Aldo Busi | |
|---|---|
.jpg) Busi in 2008 | |
| Born | 25 February 1948 Montichiari (Brescia), Lombardy, Italy |
| Occupation | Novelist, translator |
| Language | Italian |
| Nationality | Italian |
| Citizenship | Italian |
| Alma mater | University of Verona |
| Period | 1984–present |
| Literary movement | Postmodernism |
| Notable works | Seminar on Youth The Standard Life of a Temporary Pantyhose Salesman Sodomies in Elevenpoint |
| Notable awards | Premio Mondello 1984, Premio Frignano 2002, Premio Boccaccio 2013. |
Aldo Busi (born 25 February 1948) is a contemporary Italian writer and translator, famous for his linguistic invention and for his polemic force as well as for some prestigious translations from English, German and ancient Italian that include Johann Wolfgang Goethe, Lewis Carroll, Christina Stead, Giovanni Boccaccio, Baldesar Castiglione, Friedrich Schiller, Joe Ackerley, John Ashbery, Heimito von Doderer, Ruzante, Meg Wolitzer, Paul Bailey, Nathaniel Hawthorne.[1]
He was born in Montichiari, near Brescia in Lombardy.
Third son of Marcello Busi (1913 – 1982) and Maria Bonora (1914 – 2008) he was raised in poverty conditions with his father, mother and siblings getting noticed for his predisposition to writing (according to the writer himself already since he attended the third year of elementary school his essays were awaited). At 14 years he was obliged by his father, the manager of a tavern, to leave school and he began to work as a waiter in several locations in the Lake Garda area. He then transferred to Milan and in 1968 he won the exemption from military service thanks to article 28/a that waives self-proclaimed homosexuals. He decided to live abroad, first in France between 1969 and 1970 (Lille and then Paris), then in Britain (London between 1970 and 1971), Germany (Munich, 1971 and 1972, Berlin in 1974), Spain (Barcelona in 1973) and in the US (New York, in 1976) working as waiter, sweeper, night porter or kitchen boy. He therefore learned several languages (French, English, German, Spanish) and kept on revising Il Monoclino (his debut book which in 1984 was published with the definitive title of Seminar on Youth).[2] Back in Italy he worked occasionally as an interpreter (experience that was at the basis of his second novel The Standard Life of a Temporary Pantyhose Salesman[3] and he engaged in his first translations from English and German. In the meantime, he got a G.E.D. in Florence in 1976 and in 1981 he graduated in Foreign Languages and Literatures at Università di Verona, with a thesis on the American poet John Ashbery. Of Ashbery in 1983, Busi translated Self-portrait in a Convex Mirror that will eventually win the prestigious Accademia dei Lincei prize.[4] Among Busi's spiritual fathers appear Laurence Sterne, Gustave Flaubert, Arthur Rimbaud, Herman Melville, Nathaniel Hawthorne, Miguel de Cervantes and Marcel Proust.[5]
Busi puts the novel at the centre of his production (he wrote seven) as he considers it to be the highest form of literature for structure complexity, aesthetic contents and expressive flexibility. A close observer of society and customs, particularly Italian ones, his characters reflect a deep psychological insight, and their fictional context is outlined with vivid impressionistic realism.[6]
Left-wing, feminist and political militant for homosexual rights, fervently anticlerical in his life and in his art, he published a series of five «end-of-millennium» essays and six manuals «for a perfect humanity» that analyse contemporary socio-political issues and propose some guidelines to handle them in daily life. Because of his open stances and his straightforward language and depictions, he finds himself to be often in the middle of given and received lawsuits. Particular attention was won in 1990 in the case of his fourth book Sodomies in Elevenpoint, which received a large media coverage but for which he is fully absolved.[7] It will only be the parent of his legal proceedings because the same fate will affect several of his future works, magazine and newspaper articles, and TV appearances.[8]
His extensive literary production includes also seven travel books (among which Uses and Abuses),[9] two novellas, a collection of stories, two fables, a theatre play, a screenplay, two songbooks and two self-portraits. Indefatigable traveller, his reports from the five continents also consistently contribute to his fame as a valued narrator and observer.[10] He occasionally also writes for newspapers and magazines.
His personal research as a scholar of languages and as a translator of foreign languages leads him to also translate some works of the Italian Middle Ages and Renaissance from ancient to modern Italian, such as Boccaccio's The Decameron, Castiglione's The Book of the Courtier (with Carmen Covito), Ruzante, and The Novellino by an anonymous author of the 13th century (with Carmen Covito). According to Busi, nowadays several classics of Italian literature, including Divine Comedy, are more known abroad than in Italy, because language update hasn't yet become customary on the Italian literary scene. His translation of The Decameron was awarded in 2013 with the Premio Letterario Boccaccio.[11] Following the same philosophy of language update, between 1995 and 2008 Busi directs for the publisher Frassinelli a book series of some classics from the most important modern literature, that proposes new translations which use all the linguistic registers of contemporary language. Between 2004 and 2009 he also has the TV series on Literature Amici libri (trans. "Book friends") inside a talent show, where he also plays the role of teacher of General Education.[12]
In 2006 the literary critic Marco Cavalli wrote the first monograph on Aldo Busi titled Busi in corpo 11, where he describes, analyses and comments on the whole writer's work.
Around half of the 2000s, the writer declared to be tired and disappointed by the immobility of the culture and politics of his own country. He claimed also that his work has been boycotted by Italy and decided to withdraw from writing, at least from organic novel writing.[13] In the following years, therefore, his releases were much more sporadic than before and limited to some minor works and to the revision of old material. The only exception is represented by the novel El especialista de Barcelona, according to him is totally unexpected to the writer himself, and that, not for nothing, talks also about a writer's tackling against a book that wants to be written.[14]
