Anna Karenina (Greta Garbo) is the wife of Czarist official Karenin (Basil Rathbone). While she tries to persuade her brother Stiva (Reginald Owen) from a life of debauchery, she becomes infatuated with dashing military officer Count Vronsky (Fredric March). This indiscreet liaison ruins her marriage and position in 19th century Russian society; she is even prohibited from seeing her own son Sergei (Freddie Bartholomew), with eventual dire results.[2]
Writing for The Spectator in 1935, Graham Greene made much of Greta Garbo's powerful and theatrical acting in the film, noting that "it is Greta Garbo's personality which 'makes' this film, which fills the mould of the neat respectful adaptation with some kind of sense of the greatness of the novel". Greene found that the pathos that Garbo's acting brings to the picture overwhelms the acting of all supporting cast save that of Basil Rathbone.[3]
Helen Brown Norden, in a glowing review in Vanity Fair, wrote "Against the glittering background, these people move to their inevitable doom. There seems more of anguish and more of sombre depth in this version than there was in the old silent film (with Garbo and John Gilbert). Garbo—still with that remote look of 'the implacable Aphrodite' on her face—acts with a dignity and a bitter passion which reach a mature climax in the final scene."[4]
The film has received acclaim from modern critics. It holds a 93% approval rating on Rotten Tomatoes, based on 14 reviews.[5]
