.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Italian. (August 2018) Click [show] for important translation instructions. View a machine-translated version of the Italian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 664 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Marietta Barovier]]; see its history for attribution. You may also add the template ((Translated|it|Marietta Barovier)) to the talk page. For more guidance, see Wikipedia:Translation.

Marietta Barovier (fl. 1496), was a Venetian glass artist.

She was the daughter of the glass artist Angelo Barovièr of Murano, inventor of the cristallo glass. Marietta Barovier and her brother, Giovanni, inherited her family workshop in 1460.[1] She managed the workshop in collaboration with her brother. Of fourteen specialist glass painters (pictori) documented between 1443 and 1516, she and Elena de Laudo[2] were the only women.[3]

Her work can not be clearly identified. She is known to have been the artist behind a particular glass design from Venetian Murano, the glass bead called rosette or chevron bead, in 1480.[4] In 1487 she was noted to have been given the privilege to construct a special kiln (sua fornace parrula) for making "her beautiful, unusual and not blown works".[5]

She is noted in 1496, in an inventory with her brother about a group of enamelled glasses.[6]

References

  1. ^ Syson, Luke (2001). Objects of Virtue: Art in Renaissance Italy. Getty Publications. p. 192.
  2. ^ She belonged to a glass painter family of Murano and are noted to have painted blanks delivered to her from the workshop of Salvatore Barovier in 1443-1445.
  3. ^ Syson, Luke (2001). Objects of Virtue: Art in Renaissance Italy. Getty Publications. p. 191.
  4. ^ Meredith Small, Inventing the World: Venice and the Transformation of Western Civilization
  5. ^ Syson, Luke (2001). Objects of Virtue: Art in Renaissance Italy. Getty Publications. p. 192.
  6. ^ Syson, Luke (2001). Objects of Virtue: Art in Renaissance Italy. Getty Publications. p. 192.


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