Norma Cole (born May 12, 1945) is a Canadian poet, visual artist, translator, and curator. An Anglophone Canadian by birth, Cole learned French at an early age, and went on to translate the works of French poets Emmanuel Hocquard, Danielle Collobert, Fouad Gabriel Naffah [fr], Jean Daive, and others with whom she is intellectually allied. In the late 1970s and 1980s Cole was a member of the San Francisco-based circle of poets congregating around Robert Duncan. Her papers are collected at the Archive for New Poetry at the Mandeville Special Collections Library, University of California San Diego.[1]
Early life and career
She was born in Toronto, Canada to an Anglophone family, Norma Cole began learning French in middle school. Cole studied at the University of Toronto, where she received a B.A. in Modern Languages and Literature (French and Italian) in 1967 and an M.A. in French Language and Literature in 1969.
After university, Cole moved to France in time to absorb the revolutionary atmosphere of the aftermath of the May '68 general strike. She spent several years living in a small village in the foothills of the Alpes-Maritimes near Nice. During this period in France, Cole began drawing, sculpting, and establishing relationships with many contemporary French poets.[1]
In the early 1970s Cole returned to Toronto, before migrating to San Francisco in 1977, where she has lived ever since.[2] Upon her arrival to the Bay Area, Cole got a job in the public school system, but it was through her association with New College of California that she met her core community of poets, including Robert Duncan, Michael Palmer, David Levi Strauss, Susan Thackrey, Aaron Shurin, and Laura Moriarty. However she continued to spend time in France, and her association with French poets has been crucial to her work. Important French connections have included Claude Royet-Journoud, Emmanuel Hocquard, and Joseph Simas, who published her first book, Mace Hill Remap.[3]
Norma Cole is the recipient of the Gerbode Poetry Prize and a grant from the Fund for Poetry. In 2006 she was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award. "The Poetics of Vertigo" — delivered as the 1998 "George Oppen Memorial Lecture" for The Poetry Center, SFSU — won the Robert D. Richardson Non-Fiction Award. With Boston photographer Ben E. Watkins she won the Purchase Award for their photo/text collaboration, "They Flatter Almost Recognize."
Recent projects
Norma Cole's work has received great acclaim for her: "openness to traditions and practices, artists and writings, radically divergent from her own".[4] Recently, she collaborated with The Poetry Center & American Poetry Archives at SFSU in honor of their fiftieth anniversary. There she helped to create a site-specific gallery installation titled Collective Memory which opened on December 11, 2004 and ran through April 16, 2005. The project was described as:
"...a departure from her earlier work, extending what has been primarily a written, literary practice to the expanded dimensions of a public space.... Aimed at exploring and embodying the creative process involved in making poetry, Cole...worked both on site and off, inviting, responding to, and incorporating into her text the comments, perceptions, and contributions of visitors...opening the possibilities for more active exchange with others.... Aspects of the installation [were changed] over time, providing an evolving and adaptable creative space, altered by the objects and people moving through it.... [T]he project...openly demonstrate[s] that poetry making is not an insular and isolated activity, acceptable as long as it's on the perimeter of society, but an integrated art form based in communal exchange, from which we need to learn."[4]
Selected works
Poetry, prose, books, and chapbooks
Mace Hill Remap (Paris: Moving Letters, 1988). [ e-text version available: see External links below ]
Metamorphopsia (Poets & Poets, 1988).
My Bird Book (Littoral, 1991).
Mars (Listening Chamber, Berkeley, California 1994).
Moira (O Books, 1995).
Contrafact (Poets & Poets, 1996).
Quotable Gestures, (CREAPHIS/un bureau sur l'Atlantique, France, 1998)
Desire & its Double (Instress, 1998).
The Vulgar Tongue (a+bend, 2000).
Spinoza in Her Youth (Omnidawn Publishing, Richmond, CA, 2002) ISBN1-890650-09-9.
A little a & a (Seeing Eye Books, Los Angeles, 2002).
Where Shadows Will: Selected Poems 1988-2008 (City Lights Books, San Francisco, 2009) ISBN978-0-87286-474-0.
14000 Facts (A+Bend Press, 2009)
To Be At Music: Essays & Talks (Omnidawn Publishing, Richmond, CA, 2010) ISBN978-1-890650-44-5
Win These Posters and Other Unrelated Prizes Inside . (Omnidawn Publishing, Richmond, CA, 2010) ISBN978-1-89065-068-1
Text and image
Scout, text/image work in CD ROM format, (Krupskaya, 2004).
At All: Tom Raworth & His Collages (Hooke Press, 2006).[5]
Collective Memory (Granary Books, 2006), poetry/photos, with book design by Emily McVarish; based on Cole's extended installation/performance for the exhibition "Poetry and its Arts: Bay Area Interactions 1954-2004" (California Historical Society, San Francisco, CA, 2004–05).
