|Address||King William Road|
Adelaide, South Australia
|Owner||Adelaide Festival Centre Trust|
|Type||Performing arts centre|
|Capacity||Festival Theatre: 2,000|
Dunstan Playhouse: 590
Space Theatre: 350
Her Majesty's Theatre: 1,009
|Opened||2 June 1973|
Adelaide Festival Centre, Australia's first multi-purpose arts centre and the home of South Australia's performing arts, was built in the 1970s, designed by Hassell Architects. The Festival Theatre opened in June 1973 with the rest of the centre following soon afterwards. The complex includes Festival Theatre, Dunstan Playhouse, Space Theatre (formerly The Space) and several gallery and function spaces. Located approximately 50 metres (160 ft) north of the corner of North Terrace and King William Road, lying near the banks of the River Torrens and adjacent to Elder Park, it is distinguished by its two white geometric dome roofs, and lies on a 45-degree angle to the city's grid.
Adelaide Festival Centre hosts Adelaide Festival and presents major festivals across the year including Adelaide Cabaret Festival, OzAsia Festival, DreamBIG Children's Festival, Adelaide Guitar Festival and OUR MOB. It is also home to Adelaide Symphony Orchestra, State Opera South Australia, Australian Dance Theatre, State Theatre Company of South Australia, The Australian Ballet, Brink and Windmill Theatre Co.
The Festival Centre is managed by a statutory corporation, the Adelaide Festival Centre Trust, which is responsible for encouraging and facilitating artistic, cultural and performing arts activities, as well as maintaining and improving the building and facilities of the Adelaide Festival Centre complex and Her Majesty's Theatre.
The Festival Centre was erected on the site of the Adelaide City Baths, which had been there for over a century.
As of May 2021[update] the site (external to the venues) is undergoing major redevelopment, started in 2016, but the theatre spaces have remained open. The car park has been completed. 
In the 1960s, the Adelaide Festival of the Arts started to outgrow the city's existing venues, and there was a push to build a "Festival Hall". The Adelaide Festival Theatre Act 1964 provided for the erection of the Festival Theatre building. The originally proposed site was the Carclew building in North Adelaide, which had been purchased from the Bonython family by the Adelaide City Council for the purposes of building a Festival Hall.
Liberal state Premier Steele Hall lobbied the Federal Government for tax concessions for a public appeal for the Festival Hall, which was initially unsuccessful, until Prime Minister John Gorton offered Hall either tax concessions or A$100,000. Hall accepted the money. While on a trip to London, Steele Hall visited the Royal Festival Hall on the banks of the River Thames and decided that the banks of the River Torrens was the ideal choice for the site of the Adelaide Festival of the Arts and the cultural heart of the city. During this time, the state government changed hands, but the drive for a new centre continued with fervour. When Don Dunstan became Premier he expanded the idea into a "Festival Centre", incorporating multiple smaller venues.
The Lord Mayor of Adelaide, Robert Porter, supported by Dunstan, launched a public appeal to raise funds to build the Festival Centre and establish Adelaide as a significant city in the art world. The appeal raised its target within a week, and was soon over-subscribed; the surplus was set aside to create a collection of artworks to grace the new building.
The building was designed by Hassell, McConnell and Partners for the Adelaide City Council and the Adelaide Festival Centre Trust, and has been "hailed as a major step forward in modern architecture in South Australia". It was designed "from the inside out" and is particularly associated with the architect John Morphettand Colin Hassell. Prior to designing the buildings, Hassell led a team which included Morphett to the United States and Europe to undertake a study of theatre designs.
The Adelaide City Baths, which had stood on the site since their creation in 1861 and upgraded several times since, including the addition of an Olympic-sized swimming pool in 1940, were demolished in 1969 to make way for the new centre.
Adelaide Festival Centre, Australia's first multi-purpose arts centre, was built in three parts, from April 1970 to 1980.
The main building, the Festival Theatre, was completed in 1973, within its budget of A$10 million. On 2 June 1973 the Festival Theatre was officially opened by Prime Minister Gough Whitlam at a gala performance of Act Two, Scene 1 of Beethoven's opera Fidelio and Choral Symphony. The construction of the Playhouse (now Dunstan Playhouse), Space Theatre and Amphitheatre followed.
The whole Centre was completed for A$21 million. (By comparison, the Sydney Opera House, completed in 1973, cost A$102 million.)
Outdoor sculptures graced the outdoor spaces, including the prominent stainless steel Tetrahedra, also known as Environmental Sculpture and Tetrahedrons, by Bert Flugelman (whose Mall's Balls is perhaps his better known work).
South of complex, the Festival Plaza, initially known as the Southern Plaza was completed in March 1977, comprising an environmental sculpture by highly regarded West German artist Otto Hajek, which he called Adelaide Urban Iconography. (In the Festival Centre archives it is variously named Shorthand Adelaide, City Iconograph, and City Iconography, and government records give the title City Sign Sculpture Garden. It has also been referred to as "Hajek's Plaza", and was believed to be the largest artwork in Australia.
Given the brief of camouflaging the new air-conditioning vent from the carpark below that would rise 10 metres (33 ft) from the concrete surface of the plaza, Hajek, arguing that the "real job" of sculpture was social, created a plan that integrated sculpture with architecture, creating a social space encompassing the whole Southern Plaza. His plan consisted of "colourful, geometric painted surfaces and cement forms", and it was intended to include a fountain and other water features, extensive planting of vegetation, lighting and provision for sound, which would encourage people to interact with the "concrete garden". After its opening on 22 March 1977, the plaza stirred debate and opinions were mixed, but its designs were seen to "consciously exemplify the new practices and relations embodied in the concept of environmental art". Labelled as empty and ugly by some, it was nonetheless an artwork of its times. In 1977 it was awarded a "brickbat" by the Civic Trust, but Australia Post honoured the sculpture in 1986 by issuing a commemorative stamp for South Australia’s sesquicentenary. Hajek's wife, artist and poet Katja Hajek, wrote in 2001 that the plaza "is well-known in the world of art and became acknowledged as an artistically outstanding creation of the last quarter of the 20th century".
In the decades following, its painted surfaces, fountains and vegetation were not well-maintained, there were some problems with its concrete decking, it was not used for events, and, crucially, it did not attract incidental foot traffic to interact with its forms. In 1987, the fountain, unused for the prior three years owing to a leak, was demolished as part of a A$11 million upgrade of the plaza.
In 2002–3, the area around Adelaide Festival Centre was redeveloped substantially. The Festival Plaza was redesigned, including opening the underground roadway to the sky. Although a pedestrian suspension bridge was built on its west side, the Plaza was essentially isolated as a result of this redevelopment.
In 2013, the Government of South Australia announced that the Plaza would be redeveloped, with Hajek's work decommissioned and replaced. The removal of such a significant public work of art was seen as vandalism by some commentators, including Hajek's wife. However, not everyone in the world of art and architecture or the general public mourned its passing.
From 2016 the Festival Plaza has been undergoing a A$90 million redevelopment, as part of the major redevelopment of the Riverbank Precinct. The new public plaza, known as the Public Realm, was expected to be completed by 2020, while the office buildings and retail spaces are scheduled to be finished by 2022. The architects of the original complex, Hassell, remain as architectural consultants for the project, in collaboration with ARM Architecture and landscape architects Taylor Cullity Lethlean for the outdoor spaces. It is intended that the new plaza will be defined by three major elements: the new square, the northern promenade and the Art Space Plaza.
Changes to the design of the Public Realm submitted for approval in April 2020 were expected to push back the completion date to 2023, and as of April 2021[update] there is limited access to the venues and no access to the plaza area.
A short branch from the Glenelg tram line to the Festival Centre was opened in October 2018.
In 1971 the Adelaide Festival Centre Trust was established as a statutory authority by the Adelaide Festival Centre Trust Act 1971, reporting to the Minister for the Arts.
From about 1996 until late 2018, Arts SA (later Arts South Australia) had responsibility for this and several other statutory bodies such as the South Australian Museum and the Art Gallery of South Australia. Arts SA leased Her Majesty's Theatre and the Festival Centre to the Trust, which was responsible for "encouraging and facilitating artistic, cultural and performing arts activities throughout the State" and managing and maintaining the theatres.
In July 2017, the Trust bought Her Majesty's Theatre from Arts South Australia for A$8 million. It also borrowed A$62 million from the South Australian Government Financing Authority for a maximum term of 10 years to fund Her Majesty’s Theatre redevelopment.
From late 2018, the functions previously held by Arts SA were transferred to direct oversight by the Department of the Premier and Cabinet, Arts and Culture section.
Adelaide Festival Centre houses the several theatres and galleries, as well as function spaces and the administrative hub of the Festival Centre.
Adelaide Festival Centre is home to South Australia's leading professional performance companies, including Adelaide Symphony Orchestra, State Opera South Australia, Australian Dance Theatre, State Theatre Company of South Australia, Brink Productions and Windmill Theatre Co.
It is the host of Adelaide Festival and presents major festivals across the year including: Adelaide Cabaret Festival, Adelaide Guitar Festival, OzAsia Festival, DreamBIG Children's Festival and OUR MOB.