The music video won several awards. "The Boys of Summer" was also performed live by Henley with the reunited Eagles; a version is included on the group's 2005 DVD Farewell 1 Tour: Live from Melbourne.
Writing
Mike Campbell, the guitarist for Tom Petty and the Heartbreakers, wrote a demo for "The Boys of Summer" while experimenting with a LinnDrum drum machine and Oberheim OB-X synthesizer. He showed it to Tom Petty, but Petty felt it did not fit with the record they were working on, Southern Accents. At the suggestion of the producer Jimmy Iovine, Campbell played it for Don Henley, the vocalist and drummer for the Eagles, who wrote the lyrics and recorded the vocal. They re-recorded the song after Henley decided to change the key.[5][6]
Composition
"The Boys of Summer" uses a repeating guitar riff. It was recorded in the key of F♯ major with a tempo of 88 beats per minute. Henley's vocals span F♯3 to A♯4.[7][8]
The lyrics appear to be about the passing of youth and entering middle age, with the nostalgic theme of "summer love"[9] and reminiscence of a past relationship.[10] In a 1987 interview with Rolling Stone, Henley explained that the song is about aging and questioning the past[11]—a recurring theme in Henley's lyrics (cf. "The End of the Innocence",[12] and "Taking You Home".[13]) In an interview with NME in 1985, Henley explained the '"Deadhead sticker on a Cadillac" lyric as an example of his generation selling out.[14][15]
I was driving down the San Diego Freeway and got passed by a $21,000 Cadillac Seville, the status symbol of the right-wing upper-middle-class American bourgeoisie – all the guys with the blue blazers with the crests and the grey pants – and there was this Grateful Dead "Deadhead" bumper sticker on it!
"The Boys of Summer" reached No. 5 on the Billboard Hot 100 and topped the BillboardTop Rock Tracks chart for five weeks. It was his most successful hit in the United Kingdom, reaching No. 12 on the UK Singles Chart. A re-release of the single in 1998 also reached No. 12.
Billboard called it "dance oriented pop swimming in synths and reverberating guitar".[17]
Tom Petty was astounded by the track's success. One day, he and Campbell were out on a car drive to listen to a mix of their song "Don't Come Around Here No More", but turned on the ignition and heard "The Boys of Summer". Campbell changed the station in case the song would upset Petty, but another station was also playing the song. Petty enjoyed listening to it and regretted initially turning it down.[20]
Music video
The music video to "The Boys of Summer" is a French New Wave-influenced piece directed by Jean-Baptiste Mondino. Shot in black-and-white, it shows the main character of the song at three different stages of life (as a young boy, a young adult and middle-aged), in each case reminiscing about a past relationship. Interspersed with these scenes are segments of Henley singing the words of the song while riding in a pickup truck. The boy is dressed in a style typical of the 1950s, the teenage lovers are dressed in a style characteristic of the early 1960s while the middle-aged man is dressed in the style of the 1980s. As a boy in the 1950s, the protagonist practices playing the drums, suggesting musical aspirations; as a teenager in the 1960s, he walks down a beach with his girlfriend whom he kisses passionately; and as a middle-aged man in the 1980s, he appears to be an executive of some sort who is comfortable, but unhappy in life as he sits at his desk remembering his youth. The young boy in the video is played by a seven-year-old Josh Paul,[21] while the girl is played by Audie England. Interspersed with these scenes are segments of Henley articulating the words of the song while driving in a convertible. At its conclusion, the video uses the post-modern concept of exposing its own workings, as with a wry expression Henley drives the car away from a rear projection screen.
In 2002, Spanish trance artist DJ Sammy (with vocals performed by Dutch singer Loona) covered the song. It was released in 2002 as the third and final single from second studio album, Heaven (2002). This cover peaked at number two in the United Kingdom and was one of New Zealand's most successful hits of 2002, reaching number three and earning a gold certification from the Recording Industry Association of New Zealand. The music video was filmed in València, Spain, and was released in November 2002.[citation needed]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
In 2003, the rock band the Ataris covered "The Boys of Summer" for their album So Long, Astoria. The song became their second single when a radio station began to play it. The single peaked at No. 2 on the Billboard Modern Rock Chart (held off the No. 1 top spot by Linkin Park's "Faint") and No. 20 on the Billboard Hot 100. It remains their most successful single.[71]
The Ataris' version of the song replaced the "Deadhead sticker" reference with one that the band felt was more appropriate to the age group of their fans, namely a "Black Flag sticker", in honor of the punk rock band from the 1980s. Asked in a 2016 interview whether he was okay with the lyric change, Henley responded, "No, not really... And if you noticed, we haven't heard much from the Ataris since then."[72] Campbell, however, said that "it's not a song you expect a young band like that to do, but I kind of like their version of it."[73]
Music video
The music video was directed by Steven Murashige and was released in July 2003.[74]
^Graff, Gary (1998). "Don Henley". In Graff, Gary; Durchholz, Daniel (eds.). MusicHound Rock: The Essential Album Guide. Detroit: Visible Ink Press. pp. 544–545.
^Gilmore, Mikal (December 10, 1987). "Henley Interview 1987". Rolling Stone. Vol. 512, no. 20th Anniversary Issue. Archived from the original on October 10, 2008. Retrieved September 9, 2008. Beyond that, I'm also not convinced we really accomplished all that much. Kennedy was president and everybody thought it was Camelot, but look at what we did. We raised all that hell in the Sixties, and then what did we come up with in the Seventies? Nixon and Reagan. The country reverted right back into the hands it was in before. I don't think we changed a damn thing, frankly. That's what the last verse of 'The Boys of Summer' was about. I think our intentions were good, but the way we went about it was ridiculous. We thought we could change things by protesting and making firebombs and growing our hair long and wearing funny clothes. But we didn't follow through. After all our marching and shouting and screaming didn't work, we withdrew and became yuppies and got into the 'Me' Decade.
^"A father now, Don Henley has matured—as has his music". CNN.com. July 3, 2000. Archived from the original on February 19, 2009. Retrieved September 13, 2008. As a solo artist, Henley offered bittersweet commentary on aging - on what happens when those carefree rebels grow up - in such songs as 'Boys of Summer' and 'The End of the Innocence.'
^Varkentine, Ben (May 23, 2000). "Don Henley: Inside Job". PopMatters. Retrieved September 13, 2008. Don Henley is the cynical man's cynical man.
^Cooke, R. (February 23, 1985). "Bumper Sticker!". NME.
^The Boys of Summer (European maxi-CD single liner notes). DJ Sammy. Pulp Records, Urban Records. 2002. 019 488-2.((cite AV media notes)): CS1 maint: others in cite AV media (notes) (link)
^The Boys of Summer (UK CD single liner notes). DJ Sammy. Pulp Records, Data Records. 2003. DATA49CDS.((cite AV media notes)): CS1 maint: others in cite AV media (notes) (link)
^The Boys of Summer (US maxi-CD single liner notes). DJ Sammy. Robbins Entertainment. 2002. 76869-72075-2.((cite AV media notes)): CS1 maint: others in cite AV media (notes) (link)