A Canterbury Tale
US theatrical poster (1949)
Directed byMichael Powell
Emeric Pressburger
Written byMichael Powell
Emeric Pressburger
Produced byMichael Powell
Emeric Pressburger
StarringEric Portman
Sheila Sim
Dennis Price
Kim Hunter
Sgt John Sweet
CinematographyErwin Hillier
Edited byJohn Seabourne Sr.
Music byAllan Gray
Distributed byGeneral Film Distributors
Eagle-Lion Films
Release dates
21 August 1944 (UK)
21 January 1949 (US)
Running time
124 minutes
CountryUnited Kingdom

A Canterbury Tale is a 1944 British film by Michael Powell and Emeric Pressburger starring Eric Portman, Sheila Sim, Dennis Price and Sgt. John Sweet; Esmond Knight provided narration and played two small roles. For the post-war American release, Raymond Massey narrated and Kim Hunter was added to the film. The film was made in black and white, and was the first of two collaborations between Powell and Pressburger and cinematographer Erwin Hillier.

Much of the film's visual style is a mixture of British realism and Hillier's German Expressionist style that is harnessed through a neo-romantic sense of the English landscape. The concept that 'the past always haunts the present' in the English landscape was already part of English literary culture, e.g. in works by Rudyard Kipling such as Puck of Pook's Hill, and would become a notable trope for British novelists and film-makers from the 1960s. A Canterbury Tale takes its title from The Canterbury Tales of Geoffrey Chaucer and loosely uses Chaucer's theme of "eccentric characters on a religious pilgrimage" to highlight the wartime experiences of the citizens of Kent and encourage wartime Anglo-American friendship and understanding. Anglo-American relations were also explored in Powell and Pressburger's previous film The Life and Death of Colonel Blimp and in more detail in their subsequent film A Matter of Life and Death.


St George's Church tower, seen in the film after being gutted in the Baedeker raids (modern photograph)
St George's Church tower, seen in the film after being gutted in the Baedeker raids (modern photograph)

The story concerns three young people: British Army Sergeant Peter Gibbs (Dennis Price), U.S. Army Sergeant Bob Johnson (played by real-life Sergeant John Sweet), and a "Land Girl", Miss Alison Smith (Sheila Sim). The group arrive at the railway station in the fictitious small Kent town of Chillingbourne (filmed in Chilham, Fordwich, Wickhambreaux and other villages in the area), near Canterbury, late on Friday night, 27 August 1943. Peter has been stationed at a nearby Army camp, Alison is due to start working on a farm in the area, and Bob left the train by mistake, hearing the announcement "next stop Canterbury" and thinking he was in Canterbury.

As they leave the station together Alison is attacked by an assailant in uniform, who pours glue on her hair before escaping. It transpires that this has happened to other women, and the mystery attacker is known locally as "the glue man". Alison asks Bob if he will spend the weekend in Chillingbourne to help her solve the mystery. The next day, while riding a farm cart in the countryside, Alison meets Peter, who surrounds her cart with his platoon of three Bren Gun Carriers. Alison agrees to meet Peter again. The three decide to investigate the attack, enlisting the help of the locals, including several small boys who play large-scale war games.

The three use their detective skills to identify the culprit as a local magistrate, Thomas Colpeper (Eric Portman), a gentleman farmer and pillar of the community, who also gives local history lectures to soldiers stationed in the district. Alison interviews all the glue man's victims to identify the dates and times of their attacks. Gibbs visits Colpeper at his home and steals the fire watch roster listing the nights Colpeper was on duty in the town hall, whilst a paper drive for salvage by Johnson's boy commandos lets Johnson discover receipts for gum used to make glue sold to Colpeper. The dates of the attacks correspond with Colpeper's night watches, for which he wore a Home Guard uniform kept in the town hall.

On their train journey to Canterbury on the Monday morning, Colpeper joins the three in their compartment. They confront him with their suspicions, which he does not deny, and they discover that his motive is to prevent the soldiers from being distracted from his lectures by female company, as well as to help keep the local women faithful to their absent British boyfriends. In Colpeper's words, Chaucer's pilgrims travelled to Canterbury to "receive a blessing or to do penance". On arriving in the city of Canterbury, devastated by wartime bombing, all three young people receive blessings of their own. Alison discovers that her boyfriend, believed killed in the war, has survived after all; his father, who had blocked their marriage because he thought his son could do better than a shopgirl, finally relents. Bob receives long-delayed letters from his sweetheart, who is now a WAC in Australia. Peter, a cinema organist before the war, gets to play the music of Johann Sebastian Bach on the large organ at Canterbury Cathedral, before leaving with his unit. He decides not to report Colpeper to the Canterbury police, as he had planned to do.


Gibbs, Johnson and SmithThe Seven Sisters Soldier is standing behind Peter & Bob and Sergt. 'Stuffy' (Graham Moffatt) is asleep
Gibbs, Johnson and Smith
The Seven Sisters Soldier is standing behind Peter & Bob and Sergt. 'Stuffy' (Graham Moffatt) is asleep



Powell and Pressburger, who were known collectivity as "The Archers", wrote the script together, linking the concepts of landscape and history (light and time) with the personal journey of three people—the pilgrims—to show a basis of common identity.[2] Powell was said to have used the work of Chaucer as inspiration to create a film that showed "the love of his birthplace and all that he felt about England".[3]


All three leads were unknowns.[3] Many local people, including a lot of young boys, were recruited as extras for the extensive scenes of children's outdoor activities such as river "battles" and dens.[3]


The film was shot throughout the county of Kent not long after the Baedeker raids of May–June 1942 which had destroyed large areas of the city centre of Canterbury. Much of the film is shot on location in and around Canterbury Cathedral and the city's bomb sites, including the High Street, Rose Lane and the Buttermarket. The cathedral was not available for filming as the stained glass had been taken down, the windows boarded up and the organ, an important location for the story, removed to storage, all for protection against air raids. By the use of clever perspective, large portions of the cathedral were recreated within the studio by art director Alfred Junge.[4]

Chilham Mill features in the film in the scene where GI Bob meets children playing in the river on a boat and later, with Peter, when they get the proof about Colpeper. The village was used for scenes showing Chillingbourne village. In the scene where soldiers gather for a lecture at the Colpepper Institute they are actually in Fordwich. Selling Station appears in the film as "Chillingbourne" Station at the beginning of the film. Bob and Alison ride on a cart through the village, the local Wickhambreaux Mill can be clearly seen. Colpeper's house was Wickhambreaux Court. A local Wingham village pub "The Red Lion" was used for some exterior shots of "The Hand of Glory" inn where Bob stays whilst in the village.[5] Other exterior shots of "The Hand of Glory" were filmed at "The George & Dragon", Fordwich.[1]

Before the credits, the following acknowledgement appears over an image of the cathedral viewed from the Christ Church Gate,

The Archers gratefully acknowledge the invaluable help and advice given to them by the Dean and Chapter of Canterbury, the Very Reverend the Dean of St Albans, the Mayor and Corporation of Canterbury, the Women's Land Army, and by the United States Army. They also thank the citizens of Canterbury and men and women of Kent who helped to make the film.


Besides that composed by Allan Gray for the film, musical works featured include:


The world premiere was held on 11 May 1944 at the Friars' Cinema (later the second site of the Marlowe Theatre, now demolished), Canterbury, England, an event commemorated there by a plaque unveiled by stars Sheila Sim and John Sweet in October 2000.[6] Although the film initially had very poor reviews in the UK press,[7] and only small audiences, the film became a moderate success at the British box office in 1944.[8]

The film was the first production of Powell and Pressburger not to be a major box office draw.[1] With the war over Powell was forced by the studio to completely re-edit the film for the U.S. release, cutting over 20 minutes to make the film shorter and faster moving, adding narration by Raymond Massey, and filming "bookends" which introduced Kim Hunter as Sergeant Johnson's girlfriend to make the film more contemporary. At the time of filming, Hunter and Massey were preparing to film A Matter of Life and Death for Powell. Powell filmed Hunter's sequences with Sweet on an English set simulating New York City where the couple, now married, presented the film as a flashback similar to the openings of The Way to the Stars and 12 O'Clock High. Sweet was actually filmed in New York with the sequences combined.[1] The film was fully restored by the British Film Institute in the late 1970s and the new print was hailed as a masterwork of British cinema. It has since been reissued on DVD in both the UK and USA.


There is now an annual festival based around the film in which film fans tour the film's locations.[9] The theme of the film was used by Spike Milligan for the Goon Show The Phantom Head Shaver of Brighton in 1954.[10] The film was shown in the nave of Canterbury Cathedral on 19 September 2007 to help raise money for the cathedral restoration fund.[11] In May 2014 the film was shown in Chilham village hall to help raise money for the restoration of its war memorial. The screening, which took place in the village where the film was made, coincided with the 70th anniversary of the film's première in Canterbury.[12] Several video artists have recut the more visionary sections of the film as video art.[13] Dialogue from the film was sampled on the track "Introduction" on the album Merrie Land and Dreadzone's Second Light.


  1. ^ a b c d e Tritton, Paul. A Canterbury Tale – Memories of a Classic Wartime Movie. Canterbury: Tritton Publications, August 2000. ISBN 0-9524094-2-9.
  2. ^ von Bagh, Peter. "A Tribute: A Canterbury Tale". criterion.com. Retrieved 18 August 2021.
  3. ^ a b c "A Canterbury Tale at 70: a ray of English sunshine". The Daily Telegraph. 30 August 2014.
  4. ^ Powell, Michael (1986). A Life in Movies: An Autobiography. London: Heinemann. ISBN 0-434-59945-X.
  5. ^ Kent Film Office. "Kent Film Office A Canterbury Tale Film Focus".
  6. ^ A Canterbury Tale or two
  7. ^ Contemporary review
  8. ^ Murphy, Robert (2003_ Realism and Tinsel: Cinema and Society in Britain 1939-48 p.207
  9. ^ Location walks
  10. ^ "The Phantom Head Shaver of Brighton". Archived from the original on 8 June 2008. Retrieved 23 June 2008.
  11. ^ BBC Kent Archived 18 June 2009 at the Wayback Machine
  12. ^ "ACT screening, Chilham, 11 May 2014". powell-pressburger.org. Retrieved 26 February 2018.
  13. ^ "Victor Burgin at the Arnolfini Gallery, Bristol". powell-pressburger.org. Retrieved 26 February 2018.