Leonard Spigelgass (November 26, 1908 – February 15, 1985) was an American film producer and screenwriter.[1]
During his career, Spigelgass wrote the scripts for eleven Academy Award-winning films. He himself was nominated in 1950 for the story for Mystery Street and garnered three Writers Guild of America nominations over the course of his career.
Born to a Jewish family[2] in Brooklyn, New York, Spigelgass graduated from New York University in 1929. He was a literary and drama critic for The Brooklyn Eagle and the Saturday Review of Literature before moving to Hollywood. [3]
Spigelglass got his start collaborating on the script for Erich Von Stroheim's Hello, Sister! (1933) at Fox Films. At that studio he was assistant to Julian Josephson, head of story at Fox.[4][5]
Spigelglass was also credited as writer on Stingaree (1934) and Escape to Paradise at RKO.[6]
In December 1933 Spigelglass accepted a contract at Universal to work as scenario and story editor.[6] While there, a story of his I'll Fix It (1934) was bought for Columbia.[7]
In June 1934 Spigelglass was promoted to producer. His first film in that capacity was Princess O'Hara (1935), based on a story by Damon Runyon, which he also helped write.[8]
He became story editor for Major Pictures and wrote a film of the life of Madame Curie for Universal.[9]
At Universal he wrote for Letter of Introduction (1938), Service de Luxe (1938), Unexpected Father (1940), Private Affairs (1940), and The Boys from Syracuse (1940).[10]
He produced the musical One Night in the Tropics (1940) which was the film debut of Abbott and Costello. He wrote Tight Shoes (1941) and Butch Minds the Baby (1942), based on a story by Runyon.[11]
He wrote some films at Warner Bros, Million Dollar Baby (1941) and All Through the Night (1942).[12] He also wrote The Man They Couldn't Kill for Edward G. Robinson but it was not made.[13]
At RKO Spigelglass wrote The Big Street (1942), based on a Runyon story, and They Got Me Covered (1942) for Bob Hope. He did The Youngest Profession (1943) at MGM. He also sold an original script to Fox called No Place Like Home but it appears to have not been made.[14]
Spigelgass served as a lieutenant colonel in World War II and, with Frank Capra, planned and produced Army and Navy Screen Magazine, a bi-weekly, filmed news update for American troops abroad.[15]
He wrote For Her to See for Hal Wallis which became So Evil My Love (1948). [16] Also for Wallis he wrote The Perfect Marriage (1947) and The Accused (1949), and he did I Was a Male War Bride (1949) for Fox.[17]
In 1948 he was part of the Writers Guild fight against the blacklist.[18] He sold Murder at Harvard to MGM but it was not made.[19]
Spigelglass signed a long term contract at MGM where she wrote on Mystery Street (1950), which earned him an Oscar nomination. He followed it withNight into Morning (1951), The Law and the Lady (1951), Because You're Mine (1952), Scandal at Scourie (1953), Athena (1954), and Deep in My Heart (1954). He produced a documentary series, MGM Parade, and wrote some musicals, Ten Thousand Bedrooms (1957) and Silk Stockings (1957).[20] He wrote International Review which was meant to be an all star musical but it was not made.[21] He left MGM when his boss, Dore Schary, was fired.[22]
"When I left Hollywood in 1957, I was in the glue factory," he later said. "That I had written movies for many years meant nothing."[23]
Spigelglass moved to New York where he wrote for TV shows such as Playhouse 90 and Climax!, including a story of the life of Helen Morgan.[24]
He wrote a play, A Majority of One (1959) which was directed by his former boss at MGM, Dore Schary. Starring Gertrude Berg, it was a hit and ran for 556 performances.[25]
This reignited Hollywood's interest in Spigelglass. He returned to Hollywood and found himself treated with far more respect as the writer of a hit play than he had during his entire time there before.[23]
"At the age of 50 I am an author and not a hack," he said.[22]
He wrote the film adaptation of Majority of One and the big screen version of Gypsy (1962) both directed by Mervyn Le Roy. The film rights for Majority went for $500,000.[26][27]
He returned to Broadway and wrote a series of plays but none of them had the success of his first. A musical adaptation of Cafe Crown was not producer.[28] The Free Thinkers was announced for 1961 but not made.[29] Dear Me, The Sky is Falling (1963) (originally called Libby), had a short run, despite starring Gertrude Berg. Remedy for Winter (1965) (known as Upper Case), Scuttle Under the Bonnet (1965) and The Playgirls (1966) did not make it to Broadway.[30] The Wrong Way Light Bulb (1969) did but only had a short run. He did write a book The Scuttle Under the Bonnet (1962).[31]
He wrote the book to the musical We've Done a Whole New Thing[32] but it was not producer.
Look to the Lilies (1970) based on Lilies of the Field but it only had a short run, despite starring Shirley Booth.[33] So too did Mack & Mabel (1974) based on an idea of Spigelglass.[34]
In 1971 Spiegelgass joined the USC Cinema Department as an adjunct professor.[35]
In the 1970s Spigelgass wrote an ABC Afterschool Special and several Academy Award ceremonies.[1][36][37]
He wrote a play Interview (1978) which had some productions.[38]
Spigelgass' sister, Beulah Roth, was a political speechwriter for Franklin Roosevelt and Adlai Stevenson, and was married to photographer Sanford H. Roth, a close friend of James Dean. Spigelgass died in Los Angeles, California.
