Pawel Pawlikowski's "Ida" ... With breathtaking concision and clarity ... Mr. Pawlikowski penetrates the darkest, thorniest thickets of Polish history
... from the beginning, I was thrown into a state of awe by the movie's fervent austerity. Friends have reported similar reactions: if not awe, then at least extreme concentration and satisfaction. This compact masterpiece has the curt definition and the finality of a reckoning—a reckoning in which anger and mourning blend together.
Pawel Pawlikowski's "Ida" is by far the best movie of the year.
The film invites audiences to undertake a parallel journey while withholding much of the context (historical backstory as well as basic cinematic cues, like music and camera movement) on which engagement typically depends. It's one thing to set up a striking black-and-white composition and quite another to draw people into it, and dialing things back as much as this film does risks losing the vast majority of viewers along the way, offering an intellectual exercise in lieu of an emotional experience to all but the most rarefied cineastes.
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