Apamea (Greek: Ἀπάμεια, Apameia; Arabic: آفاميا, Afamia), on the right bank of the Orontes River, was an ancient Greek and Roman city. It was the capital of Apamene under the Macedonians,[1] became the capital and Metropolitan Archbishopric of late Roman province Syria Secunda, again in the crusader period.
Amongst the impressive ancient remains, the site includes the Great Colonnade which ran for nearly 2 km (1.2 mi) making it among the longest in the Roman world and the Roman Theatre, one of the largest surviving theatres of the Roman Empire with an estimated seating capacity in excess of 20,000.
The site is about 55 km (34 mi) to the northwest of Hama, Syria, overlooking the Ghab valley.
History
Contoured map of ApameaHouses and shops along the Colonnade street, Apamea in 2002Colonnade street, detail, Apamea
Hellenistic era
After the conquest of the region by Alexander the Great and the subsequent wars between his generals, and according to the new interpretation of a new historical and iconographic source for Hellenistic history, a mosaic of Apamea discovered in 2011, proposed by Olszewski and Saad,[2] the foundation of Pella, the Macedonian military camp (katoikia) took place in the fall 320 BC, just after the Treaty of Triparadeisos (320 BC) at the initiative of Antipater, and Cassander's inspiration. In view of this interpretation, the authors disagree with the earlier hypothesises attributing the foundation of Pella to Alexander the Great or to Antigonus I Monophthalmus. From about 300 BC Pella receive a new status of polis, was fortified and established as a city (polis) by Seleucus I Nicator who named it after his Bactrian wife, Apama, daughter of the Sogdian warlord Spitamenes.[3] The site was enclosed in a loop of the Orontes which, with the lake and marshes, gave it a peninsular form whence its other name of Cherronêsos. It was located at a strategic crossroads for Eastern commerce and became one of the four cities of the Syrian tetrapolis. Seleucus also made it a military base with 500 elephants, and an equestrian stud with 30,000 mares and 300 stallions.
After 142 BC, the pretender Diodotus Tryphon made Apamea the base of his operations.[4]
Q. Aemilius Secundus[5] did a population survey of the city and its territory which belonged to it in AD 6, in which he counted "117,000 hom(ines) civ(ium)" – 117,000 citizen human beings, a figure that has been interpreted as giving a total population of either 130,000 or 500,000, depending on methods used.[6]
In 64 BC, Pompey marched south from his winter quarters probably at or near Antioch and razed the fortress of Apamea when the city was annexed to the Roman Republic.[7] In the revolt of Syria under Quintus Caecilius Bassus, it held out against Julius Caesar for three years till the arrival of Cassius in 46 BC.[8] On the outbreak of the Jewish War, the inhabitants of Apamea spared the Jews who lived in their midst and would not suffer them to be murdered or led into captivity.[9] Apamea was briefly captured in 40 BC by the Pompeian-Parthian forces.
Much of Apamea was destroyed in the 115 AD earthquake, but was subsequently rebuilt.
Roman era
From 218 until 234 AD, the legion II Parthica was stationed in Apamea, when it abandoned support of the usurper Macrinus to the emperor and sided with Elagabalus' rise to the purple who then defeated Macrinus in the Battle of Antioch.[10] Apamea was destroyed by Chosroes I in the 6th century.[11][12]
The Targum of Pseudo-Jonathan (Num. xxxiv. 11) has Apamea (אפמיאה)[14] for the city name Shepham as occurring in the TargumimJerusalem and Neofiti.[15] Since Apamea virtually belonged to Rabbinic Palestine, the first-fruits brought by Ariston from that town were accepted for sacrifice in Jerusalem.[16]
It was settled by the Arab tribes of Bahra and Udhra. However, it only regained its importance under the rule of Aleppo-based Hamdanid dynasty.[12] Ruled by Khalaf ibn Mula'ib from 1095–1106, the city was taken by Tancred after Khalaf's murder by Assassins.[18] It was destroyed by an earthquake in 1152.[11]
Remains
Facade (portico).An example of the ornamental ruins.
Many remains of the ancient acropolis are still standing, consisting probably of the remains of highly decorated temples of which Sozomen speaks;[19] it is now enclosed in ancient castle walls called Kalat el-Mudik (Kŭlat el-Mudîk); the remainder of the ancient city is to be found in the plain.
Museum, view of the courtyard, Apamea in 2002
The most significant collection of objects from the site, including many significant architectural and artistic objects, that can be seen outside of Syria are in Brussels at the Cinquantenaire Museum.
As a result of the civil war in Syria, the ancient city has been damaged and looted by treasure hunters.[20][21] In April 2017, Al-Masdar News published satellite photographs revealing the site was covered in hundreds of holes dug by treasure hunters seeking ancient artifacts.[22]
The Great Colonnade was situated along the main avenue of Apamea and ran for nearly 2 kilometres (1.2 mi), making it among the longest in the Roman world. It was rebuilt after the original, dating from the Seleucid Empire, was devastated along with the rest of Apamea in the 115 AD earthquake. Reconstruction started immediately and over the course of the second century the city was completely rebuilt, starting with the Great Colonnade.[23] The colonnade was aligned along the north-south axis, making up the city's "cardo maximus". Starting at the city's north gate, the colonnade ran in an uninterrupted straight line to the south gate. The northern third of the colonnade's stretch is marked by a monumental votive column that stood opposite the baths.[24] The colonnade passed through the centre of the city and several important buildings were clustered around it, including the baths, the agora, the Temple of Tyche, the nymphaeum, the rotunda, the atrium church and the basilica.[25] On either side of the street a 6.15 metres (20.2 ft)-wide colonnade ran its full length. The columns were 9 metres (30 ft) high and 0.9 metres (2 ft 11 in) in diameter. They stood on square bases of 1.24 m on a side and 0.47 m high. The columns display two main designs: plain and distinctive spiral flutes. Archaeologist Jean Lassus argues that the former dates back to the Trajanic period, and the latter to that of Antoninus Pius.[26] The colonnade's porticoes were paved with extensive mosaics along the full stretch of the colonnade.[24]
Under the Byzantine Emperor Justinian I, several parts of the colonnade were restored. The street was narrowed to 12 m by adding a walkway on either side. Several stretches of the street had their Roman pavement replaced with a new pavement made of squared blocks of limestone. The new pavement also covered a completely overhauled drainage system. Justinian's changes included erecting a monumental tetrastylon made up of four 9 m high columns with a metre-high capitals.[27] The city, was however, later sacked by the Sasanians under Adarmahan.[28]
A reconstructed section of the colonnade can be seen in the Brussels Cinquantenaire Museum.
Roman theatre
Great Hunting Mosaic from the Governor's residence, 414–420 AD
Originally built as a Hellenistic style theatre in the early Seleucid Empire, the theatre was expanded and remodelled in the early Roman period,[29] when the main stage and entrances were reorganized in a more typical Roman fashion. The 115 Antioch earthquake caused severe damage to the structure. It was rebuilt soon afterwards, under the patronage of both Trajan and Hadrian. The theatre was further expanded in the first half of the third century CE.[30] Under the Byzantine Empire the theatre's drainage basin was restructured and a qanat was built through the middle of the lower stage. By the late Byzantine period the theatre had stopped serving as a centre for theatrical performances. However, the theatre and its qanat continued to be an important water source during the Byzantine and Islamic periods.[31] The theatre was built into a steep hill overlooking the Orontes River valley.[32]
The theatre, along with the one at Ephesus, is one of the largest surviving theatres of the Roman Empire with an estimated seating capacity in excess of 20,000. The only other known theatre that is considerably larger was the Theatre of Pompey in Rome.[33] Much of its structure is in ruins due to architectural collapses and extensive quarrying in later epochs,[34] and only one-eighth of the site has been exposed so far.[33] One of the main features at the theatre is its water basin and the elaborate Roman piping system used in it. The recently excavated terracotta system is located along the eastern ground entrance and is well preserved.[35]
Great hunting mosaic
This mosaic, now in the Cinquantenaire Museum, Brussels, was discovered in 1935 in the reception room of what was probably the palace of the Roman governor of the province of Syria Secunda. Its area is 120 m².
The great mosaic dates from 415–420 AD and is amongst the most prestigious of this type of composition. It is comparable technically and thematically with mosaics in the Palace of the Byzantine emperors in Constantinople, of the same period.
An inscription at the entrance states: "During the most beautiful Apellion, the triclinium was rebuilt in the month Gorpiaios, third indict, in the year 851" (September, 539 AD).
Bishopric
Christianity came to the area within the first century. Bishops included:
^Apamea in Syria in the Second and Third Centuries A.D. Jean Ch. Balty The Journal of Roman Studies Vol. 78 (1988), pp. 91–104 Published by: Society for the Promotion of Roman Studies DOI: 10.2307/301452 Stable URL: https://www.jstor.org/stable/301452
^Michael Peppard, Mosaics from a Church in the Diocese of Apamea, Syria (463 CE) Zeitschrift für Papyrologie und Epigraphik Bd. 190 (2014), pp. 168-172
^ abcVolker L. Menze, Justinian and the Making of the Syrian Orthodox Church (Oxford University Press, 2008), p. 82.
