^ abcdefghijklNovak 2013, p. 12. "By the early 1990s, recordings by Hijokaidan, Incapacitants, C.C.C.C., Solmania, Masonna, Monde Bruits, Astro, Aube, Government Alpha, Pain Jerk, K.K. Null, K2, MSBR, Geriogerigegege, Violent Onsen Geisha, and Merzbow had swept into North American reception."
^ abMoss 2000, p. 26 "In 1981, in the middle of the postpunk period, she founded the collective Club Moral together with the visual artist Danny Devos. They organized noise concerts, performances, exhibitions, and published the magazine Force Mental, to explore the boundaries of the morally and aesthetically acceptable."
^ abcdefghGraham 2016, p. 185. "Latter-day harsh noise subgenres, such as harsh wall noise, which developed concurrently in the American and Japanese noise scenes of the 1990s with artists such as Monde Bruit and Incapacitants for the latter and Skin Crime and Black Leather Jesus for the former, are practiced by all sorts of artists, from K. K. Null to Werewolf Jerusalem, Kites, Hum of the Druid, and Wolf Eyes. These harsh noise genres sit alongside diffuse techniques and practices, from persisting power electronics (Genocide Organ); to DIY noise improv (Prick Decay, Sonic Catering Band, Morphogenesis); to the noisier ends of lo-fi, noise performance art (Justice Yeldham), concept-laden noise rock, and improvisation (Mattin); and to the wide genre(s) of post-noise music."
^Pouncey, Edwin (November 2009). "Soundcheck: Government Alpha – Resolution of Remembrance 1992–1999". The Wire. No. 309. London. p. 54. ISSN0952-0686.
^Coley, Bryon (May 2004). "Size Matters: 3", 7", 10" and Other Misshapen Formats". The Wire. No. 243. London. p. 68. ISSN0952-0686. KK Null is widely and correctly lauded as one of the fathers of Japanese noise guitar ...
Moss, Karen (2000). The World on Its Head (De wereld op zijn kop): An Exhibition of Contemporary Belgian Art from Flanders. San Francisco, California: San Francisco Art Institute. ISBN978-0-930-49536-7.
Niebisch, Arndt (2012). Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication. New York: Palgrave Macmillan. ISBN978-1-349-44684-1.
Graham, Stephen (2016). Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. Ann Arbor, Michigan: University of Michigan Press. ISBN978-0-472-11975-2.