.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in German. (November 2016) Click [show] for important translation instructions.
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The opera was controversial in the Nazi press. This criticism was quashed when Adolf Hitler, an attendee at the performance, allegedly approved of the work.[2] Despite Stravinsky-like music, the premiere met the approval of Joseph Goebbels, which has since tainted both the opera and composer. The opera was not performed in the Third Reich after 1940.
^The Oxford Dictionary of Music 0199578540 ed. Michael Kennedy, Tim Rutherford-Johnson, Joyce Kennedy-2013 p.256 "operas: Columbus (1933 radio, 1942 stage); Die Zaubergeige (1935, rev. 1954); *Peer Gynt (1938); Circe (1945, rev. 1966 as 17 Tage und 4 Minuten); *Irische Legende (after Yeats, 1955, rev. 1970); Der Revisor (after Gogol's The *Government Inspector, 1957); Die Verlobung in San Domingo (1963). "
^McCredie, Andrew D. "Egk, Werner". www.oxfordmusiconline.com. Oxford. Retrieved 2 December 2016.