The Look of Silence | |
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Directed by | Joshua Oppenheimer |
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Cinematography | Lars Skree |
Edited by | Niels Pagh Andersen |
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Distributed by | Drafthouse Films (US) |
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Running time | 103 minutes[1] |
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The Look of Silence is 2014 Danish documentary film directed by Joshua Oppenheimer and executive produced by Werner Herzog, Errol Morris, and Andre Singer, about the Indonesian killings of 1965–66. The film is the sequel to Oppenheimer's 2012 documentary The Act of Killing.[2].
The film was screened in the official competition at the 71st Venice International Film Festival,[3][4] where it won the Grand Jury Prize, the International Film Critics Award (FIPRESCI), the Italian online critics award (Mouse d'Oro), the European Film Critics Award (FEDEORA), as well as the Human Rights Nights Award.[5] Since then, it has gone on to win multiple awards, including Best World Documentary (Cinephile Prize) at the Busan International Film Festival,[6] the Grand Prize (DOX Award) at CPH:DOX,[7] the prize for Best Documentary at the Starz Denver Film Festival,[8] a Danish Arts Council Award for outstanding achievement in filmmaking,[9] and the Best Film Award at the One World human rights documentary film festival.[10]
Additionally, the film has screened at the Telluride Film Festival, Toronto International Film Festival, New York Film Festival, Zurich Film Festival, and IDFA (International Documentary Festival Amsterdam).
On November 10, 2014, 2,000 people came to the official and public premiere of the film in Jakarta, and on December 10, 2014 - International Human Rights Day - there were 480 public screenings of the film across Indonesia. The screenings of the film in Indonesia has been sponsored by the National Human Rights Commission of Indonesia and the Jakarta Arts Council.
It has been selected to be screened in the Berlinale Special Galas section of the 65th Berlin International Film Festival in February 2015.[11]
The Look of Silence received largely positive reviews. On review aggregator website Rotten Tomatoes, the film holds a 93% rating based on 14 reviews.[12] On Metacritic, the film has a 91 out of 100 rating based on 9 critics, indicating "universal acclaim".[13]