Sir Anthony Alfred CaroOMCBE (8 March 1924 – 23 October 2013) was an English abstract sculptor whose work is characterised by assemblages of metal using 'found' industrial objects.[1] He began as a member of the modernist school, having worked with Henry Moore early in his career.[1] He was lauded as the greatest British sculptor of his generation.[1]
Early life and education
Caro was born in New Malden, Surrey, England[2] to a Jewish family[3] and was the youngest of three children.[2]
Anthony Caro encountered modernism when working as an assistant to Henry Moore in the 1950s.[7] After being introduced to the American sculptor David Smith in the early 1960s, he abandoned his earlier figurative work and started constructing sculptures by welding or bolting together pieces of steel such as I-beams, steel plates and meshes. Twenty Four Hours (1960), in Tate Britain since 1975, is one of his earliest abstract sculptures in painted steel. Often the finished piece was then painted in a bold flat colour.[7]
Caro found international success in the late 1950s. He is often credited with the significant innovation of removing the sculpture from its plinth, although Smith and Brâncuși had both previously taken steps in the same direction. Caro's sculptures are usually self-supporting and sit directly on the floor. In doing so, they remove a barrier between the work and the viewer, who is invited to approach and interact with the sculpture from all sides.[7]
In 1980, Caro was trying to organise an exhibition of British abstract art in South African townships when he met Robert Loder. In 1981, when staying in New York State, the pair developed the idea of running workshops for professional artists, which became the Triangle Arts Trust. They held the first Triangle workshop in 1982 for thirty sculptors and painters from the US, the UK and Canada at Pine Plains, New York.[8]
Caro's work changed direction in the 1980s with the introduction of more literal elements, with a series of figures drawn from classical Greece. After visiting Greece in 1985, and closely studying classical friezes, he embarked on a series of large-scale narrative works, including After Olympia, a panorama more than 23 metres (75 ft) long, inspired by the temple to Zeus at Olympia.[4] Latterly he has attempted large scale installation pieces, one of which, Sea Music, stands on the quay at Poole, Dorset.
In the early 2000s, his work featured nearly life-size equestrian figures built from fragments of wood and terra cotta on gymnasts' vaulting horses.[9] In 2008, Caro opened his "Chapel of Light" installation in the Saint Jean-Baptiste Church of Bourbourg (France), and exhibited four figurative head sculptures at the National Portrait Gallery, London. In 2011 the Metropolitan Museum of Art installed five works by Caro on their rooftop. As of 2012, Caro was working on an immense, multipart sculpture that would occupy three blocks of Midtown Park Avenue.
National Gallery Ledge Piece, 1978, welded steel, by Anthony Caro
Since the 1950s, Caro's work has been shown in museums and galleries worldwide.[10]
His first solo exhibition was at the Galleria del Naviglio in Milan in 1956,[10] and his first solo show in London was at the Gimpel Fils Gallery the next year.[10][11] Another solo show was at the Whitechapel Art Gallery in 1963.[10] In 1967 Caro began exhibiting regularly with Kasmin in London, and in 1969, he began showing with André Emmerich in New York.[12] In the same year he showed at the São Paulo Biennale with John Hoyland.[13] In 2004, to honour his 80th birthday, Tate Britain and other galleries held exhibitions of his work.[citation needed]
From 1 June to 27 October 2013 in connection with the 55th Venice Biennale, he exhibited at the Museo Correr, Venice, Italy.[16] The exhibit was on at the time of his death.
In 1949, Caro married the painter Sheila Girling and they had two sons together: Timothy (born 1951), a zoologist; and Paul (born 1958, a painter.[2][20]
Death
Caro was 89 when he died of a heart attack on 23 October 2013.[21] He was lauded as a "gentle man with a pioneering spirit" by BBC arts editor Will Gompertz and "one of the greatest sculptors in the second half of the twentieth century" by Royal Academy of Arts chief executive Charles Saumarez Smith.[1] He is buried in the churchyard of Worth Matravers, Dorset.
^ abcd"Anthony Caro Resume"(PDF). C. Grimaldis Gallery. Baltimore, Maryland. Archived from the original(PDF) on 29 October 2013. Retrieved 24 October 2013.
