Career
After graduating from college, Lauand worked as a teacher in Araraquara and produced artwork on the side, which at that time was in the style of expressionist figurative paintings.[6]
In 1953, Lauand moved to São Paulo.[6] In 1954, she worked as a gallery monitor at the São Paulo Art Biennial, which led to her connecting with fellow artists who were part of the concrete art movement, Grupo Ruptura: Anatol Władysław, Geraldo de Barros, Leopoldo Haar, Lothar Charoux, Luís Sacilotto, Kazmer Féjer, and Waldemar Cordeiro. Lauand soon joined the group, becoming their only female member.[8][9]
Lauand's work is rooted in the abstract art from the 1950s, with a movement in 1954 to a more rigid and analytical approach. Starting in the 1960s, Lauand began incorporating non-traditional materials like paper clips and other items into her pieces, making the surfaces uneven and creating different effects.[3]
Lauand was the only artist among her contemporaries who signed her paintings, and signed on the front of the painting. This was seen as a more traditional approach, and was a rejection of the theoretical aesthetic of what other artists were doing.[10]
Lauand worked across many different mediums. As a painter, she created works using acrylic, enamel, oil, and tempera paints, incorporating gouaches and/or collages. Lauand's output also took the form of embroidery, sculptures, woodcuts, and tapestries.[11]
