.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in Russian. (December 2016) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Russian Wikipedia article at [[:ru:Осипенко, Алла Евгеньевна]]; see its history for attribution. You should also add the template ((Translated|ru|Осипенко, Алла Евгеньевна)) to the talk page. For more guidance, see Wikipedia:Translation.
Alla Osipenko in the Netherlands in 1968

Alla Yevgenyevna Osipenko (Russian: Алла Евгеньевна Осипенко; born 16 June 1932 in Leningrad) is a retired Soviet ballerina. She studied at the Leningrad Choreographic School (now Vaganova Academy) in the class of Agrippina Vaganova.

Upon graduation she joined the Kirov Ballet (now the Mariinsky Ballet) in 1950, and was promoted to prima ballerina in 1954. Her repertoire included: Lilac Fairy in The Sleeping Beauty, Odette-Odile in Swan Lake, Gamzatti in La Bayadère, Waltz and Mazurka in Chopiniana, Masha in The Nutcracker, Frigia in Spartak, the Mistress of the Copper Mountain in The Stone Flower (1957), and Mekhmene-Banu in Legend of Love (1961). In 1961, while Osipenko was on tour with the Kirov Ballet in Paris, one of her main dance partners, Rudolf Nureyev defected to the west on her 29th birthday. Osipenko, who was not a Communist Party member, was under considerable suspicion by the KGB upon her return to the Soviet Union who believed she might have known about the defection ahead of time (she didn't). She had a rocky relationship with the Kirov for much of the 1960s and Osipenko left the Kirov in 1971.

From 1971 to 1973 she was a soloist of the troupe “Choreographic Miniatures” under direction of Leonid Jakobson. She also danced leading parts of classic and modern repertoire in stagings of well-known soviet ballet-masters. Osipenko then danced the work Leningrad choreographer, Boris Eifman, becoming the first star dancer to champion his work. Osipenko was married to fellow Kirov soloist John Markovsky who had also left the Kirov to work with Jakobson.

After the fall of the Soviet Union, Osipenko moved to the US in the 1990s and worked with the Hartford Ballet Company in Connecticut. She eventually returned to St. Petersburg, Russia in 2000. She also has a longtime artistic relationship with the famed Russian filmmaker Aleksandr Sokurov and has appeared in a number of his films including the award-winning international success, Russian Ark. Osipenko is currently working as a ballet coach with the Mikhailovsky Ballet in St. Petersburg.

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