The winners were announced during the awards ceremony on March 30, 1992. The Silence of the Lambs became the first horror film to win Best Picture and the first film to be released on home video prior to winning that award.[12] Moreover, it was the third film to win the "Big Five" major categories for picture, directing, lead acting performances, and screenwriting. The other two films to achieve this feat were 1934's It Happened One Night and 1975's One Flew Over the Cuckoo's Nest.[13][14]Beauty and the Beast became the first animated film to be nominated for Best Picture. Toy Story 3 and Up are the only two other animated films ever nominated for Best Picture.[15]Boyz n the Hood's John Singleton became the first African-American to be nominated for Best Director and the youngest nominee in that category.[12] Nominated for Best Supporting Actress and Best Actress, respectively, Diane Ladd and Laura Dern became the first mother and daughter nominated in the same year.[12]
Riding on the success of 63rd Academy Awards which won several Emmys, AMPAS rehired Gil Cates for the third consecutive year.[21][22] He christened the 1992 ceremony with the theme "Pure Joy of the Movies" explaining that "Motion pictures provide us with laughter, romance, adventure and a deeper understanding of ourselves. With all the extraordinary events that are taking place today, it's wonderful that we can still get away to see a film."[23][24]
A month before the festivities, Cates recruited actor and comedian Billy Crystal to host the ceremony for the third straight year.[25] According to Variety columnist Army Archerd, Crystal planned to perform a bungee jump stunt as part of his entrance at the beginning of the ceremony. However, the act was scrapped due to high insurance costs for the Academy and Crystal coming down with the flu.[26] Instead, Crystal, who was wearing Hannibal Lecter's mask from The Silence of the Lambs, was hauled onto the stage by two men.[27]
Several other people were involved in the production of the ceremony. Choreographer Debbie Allen supervised the Best Song nominee performances and the Best Original Score dance number.[28] Film composer and musician Bill Conti served as musical director of the ceremony.[29] In tandem with the theme of the ceremony, Chuck Workman produced a montage highlighting famous movie scenes from past and present.[20]
Box office performance of nominees
At the time of the nominations announcement on February 19, the combined gross of the five Best Picture nominees at the US box office was $393 million with an average of $78.7 million per film.[30]The Silence of the Lambs was the highest earner among the Best Picture nominees with $130.7 million in domestic box office receipts.[30] The film was followed by Beauty and the Beast ($106.6 million), The Prince of Tides ($59.3 million), JFK ($58.1 million), and finally Bugsy ($38.9 million).[30]
Of the 50 top-grossing movies of the year, 72 nominations went to 15 of them. Only Silence of the Lambs (3rd), Beauty and the Beast (6th), Cape Fear (10th), The Prince of Tides (18th), JFK (21st), Boyz n the Hood (22nd), Thelma and Louise (27th), The Fisher King (30th), and Bugsy (32nd) were nominated for Best Picture, directing, acting, or screenwriting. The other top 50 box office hits that earned nominations were Terminator 2: Judgment Day (1st), Robin Hood: Prince of Thieves (2nd), Hook (5th), The Addams Family (7th), Backdraft (12th), and Star Trek VI: the Undiscovery Country (13th).[31]
LGBT in film protest
Several days before the ceremony, LGBT activist groups such as Queer Nation and Out in Film announced plans to stage a protest outside the Dorothy Chandler Pavilion.[32] The organizations were voicing their complaints regarding derogatory and unflattering portrayals of homosexuals in film such as The Silence of the Lambs, JFK, and the upcoming film Basic Instinct.[33][34] Queer Nation spokesman Rick Wilson said that the demonstrators "would stop cars from getting to the Oscars. It'll be a stall-in". Wilson also announced plans to disrupt the proceedings inside the theater.[35] In response, producer Gil Cates stated, "Anyone can protest about anything they want outside the show." But he said that the standard, "generic response" to something happening during the ceremony on camera, "would be to cut to a commercial."[35] Moreover, Academy spokesman Bob Werden reiterated that while security plans would not be as stringent as the previous year, firemen and police officers would be on hand in case of fallout from the protests.[33]
On the day of the telecast, several protesters carried various signs that contained statements such as "Stop Hollywood's Homophobia" and "Hollywood Stop Censoring Our True Queer Lives."[36] One man who had purchased tickets to the ceremony yelled statistics regarding AIDS in protest as John Candy was introducing a Best Song performance.[37] The protester was immediately escorted out by security without any arrests, nor were his remarks heard during the broadcast.[36]
Critical reviews
The show received a positive reception from most media publications. The New York Times film critic Janet Maslin raved that the telecast was "uncharacteristically lively". She also praised host Crystal saying that his opening monologue "set the evening's clever and iconoclastic tone."[38] Columnist Scott Williams of the Associated Press wrote that "Crystal was charming from the moment he was wheeled onstage and strolled into the audience wearing the face mask of the demonic Hannibal 'The Cannibal' Lecter from The Silence of the Lambs, which was named best picture."[39] Ray Richmond from the Orange County Register commented that Crystal "is such a magnificent Oscar host that the job should be his as long as he wants it."[40]
Ratings and reception
The American telecast on ABC drew in an average of 44.44 million people over its length, which was a 5% increase from the previous year's ceremony.[41] The show also drew higher Nielsen ratings compared to the previous ceremony with 29.84% of households watching over a 50.26 share.[42] In addition, it also drew a higher 18–49 demo rating with a 20.71 rating over a 39.51 share among viewers in that demographic.[42]
^Kleid, Beth (October 21, 1991). "Morning Report: Television". Los Angeles Times. Archived from the original on October 5, 2013. Retrieved August 21, 2013.
^Landis, Dave (October 10, 1991). "More Misha". USA Today. p. 1D.
^"Academy Report, Volume 4 Number 2"(PDF). Academy of Motion Picture Arts and Sciences. June 1992. Archived from the original on September 21, 2013. Retrieved September 9, 2013.
^ abWells, Jeffrey (March 27, 1992). "Up the Academy". Entertainment Weekly. Archived from the original on October 3, 2013. Retrieved September 12, 2013.
^Johnson, Greg (March 18, 1999). "Call It the Glamour Bowl". Los Angeles Times. Archived from the original on September 28, 2013. Retrieved August 26, 2013.
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