Mary Hunter Austin | |
---|---|
Born | Mary Hunter September 9, 1868 |
Died | August 13, 1934 | (aged 65)
Alma mater | Blackburn College |
Occupation | Writer |
Spouse | Stafford Wallace Austin |
Mary Hunter Austin (September 9, 1868 – August 13, 1934) was an American writer. One of the early nature writers of the American Southwest, her classic The Land of Little Rain (1903) describes the fauna, flora, and people of the region between the High Sierra and the Mojave Desert of southern California.
Mary Hunter Austin was born on September 9, 1868, in Carlinville, Illinois (the fourth of six children) to Susannah (née Graham) and George Hunter. She graduated from Blackburn College in 1888. Her family moved to California in the same year and established a homestead in the San Joaquin Valley.[1]
She married Stafford Wallace Austin on May 18, 1891, in Bakersfield, California. He was from Hawaii, a graduate of the University of California, Berkeley,[1] United States General Land Office employee, and, later, Potash War lawyer.[3]
For 17 years, Austin made a special study of the lives of the indigenous peoples of the Mojave Desert. Her publications set forth the intimate knowledge she thus acquired. She was a prolific novelist, poet, critic, and playwright, as well as an early feminist and defender of Native American and Spanish-American rights.
Austin is best known for her tribute to the deserts of California, The Land of Little Rain (1903).[4] Her play, The Arrow Maker, dealing with Indian life, was produced at the New Theatre, (New York) in 1911, the same year she published a rhapsodic tribute to her acquaintance H. G. Wells as a producer of "informing, vitalizing, indispensable books" in the American Magazine.
Austin and her husband were involved in the local California Water Wars, after which the water of Owens Valley eventually was drained to supply Los Angeles.[5][6]
When the battle was lost, after the 1906 San Francisco earthquake, Stafford moved[7] to Death Valley, California and Mary relocated[8] to the art colony at Carmel-by-the-Sea, California.[9][10] There Austin was part of the cultural circle that included Jack London, Ambrose Bierce, Harry Leon Wilson, George Sterling, Nora May French, Arnold Genthe, James Hopper, Alice MacGowan, Gelett Burgess, Sinclair Lewis, and Xavier Martinez. Two years after developing a friendship with Austin in 1904, Sterling enticed her to join him in Carmel.[9]: p49
In 1906, she had a tree house constructed, that she called “Wick-i-up”,[11] built by M.J. Murphy, based on a design by San Francisco architect Louis Christian Mullgardt. She wrote much of her writings from this tree house..[12] Austin hired Murphy in 1907 to create a Craftsman-style cottage she called "Rose Cottage." The property is located at the intersection of 4th Avenue and Monte Verde Street. The cottage has gardens and two gates with paths leading to it. At this cottage, she entertained her friends, including London, Sterling, and Lewis.[12][13] Today, the cottage is listed as the Mary Austin House with the Carmel Inventory Of Historic Resources,[14] and was recorded with the Department of Parks and Recreation as significant under California register criterion as the home of one of the bohemian founders of the artist colony at Carmel.[15]
Austin was one of the founders of the local Forest Theater, where in 1913 she premiered and directed her three-act play Fire. In July 1914, she joined William Merritt Chase, the distinguished New York painter who was teaching his last summer class in Carmel, at several society "teas" and privately in his studio, where he finished her portrait. The well-known artist Jennie V. Cannon reported that he began the painting as a class demonstration after Austin claimed that two of her portraits, which were executed by famous artists in the Latin Quarter of Paris, had already been accepted to the Salon.[9] Apparently, Chase was not deterred by Austin's "pushiness and claims to extra-sensory perceptions", but was more interested in her appointment as director of East Coast publicity for San Francisco's Panama–Pacific International Exposition.[9][16] On July 25, 1914, Chase attended her Indian melodrama in the Forest Theater, The Arrow Maker, and confessed to Cannon that he found the play dreary. Apparently, Dr. Daniel MacDougal, head of the local Carnegie Institute, paid for most of her production costs, because of his not-so-secret love affair with the writer.[9][17][16] In August 1914, one of Chase's students, Helena Wood Smith, was brutally strangled and buried on the beach by her Japanese lover, art-photographer George Kodani,[9][18] Austin joined the mob who disparaged local authorities for their incompetence.[9] After 1914 her visits to Carmel were relatively brief.
After visiting Santa Fe in 1918, Austin helped establish The Santa Fe Little Theatre[19] (still operating today as The Santa Fe Playhouse[20]) and directed the group's first production held February 14, 1919, at the art museum's St. Francis Auditorium.[21] Austin also was active in preserving the local culture of New Mexico, establishing the Spanish Colonial Arts Society in 1925 with artist Frank Applegate.[22]
In 1929, while living in New Mexico, Austin co-authored a book with photographer Ansel Adams. Published a year later, the book, Taos Pueblo, was printed in a limited edition of only 108 copies. It now is quite rare because, rather than reproductions, it included photographs made by Adams.[23]
Her home in Santa Fe, at 439 Camino del Monte Sol, is listed on the National Register of Historic Places as a contributing building in the Camino del Monte Sol Historic District.[24]
Austin died August 13, 1934, in Santa Fe. Mount Mary Austin, in the Sierra Nevada, was named in her honor.[25] It is located 8.5 miles west of her long time home in Independence, California. A biography was published in 1939.[26]
The Austin home in Independence, California, designed and built by the couple, became a California Historical Landmark.[27]
A teleplay of The Land of Little Rain was written by Doris Baizley and presented on American Playhouse in 1989; it starred Helen Hunt. A 1950 edition of The Land of Little Rain and a 1977 edition of Taos Pueblo each included photographs by Ansel Adams.