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((Short description|Italian composer))
((Refimprove|date=March 2020))
'''Antonello da Caserta''', also '''Anthonello de Casetta''', '''Antonellus Marot''', was an Italian composer of the [[medieval music|medieval era]], active in the late 14th and early 15th centuries.

==Life and career==
Essentially nothing is known of Antonello's life. Earlier in the 20th century, [[Nino Pirrotta]] thought Caserta was a [[Naples|Neapolitan]] composer, but because most of his surviving works are in northern Italian manuscripts, this is now doubted ((harv|Günther and Stone|2001)). Allusions in his texts suggest that he worked for the [[Visconti of Milan|Visconti]] family in [[Milan]] around the turn of the 15th century ((harv|Nádas and Ziino|1990)), and a "frater Antoniello de Caserta" mentioned in an archival document may indicate that he was at the Visconti court in [[Pavia]] in 1402 ((harv|Günther and Stone|2001)). Antonello was a [[monk]], though the order to which he belonged is not known.

==Music==
Antonello da Caserta is one of the more renowned composers of the generation after [[Guillaume de Machaut]]. Antonello set texts in both French and Italian, including ''Beauté parfaite'' of Machaut; this is the only surviving musical setting of a poem by Machaut which is not by Machaut himself. He was highly influenced by French musical models, one of the first Italians to be so. One of his [[ballade (forme fixe)|ballade]]s quotes [[Jehan Vaillant]], a composer active in [[Paris]]. He also made use of irregular [[mensural notation#Mensurations|mensuration signs]], found in few other manuscripts. He also uses proportional rhythms in some ballades, a device which became more popular in later periods. His Italian works tend to be simpler, especially the ''[[ballata|ballate]]''. Both his French and Italian works take as their subjects [[courtly love]].

==Works==

===French===
''(all for three voices)''
;Ballades
*''Amour m'a le cuer mis''
*''Beauté parfaite''
*''Dame d'onour en qui''
*''Du val prilleus'' (or ''Du ciel perileus'')
*''Notes pour moi ceste ballade''
*''Nulle pitie de ma dame'' (possibly by Antonello)

;Rondeaux
*''Dame d'onour c'on ne puet esprixier''
*''Dame zentil en qui est ma sperance''

;Virelai
*''Tres nouble dame souverayne''

===Italian===
''(all for two voices)''
;Ballatas
*''A pianger l'ochi''
*''Con dogliosi martire''
*''Deh, vogliateme oldire''
*''Madonna, io me ramento''
*''Or tolta pur me sey''
*''Più chiar ch'el sol'' (with a fragmentary third voice)

;Madrigal
*''Del glorioso titolo d'esto duce''

==References==
*((wikicite|ref=((harvid|Günther and Stone|2001))|reference=[[Ursula Günther|Günther, Ursula]], and Anne Stone. "Antonello [Anthonello, Anthonellus, (An)tonelus] da Caserta [Antonellus Marot de Caserta, A. Marotus de Caserta abbas]". 2001. ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.))
*((wikicite|ref=((harvid|Nádas and Ziino|1990))|reference=Nádas, John L., and Agostino Ziino (eds.). 1990. ''The Lucca Codex: Codice Mancini: Lucca, Archivio di Stato, MS 184; Perugia, Biblioteca Comunale "Augusta", MS 3065''. Lucca: Libreria Musicale Italiana Editrice.))

==Further reading==
*Günther, Ursula. 1990. "Polymetric Rondeaux from Machaut to Dufay". In ''Studies in Musical Sources and Style: Essays in honor of Jan LaRue'', edited by Edward H. Roesner and Eugene K. Wolf, 75–108. Madison, WI: A-R Editions. ((ISBN|9780895792532)).
*Günther, Ursula/Anne Stone. "Antonello da Caserta". ''[[The New Grove Dictionary of Music and Musicians]]'' online.

((Music of the Trecento|state=open))
((Medieval music))

((Authority control))

((DEFAULTSORT:Caserta, Antonello da))
[[Category:Italian male classical composers]]
[[Category:Trecento composers]]
[[Category:Year of birth unknown]]
[[Category:Year of death unknown]]
[[Category:15th-century Italian composers]]
[[Category:Medieval male composers]]

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