Virga Jesse | |
---|---|
Motet by Anton Bruckner | |
Key | E minor |
Catalogue | WAB 52 |
Form | Gradual |
Text | Virga Jesse floruit |
Language | Latin |
Dedication | 100th anniversary of the Linz diocese |
Performed | 8 December 1885 Vienna : |
Published | 1896 Vienna : |
Vocal | SATB choir |
Virga Jesse (The branch from Jesse), WAB 52, is a motet by the Austrian composer Anton Bruckner. It sets the gradual Virga Jesse floruit for unaccompanied mixed choir.
The work was completed on 3 September 1885 and may have been intended for the celebration of the one-hundredth anniversary of the Linz diocese; however, like the Ecce sacerdos magnus that Bruckner composed A.M.D.G. for that event, it was not performed there.[1][2] It was performed on 8 December 1885 in the Wiener Hofmusikkapelle for the Feast of the Immaculate Conception.[1]
The original manuscript is archived at the Österreichische Nationalbibliothek, and transcriptions of it at the Hofmusikkapelle and the Abbey of Kremsmünster.[3] The motet was edited together with three other graduals (Locus iste WAB 23, Christus factus est WAB 11, and Os justi WAB 30), by Theodor Rättig, Vienna in 1886.[1] The motet is put in Band XXI/34 of the Gesamtausgabe.[4]
This 91-bar gradual in E minor is for mixed choir a cappella. In the first part on the verse Virga jesse floruit (bars 1-20) Bruckner used twice the Dresdner Amen on the word floruit (bars 7-9 and 17-19).[1] The last part (bars 63-91) consists, as in the earlier Inveni David WAB 19, of an Alleluja, for which Bruckner drew his inspiration from the Hallelujah of Händel's Messiah, on which he often improvised on organ.[5] The motet ends in pianissimo by the tenor voice on a pedal point.[6]
Max Auer regards it as the most accomplished and magnificent a cappella motet of the composer.[6] The Bruckner biographer Howie also calls this work "one of Bruckner's finest motets".[2]
The first recording of Bruckner's Vexilla regis occurred in 1931:
A selection among the about 80 recordings: