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((short description|Italian actress (1921–2006)))
((Infobox person
| name               = Alida Valli
| image              = Alida-Valli-1947.jpg
| imagesize          = 
| caption            = Valli in 1947
| birthname          = Alida Maria Laura, ''[[Freiherr|Freiin]]'' Altenburger von Marckenstein-Frauenberg
| birth_date         = ((birth date|1921|5|31|df=y))
| birth_place        = [[Pula|Pola]], [[Kingdom of Italy]] (now Croatia)
| death_date         = ((death date and age|2006|4|22|1921|8|31|df=y))
| death_place        = Rome, Italy
| othername          = Valli
| occupation         = Actress, Singer
| years_active       = 1936–2002
| spouse             = ((marriage|Oscar de Mejo|1944|1952|end=divorced))<br>[[Giancarlo Zagni]]  <br>(((abbr|m.|married)) 196?; ((abbr|div.|divorced)) 1970)
| children           = 2, including [[Carlo De Mejo]]
| signature          = Alida Valli signature.svg
))

'''Alida Maria Laura, ''[[Freiin]]'' Altenburger von Marckenstein-Frauenberg''' (31 May 1921 – 22 April 2006), better known by her [[stage name]] '''Alida Valli''' (or simply '''Valli'''), was an Italian actress who appeared in more than 100 films in a 70-year career, spanning from the 1930s to the early 2000s. She was one of the biggest stars of Italian film during the [[Fascist Italy (1922–1943)|Fascist era]], once being called "the most beautiful woman in the world" by [[Benito Mussolini]], but managed to find continued international success post-World War II.<ref>((Cite news
 | url = https://www.washingtonpost.com/wp-dyn/content/article/2006/04/23/AR2006042301137.html
 | title = 'The Third Man' Actress Alida Valli, 84
 | access-date = 2008-09-22
 | first = Adam
 | last = Bernstein
 | date = 2006-04-24
 | newspaper = Washington Post
 | location = Washington, D.C.
))</ref><ref>((Cite web|title=VALLI, Alida in "Enciclopedia del Cinema"|url=https://www.treccani.it/enciclopedia/alida-valli_(Enciclopedia-del-Cinema)|access-date=2021-10-19|website=www.treccani.it|language=it-IT))</ref> According to [[Frédéric Mitterrand]], Valli was the only actress in Europe to equal [[Marlene Dietrich]] or [[Greta Garbo]].

Valli worked with many significant directors both in Italy and abroad, including [[Alfred Hitchcock]] (''[[The Paradine Case]]''; 1947), [[Carol Reed]] (''[[The Third Man]]''; 1949), [[Luchino Visconti]] (''[[Senso (film)|Senso]]''; 1954), [[Michelangelo Antonioni]] (''[[Il Grido]]''; 1957), [[Georges Franju]] (''[[Eyes Without a Face (film)|Eyes Without a Face]]''; 1960), [[Pier Paolo Pasolini]] ([[Oedipus Rex (1967 film)|''Oedipus Rex'']]; 1967), [[Mario Bava]] (''[[Lisa and the Devil]]''; 1972), [[Bernardo Bertolucci]] (''[[1900 (film)|1900]],'' 1976; [[La Luna (1979 film)|''La Luna'']]; 1979), and [[Dario Argento]] (''[[Suspiria]]''; 1977). Within her lifetime, Valli was invested a [[Order of Merit of the Italian Republic|Knight of the Italian Republic]], and received the Lifetime Achievement [[Golden Lion]] at the [[1997 Venice Film Festival]] for her contributions to cinema.

==Early life==

Valli was born in Pola, [[Istria]], Italy (today [[Pula]], Croatia; until 1918 it had formed part of [[Austria-Hungary]]). She was of Austrian, Slovenian and Italian descent, although "she was never considered to be anything other than Italian."<ref name="gundle">((cite book|last=Gundle|first=Stephen|url=https://books.google.com/books?id=6wFPAgAAQBAJ|title=Mussolini's Dream Factory: Film Stardom in Fascist Italy|page=230|publisher=Berghahn Books|year=2013|isbn=978-1-782-38245-4))</ref> Her paternal grandfather was the Baron Luigi Altenburger (also: Altempurger), an Austrian-Italian from [[Trento]], a descendant of the Counts d'Arco; her paternal grandmother was Elisa Tomasi from Trento, a cousin of the Roman senator [[Ettore Tolomei]]. Valli's mother, Silvia Oberecker Della Martina, born in Pola, was a "culturally sophisticated" housewife of half Slovene and half Italian descent.<ref name="spoto">((cite book|last=Spoto|first=Donald|author-link1=Donald Spoto|url=https://books.google.com/books?id=xwRPqIovZ3sC|title=Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies|page=111|publisher=Random House|year=2012|isbn=978-1-448-16601-5))</ref><ref name="gundle" /> Valli's mother was the daughter of Felix Oberecker (also: Obrekar) from Laibach, Austria (now [[Ljubljana]], Slovenia) and Virginia Della Martina from Pola, Istria (then part of Austria). Valli's maternal granduncle, Rodolfo, was a close friend of [[Gabriele D'Annunzio]]. Valli was multi-lingual. She grew up speaking Slovene, Italian, and German and was fluent as well in Serbo-Croatian, French, and English.((citation needed|date=July 2023)) In European films with international casts she would routinely film her dialogue in the language of the actors opposite her and dub herself (usually in Italian) for the soundtrack.

Valli was christened '''''[[Freiin]]''''' '''Altenburger von Marckenstein-Frauenberg'''. During her lifetime she also gained the titles Dr.h.c. of the III. University of Rome, [[Chevalier des Arts et des Lettres]] of France and [[Order of Merit of the Italian Republic|Knight of the Italian Republic]].

==Career==
[[File:Senso pozzo.jpg|thumb|330px|left|Alida Valli with [[Farley Granger]], scene from the film ''[[Senso (film)|Senso]]'', 1954]]
Intellectually gifted, at fifteen Valli travelled to Rome, where she attended the Centro Sperimentale di Cinematografia, the oldest school for film actors and directors in Western Europe and still one of the most prestigious. At that time, she lived with her uncle Ettore Tolomei. Valli started her movie career in 1934, in ''Il cappello a tre punte'' (''The Three Cornered Hat'') during the so-called [[Telefoni Bianchi]] cinema era. Her first big success came with the movie ''Mille lire al mese'' (1939). After many roles in a large number of comedies, she earned her success as a dramatic actress in ''[[Piccolo mondo antico]]'' (1941), directed by [[Mario Soldati]], for which she won a special Best Actress award at the [[Venice Film Festival]]. During the Second World War, she starred in many movies, including ''[[Stasera niente di nuovo]]'' (1942) (whose song "Ma l'amore no" became the leitmotif of the Italian forties) and the [[diptych]] ''Noi Vivi / Addio Kira!'' (1943) (based on [[Ayn Rand]]'s novel ''[[We the Living]]''). These latter two movies were nearly censored by the Italian government under [[Benito Mussolini]], but they were finally permitted because the novel upon which they were based was anti-Soviet. The films were successful, and the public easily realized that they were as much against fascism as communism. After several weeks, however, the films were pulled from theaters as the German and Italian governments, which abhorred communism, found out the story also carried an anti-fascist message.
[[File:Sinatra Radio.gif|right|thumb|((center|[[Frank Sinatra]] and Valli, circa 1940s))]]
By her early 20s, already widely regarded as the "most beautiful woman in the World", Valli had a career in English-language films through [[David O. Selznick|David Selznick]], who signed her to a contract, thinking that he had found a second [[Ingrid Bergman]]. In Hollywood, she performed in great successes and memorable movies, in [[Alfred Hitchcock]]'s ''[[The Paradine Case]]'' (1947) with [[Gregory Peck]]; with [[Fred MacMurray]] and [[Frank Sinatra]] (in his first non-musical performance), in ''[[The Miracle of the Bells]]'' (1948); alongside [[Orson Welles]] and [[Joseph Cotten]] in [[Carol Reed]]'s ''[[The Third Man]]'' (1949), regarded as one of the best movies ever made worldwide and the [[British Film Institute]] selection as the [[BFI Top 100 British films|greatest British film of all time]]; and again with Cotten in ''[[Walk Softly, Stranger]]'' (1950). Through these and other movies she gained international renown, often credited with the cursive word ''Valli'', which would become her characteristic 'wordmark' in America "to make her sound even more exotic."<ref name=srl>((cite news|title=Alida Valli Wants Her First Name Restored|newspaper=Statesville Record and Landmark |url=https://www.newspapers.com/clip/2787619/statesville_record_and_landmark/|agency=Statesville Record And Landmark|date=January 22, 1951|page=20|via = [[Newspapers.com]]|access-date = July 11, 2015)) ((Open access))</ref> In 1951, she complained that she disliked the single-name reference. "I feel silly going around with only one name," she said. "People get me mixed up with [[Rudy Vallée]]."<ref name=srl/> The actress could not tolerate the strict rules of [[David O. Selznick|Selznick]], who imposed total control on his actors, and managed to gain her contract's rescission, though with the payment of a high [[Penal damages|penalty]].<ref name="unita">[[Adele Cambria]], [http://cerca.unita.it/ARCHIVE/xml/190000/189954.xml?key=Adele+Cambria&first=1041&orderby=0&f=fir «Alida mi raccontava il cinema come una favola»L'ultimo intimo saluto all'attrice. Veltroni: volevamo organizzare una serata con i suoi film, ma se ne è andata prima] ((webarchive|url=https://web.archive.org/web/20151222085753/http://cerca.unita.it/ARCHIVE/xml/190000/189954.xml?key=Adele+Cambria&first=1041&orderby=0&f=fir |date=December 22, 2015 |data=22 December 2015 )), ''[[L'Unità]]'', 25 April 2006.</ref>

She returned to Europe in the early 1950s and starred in many French and Italian films. In 1954, she had great success in the melodrama ''[[Senso (film)|Senso]]'', directed by [[Luchino Visconti]]. In that film, set in mid-19th-century Venice during the [[Risorgimento]], she played a Venetian countess torn between patriotic ideals and an adulterous love for an officer (played by [[Farley Granger]]) of the occupying Austrian forces.

In 1956, Valli decided to stop making movies, concentrating instead on the stage. She was in charge of a company that produced [[Broadway theatre|Broadway]] plays in Italy.<ref>((cite news|title=Alida Valli To Try Stage|newspaper=Herald and Review |url=https://www.newspapers.com/clip/2787703/the_decatur_herald/|agency=The Decatur Herald|date=January 3, 1956|page=12|via = [[Newspapers.com]]|access-date = July 11, 2015)) ((Open access))</ref>

She appeared in [[Georges Franju]]'s horror film ''[[Eyes Without a Face (film)|Eyes Without a Face]]'' (''Les Yeux sans visage'', 1959) (''Eyes Without a Face'', 1959) with [[Pierre Brasseur]]. From the 1960s, she worked in several pictures with prominent directors, such as [[Pier Paolo Pasolini]]'s ''[[Oedipus Rex (1967 film)|Edipo re]]'' (''Oedipus Rex''), 1967; [[Bernardo Bertolucci]]'s ''[[The Spider's Stratagem|La strategia del ragno]]'', 1972; ''[[1900 (film)|Novecento]]'', 1976, and [[Dario Argento]]'s ''[[Suspiria]]'', 1977. Her final movie role was in ''Semana Santa'' (2002), with [[Mira Sorvino]]. In Italy, she was also well known for her stage appearances in such plays as [[Henrik Ibsen|Ibsen]]'s ''[[Rosmersholm]]''; [[Luigi Pirandello|Pirandello]]'s ''[[Henry IV (Pirandello)|Henry IV]]''; [[John Osborne]]'s ''[[Epitaph for George Dillon]]''; and [[Arthur Miller]]'s ''[[A View from the Bridge]]''. At the [[54th Venice International Film Festival]] in 1997 Alida Valli obtained the Golden Lion award for her career.

==Personal life==
[[File:Oscar De Mejo e Alida Valli anni quaranta.jpg|right|thumb|200px|Oscar de Mejo and Valli]]
Her teenage love, [[:pt:Carlo Cugnasca|Carlo Cugnasca]], was a famous Italian aerobatic pilot. He served as a [[fighter pilot]] with the ''[[Regia Aeronautica]]'' and was killed during a mission over British-held [[Tobruk]] on 14 April 1941.<ref>Lyman, Robert. ''The Longest Siege: Tobruk- The Battle that Saved North Africa'' 2009, p. 152.</ref><ref>((cite web|url=http://famigliapesce.blogspot.it/2009/06/alida-vallimontanelli-cugnasca.html|title=Famiglia Pesce|first=Giovanni|last=Pesce|year=2009 ))</ref>

Valli married Oscar de Mejo in 1943 and filed for divorce from him in 1949, but they reconciled.<ref>((cite news|last1=Parsons|first1=Louella O.|title=Alida Valli Fails To Show Up In Court To Get Her Divorce|newspaper=Lubbock Evening Journal |url=https://www.newspapers.com/clip/2787839/lubbock_evening_journal/|agency=Lubbock Evening Journal|date=July 6, 1949|page=18|via = [[Newspapers.com]]|access-date = July 11, 2015)) ((Open access))</ref> They had two sons together before their marriage ended in divorce in 1952 and she returned to Italy.<ref>((cite news|title=Actress Has Son|newspaper=Lubbock Morning Avalanche |url=https://www.newspapers.com/clip/2787935/lubbock_morning_avalanche/|agency=Lubbock Morning Avalanche|date=March 2, 1950|page=28|via = [[Newspapers.com]]|access-date = July 11, 2015)) ((Open access))</ref><ref name=GuardObit>((cite news |url=https://www.theguardian.com/news/2006/apr/24/guardianobituaries.film |title=Alida Valli: Italian film star idolised by Mussolini and betrayed by Harry Lime |first=John Francis |last=Lane |author-link=John Francis Lane |work=[[The Guardian]] |date=2006-04-26 |access-date=2019-11-18))</ref> She married Italian film director [[Giancarlo Zagni]] in the early 1960s, divorcing in 1970.<ref name=GuardObit/>

Valli's movie career suffered in 1953 from a scandal surrounding the death of [[Wilma Montesi]], whose body was found on a public beach near [[Ostia (Rome)|Ostia]]. Prolonged investigations resulted, involving allegations of drug and sex orgies in Roman society. Among the accused – all of whom were acquitted, leaving the case unsolved – was Valli's lover, jazz musician [[Piero Piccioni]] (son of the Italian Minister of Foreign Affairs).<ref>((cite news|title=(photo caption)|newspaper=The Times Record |url=https://www.newspapers.com/clip/2787895/the_times_record/|agency=The Times Record|date=March 22, 1954|page=1|via = [[Newspapers.com]]|access-date = July 11, 2015)) ((Open access))</ref>

==Death==
Valli's death at her home on 22 April 2006 was announced by the office of the mayor of Rome, [[Walter Veltroni]].

The critic [[David Shipman (writer)|David Shipman]] wrote in his book ''The Great Movie Stars: The International Years'', that on the basis of her best-known films before 1950, she might seem to be "one of Hollywood's least successful continental imports", but a viewer of "any two or three of the films she has made since then ... will probably regard her as one of the half-dozen best actresses in the world".<ref>David Shiopman ''The Great Movie Stars'', London: Macdonald, 1989, p. 586((ISBN?))</ref> The French critic [[Frédéric Mitterrand]] wrote: "[She] was the only actress in Europe to equal [[Marlene Dietrich]] or [[Greta Garbo]]".

==Filmography==
===Film===
{| class="wikitable"
|-
! Year
! Title
! Role
! Notes
|-
|1935 || ''[[The Three-Cornered Hat (film)|The Three-Cornered Hat]]'' || || Uncredited
|-
|1936 || ''[[The Two Sergeants (1936 film)|The Two Sergeants]]'' || Una commessa dell'emporio 'Au Bon Marché' || as Alida Altenburger
|-
|rowspan=2|1937 ||''[[It Was I!]]'' || Lauretta ||
|-
|''[[The Ferocious Saladin]]'' || Dora Florida / La bella Sulamita ||
|-
|rowspan=3|1938 || ''[[A Lady Did It]]'' || Maria Sardo ||
|-
|''[[L'amor mio non muore! (1938)|L'amor mio non muore!]]''|| Maria D'Alba ||
|-
|''[[The House of Shame (1938 film)|The House of Shame]]'' || La ragazza ||
|-
|rowspan=3|1939 || ''[[A Thousand Lire a Month]]'' || Magda ||
|-
|''[[Unjustified Absence]]'' || Vera Fabbri ||
|-
|''[[The Castle Ball]]'' || Greta Larsen ||
|-
|rowspan=5|1940 ||''[[Manon Lescaut (1940 film)|Manon Lescaut]]'' || Manon Lescaut ||
|-
|''[[Red Tavern]]'' || Susanna Sormani ||
|-
|''[[The Last Enemy (film)|The Last Enemy]]'' || A friend of Anna ||
|-
|''[[Beyond Love (film)|Beyond Love]]'' || Vanina Vanini ||
|-
|''[[The First Woman Who Passes]]'' || Gabrielle de Vervins ||
|-
|rowspan=4|1941 ||''[[Piccolo mondo antico]]'' || Luisa Rigey Maironi ||
|-
|''[[Light in the Darkness]]'' || Marina Ferri ||
|-
|''[[Schoolgirl Diary]]'' ||Anna Campolmi ||
|-
|''[[The Secret Lover]]'' || Renata Croci ||
|-
|rowspan=5|1942 ||''[[We the Living (film)|We the Living]]'' || Kira Argounova ||
|-
|''[[Invisible Chains (film)|Invisible Chains]]'' || Elena Silvagni ||
|-
|''[[The Two Orphans (1942 film)|The Two Orphans]]'' || Enrichetta ||
|-
|''[[Addio Kira]]''|| Kira Argounova ||
|-
|''[[Stasera niente di nuovo]]'' || Maria ||
|-
|rowspan=3|1943 || ''[[Laugh, Pagliacci]]'' ||Giulia ||
|-
|''[[T'amerò sempre]]'' || Adriana ||
|-
|''[[Apparizione]]'' || Andreina ||
|-
|1944 || ''[[The Za-Bum Circus]]'' || || segments "Gelosia", "Il postino" and "Galop finale al circo"
|-
|rowspan=2|1945 ||''[[Il canto della vita]]'' || Patrizia Martini ||
|-
|''[[Life Begins Anew]]'' || Giovanna ||
|-
|1946 ||''[[Eugenia Grandet (1946 film)|Eugenia Grandet]]'' || Eugenia Grandet ||
|-
|1947 ||''[[The Paradine Case]]'' || Maddalena Anna Paradine ||
|-
|1948 ||''[[The Miracle of the Bells]]'' || Olga ||
|-
|1949 ||''[[The Third Man]]'' || Anna Schmidt ||
|-
|rowspan=2|1950 ||''[[The White Tower (film)|The White Tower]]'' || Carla Alton ||
|-
|''[[Walk Softly, Stranger]]'' ||Elaine Corelli ||
|-
|rowspan=2|1951 ||''[[Les Miracles n'ont lieu qu'une fois]]'' || Claudia ||
|-
|''[[Last Meeting]]'' || Lina Castelli ||
|-
|rowspan=3|1953 ||''[[Lovers of Toledo]]''|| Doña Inés de Arévalo Blas||
|-
|''[[The World Condemns Them]]'' || Renata Giustini ||
|-
|''[[We, the Women]]''|| Alida || Segment: "Alida Valli" 
|-
|rowspan=2|1954 ||''[[The Stranger's Hand]]'' || Roberta Gleukovitch ||
|-
|''[[Senso (film)|Senso]]'' || La contessa Livia Serpieri ||
|-
|rowspan=3|1957 ||''[[Il Grido]]'' || Irma ||
|-
|''[[This Angry Age]]'' || Claude ||
|-
|''[[The Wide Blue Road]]'' || Rosetta ||
|-
|rowspan=2|1958 ||''[[The Night Heaven Fell]]'' || Florentine ||
|-
|''[[L'amore più bello]]'' || Carolina ||
|-
|1959 || ''[[Signé Arsène Lupin]]'' || Aurélia Valéano ||
|-
|rowspan=5|1960 || ''[[Treno di Natale]]'' || ||
|-
|''[[Eyes Without a Face (film)|Eyes Without a Face]]'' || Louise ||
|-
|''[[Dialogue with the Carmelites]]'' || Mère Thérèse de Saint-Augustin ||
|-
|''[[The Gigolo (1960 film)|The Gigolo]]'' || Agathe ||
|-
|''[[Il peccato degli anni verdi]]''|| Elena's mother ||
|-
|rowspan=3|1961||''[[The Long Absence]]'' || Thérèse Langlois ||
|-
|''[[The Happy Thieves]]'' || Duchess Blanca ||
|-
|''[[La fille du torrent]]'' || Livia Boissière ||
|-
|rowspan=3|1962 ||''[[Disorder (1962 film)|Disorder]]'' || Carlo's Mother ||
|-
|''[[Al otro lado de la ciudad]]'' || ||
|-
|''[[Homage at Siesta Time]]''|| Constance Fischer ||
|-
|rowspan=5|1963 ||''[[A la salida]]'' || ||
|-
|''[[Ophelia (1963 film)|Ophelia]]'' || Claudia Lesurf ||
|-
|''[[The Castilian]]'' || Reina Teresa ||
|-
|''[[The Paper Man (1963 film)|The Paper Man]]'' || La Italiana ||
|-
|''Una cara para escapar'' || ||
|-
|1964 || ''L'Autre Femme'' || Annabel ||
|-
|1965 || ''[[Black Humor (film)|Black Humor]]'' || The Widow || segment: "La vedova"
|-
|1967 || ''[[Oedipus Rex (1967 film)|Edipo re]]'' || Merope ||
|-
|rowspan=2|1970 ||''[[The Mushroom (1970 film)|The Mushroom]]'' || Linda Benson ||
|-
|''[[The Spider's Stratagem|La strategia del ragno]]'' || Draifa ||
|-
|rowspan=2|1972 ||''[[Eye in the Labyrinth]]'' || Gerda ||
|-
|''[[La prima notte di quiete]]'' || Marcella Abati - Vanina's mother ||
|-
|rowspan=2|1973 ||''[[Lisa and the Devil]]'' || Countess ||
|-
|''[[Diario di un italiano]]'' || Olga ||
|-
|rowspan=3|1974 ||''[[Lola (1974 film)|Lola]]'' || Louise ||
|-
|''[[Tender Dracula]]'' || Héloïse ||
|-
|''[[The Antichrist (film)|The Antichrist]]'' || Irene ||
|-
|rowspan=3|1975 ||''[[La Chair de l'orchidée]]'' || La folle de la gare ||
|-
|''[[Cher Victor]]'' || Anne ||
|-
|''[[Il caso Raoul]]'' || Elsa ||
|-
|rowspan=3|1976 ||''[[1900 (film)|Novecento]]'' || Signora Pioppi ||
|-
|''[[Le jeu du solitaire]]'' || Germaine ||
|-
|''[[The Cassandra Crossing]]'' || Nanny ||
|-
|rowspan=3|1977 ||''[[Suspiria]]'' || Miss Tanner ||
|-
|''[[Un cuore semplice]]'' || Mrs. Obin ||
|-
|''[[Berlinguer, I Love You]]'' || Mrs. Cioni ||
|-
|rowspan=2|1978 ||''[[Porco mondo]]'' ||Teresina ||
|-
|''[[The Perfect Crime (1978 film)|The Perfect Crime]]''||Lady Clementine De Revere ||
|-
|rowspan=4|1979 ||''[[Zoo zéro]]'' || Yvonne, la mère ||
|-
|''[[Killer Nun]]'' || Mother Superior ||
|-
|''[[La Luna (1979 film)|La luna]]'' || Giuseppe's Mother ||
|-
|''Licanthropus, il figlio della notte'' || ||
|-
|rowspan=3|1980 || ''[[Inferno (1980 film)|Inferno]]'' || Carol, the caretaker ||
|-
|''[[Aquella casa en las afueras]]'' || Isabel ||
|-
|''Puppenspiel mit toten Augen'' || ||
|-
|rowspan=2|1981 ||''[[Peacetime in Paris]]'' || ||
|-
|''[[The Fall of the Rebel Angels (film)|The Fall of the Rebel Angels]]'' || Bettina ||
|-
|rowspan=2|1982 || ''[[Aspern (film)|Aspern]]'' || Juliana Bartes ||
|-
|''[[Sogni mostruosamente proibiti]]'' || Marina's mother ||
|-
|1985 || ''[[Secrets Secrets]]''|| Gina ||
|-
|1987 || ''[[Le jupon rouge]]'' || Bacha ||
|-
|1988 || ''[[À notre regrettable époux]]'' || Catarina
|-
|rowspan=2|1991 ||''[[La bocca]]'' || Countess Bianca Rospigliosi ||
|-
|''[[The Party's Over (1991 film)|The Party's Over]]'' || Clara ||
|-
|rowspan=2|1993 ||''[[The Long Silence]]'' || Carla's Mother ||
|-
|''[[Bugie rosse]]'' || Caterina, Andrea's mother ||
|-
|1995 || ''[[A Month by the Lake]]'' || Signora Fascioli ||
|-
|1996 || ''[[Fotogrammi mortali]]''|| Countess Alessandra Mirafiori||
|-
|1999 ||''[[Il dolce rumore della vita]]'' || Sofia's grandmother ||
|-
|2000 || ''[[Vino santo]]'' || Sveva ||
|-
|2001 || ''[[Probably Love]]''|| Alida Valli ||
|-
|2002 || ''[[Semana santa]]'' ||Doña Catalina || Final film role
|}

===Television===
*''[[I Figli di Medea]]'' (1959) as Medea / Alida Valli
*''Il caso Mauritius'' (1961)
* ''[[Combat!]]'' as Marie (Episode: "Doughboy", 1963)
*''[[Desencuentro (1964 TV series)|Desencuentro]]'' (series, 1964)
*''Rome Will Never Leave You'', three episodes of ''[[Dr. Kildare (TV series)|Dr. Kildare]]'' (1964) as Luisa Brabante
*''[[Il consigliere imperiale]]'' (1974)
*''[[Les grandes conjurations: Le tumulte d'Amboise]]'' (1978)
*''[[L'altro Simenon]]'' (series, 1979)
*''[[L'eredità della priora]]'' (serial, 1980) as Priora
*''[[Dramma d'amore]]'' (serial, 1983)
*''[[Piccolo mondo antico (1989 film)|Piccolo mondo antico]]'' (serial, 1989) as La marchesa Maironi
*''[[Una vita in gioco 2]]'' (serial, 1992)
*''[[Delitti privati]]'' (1992) as Matilde Pierboni

==Theatre==
*''[[La casa dei Rosmer]]'' (1956) Henrik Ibsen (aka Rosmersholm)
*''[[L'uomo, la bestia e la virtù]]'' (1956), Luigi Pirandello
*''[[Gli innocenti]]'' (1956), William Archibald
*''[[Enrico IV]]'' (1958), Luigi Pirandello
*''[[Il sole e la luna]]'' (1965), Guglielmo Biraghi
*''[[Epitaffo per George Dillon]]'' (1966), John Osborne and Anthony Creighton (Epitaph for George Dillon)
*''[[A View from the Bridge|Uno sguardo dal ponte]]'' (1967), Arthur Miller (A View from the Bridge)
*''[[La bambolona]]'' (1968), Raf Vallone
*''[[Il dio Kurt]]'' (1969), Alberto Moravia
*''[[I parenti terribili]]'' (1969), Jean Cocteau (Les parents terribles)
*''[[LSD-Lei, scusi, divorzierebbe?]]'' (1970), Carlo Maria Pensa
*''[[Uno sporco egoista]]'' (1971), Francois Dorin
*''[[Lulu (Lo spirito della terra – Il vaso di Pandora)]]'' (1972), Frank Wedekind (Lulu [Erdgeist-Die Büchse der Pandora])
*''[[Le massacre à Paris]]'' (1972), Christopher Marlowe (The Massacre at Paris)
*''[[Il Gabbiano]]'' (1973), Anton Cechov
*''[[L'uomo che incontrò de stesso]]'' (1981), Luigi Antonelli
*''[[La Venexiana]]'' (1981), Anonimo del Cinquecento
*''[[La fiaccola sotto il moggio]]'' (1981), Gabriele d'Annunzio
*''[[Ekaterina Ivanovna]]'' (1983), Leonid Andreev
*''[[Il malinteso]]'' (1984), Albert Camus (Le malentendu)
*''[[Romeo e Giulietta]]'' (1985), William Shakespeare (Romeo and Juliet)
*''[[A porte chiuse, da Sartre a Mishima]]'' (1986), di Jean-Paul Sartre e Yukio Mishima (Huis clos – Aoi – Hanjo)
*''[[La città morta]]'' (1988), Gabriele D'Annunzio
*''[[La nave]]'' (1988), Gabriele D'Annunzio
*''[[I paraventi]]'' (1990), Jean Genet (Les paravents)
*''[[Improvvisamente l'estate scorsa]]'' (1991),  Tennessee Williams (Suddenly Last Summer)
*''[[Più grandiose dimore]]'' (1993), Eugene O'Neill
*''[[Così è (se vi pare)]]'' (1994), Luigi Pirandello
*''[[Questa sera si recita a soggetto]]'' (1995), Luigi Pirandello

==Radio appearances==
{| class="wikitable"
|-
! Year !! Program !! Episode/source
|-
| 1948|| ''[[Lux Radio Theatre]]'' || ''[[The Miracle of the Bells]]''<ref>((cite journal|title=Those Were the Days|journal=Nostalgia Digest|date=Spring 2009|volume=35|issue=2|pages=32–39))</ref> 
|}
''Lux Radio Theatre'' broadcast "The Paradine Case" in a radio adaptation of the film on 9 May 1949, starring Joseph Cotten, with Alida Valli and [[Louis Jourdan]] reprising their roles.

==References==
((More citations needed|date=March 2015))
((Reflist))

==External links==
((Portal|Biography))
((Commons category|Alida Valli))
* [https://web.archive.org/web/20100610070711/http://www.alidavalli.net/ Alida Valli webpage]
* [http://filmnoirphotos.blogspot.com/2009_05_01_archive.html film noir]
*[http://www.istrianet.org/istria/illustri/valli/index.htm Istria on the Internet, Prominent Istrians]
* ((IMDb name|id=0885098))
* ((Tcmdb name))
* [http://www.reelclassics.com/Actresses/Valli/valli.htm Alida Valli at Reel Classics]
* [https://web.archive.org/web/20070514145122/http://www.telegraph.co.uk/news/main.jhtml?view=DETAILS&grid=&xml=/news/2006/04/24/db2401.xml Obituary] in ''The Telegraph.'' April 24, 2006.
* [https://www.nytimes.com/2006/04/25/movies/25valli.html?scp=1&sq=alida+valli&st=nyt Obituary] in ''New York Times.'' April 25, 2006.
* ((Cite web
| url = http://www.altfg.com/actors/alida-valli.htm
| title = Alida Valli (1921–2006)
| access-date = 2007-03-09
| first = André
| last = Soares
| publisher = Alternative Film Guide
| date =7 June 2006
))
* ((Cite web
| url = http://www.filmreference.com/Actors-and-Actresses-Va-Wi/Valli-Alida.html
| title = Alida Valli
| access-date = 2007-05-15
| publisher = filmreference.com
| archive-url= https://web.archive.org/web/20070509041709/http://www.filmreference.com/Actors-and-Actresses-Va-Wi/Valli-Alida.html| archive-date= 9 May 2007 | url-status= live))
* [http://film.virtual-history.com/person.php?personid=5549 Photographs of Alida Valli]
* ((Find a Grave|14030947))

((David di Donatello for Best Supporting Actress))
((Golden Lion for Lifetime Achievement))
((Nastro d'Argento Best Actress))
((Authority control))

((DEFAULTSORT:Valli, Alida))
[[Category:1921 births]]
[[Category:2006 deaths]]
[[Category:Austrian baronesses]]
[[Category:Burials at Campo Verano]]
[[Category:Centro Sperimentale di Cinematografia alumni]]
[[Category:David di Donatello Career Award winners]]
[[Category:David di Donatello winners]]
[[Category:Istrian Italian people]]
[[Category:Italian film actresses]]
[[Category:Italian stage actresses]]
[[Category:Italian people of Austrian descent]]
[[Category:Italian people of German descent]]
[[Category:Italian television actresses]]
[[Category:Italian people of Slovenian descent]]
[[Category:Nastro d'Argento winners]]
[[Category:People from Pula]]
[[Category:Golden Lion for Lifetime Achievement recipients]]

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