Academy Award for Best Sound Editing | |
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Country | United States |
Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
First awarded | 1963 |
Last awarded | 2019 |
Most recent winner | Donald Sylvester Ford v Ferrari (2019) |
Website | oscars |
The Academy Award for Best Sound Editing was an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound design or sound editing. Sound editing is the creation of sound effects (such as foley). The award was usually received by the Supervising Sound Editors of the film, sometimes accompanied by the Sound Designers. Beginning with the 93rd Academy Awards, Best Sound Editing was combined with Best Sound Mixing into a single award for Best Sound.[1]
The nominations process previously took place in two phases. The sound branch of the Academy of Motion Picture Arts and Sciences shortlisted seven films during the early 1980s until 2006. Clips were screened at a "bake-off" and branch members voted using a weighted ballot to select up to three nominees. In a rule change on June 30, 2006, the bake-off for the Sound Branch was eliminated. The usual process of a "preferential ballot" submission was instituted resulting in five nominees each year.[2]
This is a list of films that have won or been nominated for an Academy Award for Best Sound Effects (1963–1967, 1975), Sound Effects Editing (1977, 1981–1999), or Sound Editing (1979, 2000–2019). See Academy Award for Best Sound for a combined list of winners and nominees for Sound Mixing and Sound Editing.
Year | Film | Nominees |
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1970 (43rd) | ||
No award given | ||
1971 (44th) | ||
No award given | ||
1972 (45th) | ||
No award given | ||
1973 (46th) | ||
No award given | ||
1974 (47th) | ||
No award given | ||
1975 (48th) | ||
The Hindenburg [note 1] | Peter Berkos | |
1976 (49th) | ||
No award given | ||
1977 (50th) | ||
Close Encounters of the Third Kind [note 1] | Frank Warner | |
1978 (51st) | ||
No award given | ||
1979 (52nd) | ||
The Black Stallion [note 1] | Alan Splet |
Finalists for Best Sound Editing were selected by the Sound Branch from 1981 to 2005. The full membership of the Sound Branch was invited to view excerpts and was provided with supporting information at a "bake-off" where balloting determined the three nominees.[4] These are the additional films that presented at the bake-off.
Note: Ben Burtt and Stephen Hunter Flick both have Special Achievement Awards in addition to their competitive awards. These have been included with their award and nomination count. The only sound editor to date who has a Special Achievement Award and has an Oscar nomination but not a competitive award is Richard L. Anderson.
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† = includes special achievement awards