Arn: The Knight Templar (Swedish: Arn: Tempelriddaren) is an epic film based on Jan Guillou's trilogy about the fictional SwedishKnight TemplarArn Magnusson. The film was released to cinemas in Sweden on 17 December 2007[1] and the sequel, Arn – The Kingdom at Road's End (Arn – Riket vid vägens slut), was released 22 August 2008, but both films were combined into a single cut for the English release on DVD in 2010. While the film is mostly in Swedish and most of the production was made in Sweden, the film is a joint production between Sweden, Denmark, Norway, Finland and Germany. With a total budget of around SEK 210 million (ca. US $30 million) for both films, it is the most expensive production in Swedish cinema. The film grossed $22.5 million according to Box Office Mojo.[citation needed]
The original movie follows the first two volumes of Guillou's trilogy. An "international" version has been created which incorporates this film and its sequel Arn – The Kingdom at Road's End into a single cut with a duration of approximately 130 minutes.
Arn Magnusson is a son of the powerful Folkung dynasty in the mid-12th century. He grows up in a monastery belonging to the Cistercians and is trained there in archery, swordsmanship and horsemanship by a former Knight Templar, the brother Guilbert. Arn is also discovered to be ambidextrous. One day, while wandering the woods, he encounters three men trying to force a young girl into marriage. When the girl begs Arn for help, two of the men attack him and he kills them in self-defense. Although the monks tell Arn he did nothing wrong, they question Guilbert training him in being a warrior. Guilbert replies that Arn is not meant to be a monk but is destined to be a soldier of God.
When Arn leaves the monastery and returns to his family, he is soon pulled into the struggle between powerful families fighting for the crown of Västra Götaland. He helps his friend Knut Eriksson to kill the old king Karl Sverkersson. This leads to war between the two factions. Arn and his fiancée Cecilia Algotsdotter are excommunicated for premarital relations and falsely accused of having relations with Cecilia's sister (in reality a plot to hurt Knut) and forced to undertake twenty years of penance, Cecilia in a convent and Arn as a Knight Templar in the Holy Land to fight against the Saracens. Cecilia gives birth to Arn's son but the son is taken away from her and she hears only of his survival, and name of Magnus, through another woman who is also named Cecilia, the future queen of Sweden, Cecilia Blanka.
While pursuing a band of thieves, Arn comes across the enemy of all Christendom, Saladin, and saves his life. Saladin thanks Arn by warning him away from Jerusalem because he is leading a vast army towards the city. As Saladin marches upon Jerusalem, Arn is given the order to intercept the Saracens before they reach the city, and he and his men successfully ambush Saladin's army in a mountain pass (the ambush taking the place of the historical Battle of Montgisard figuring in the novel). The movie ends with Arn gaining a letter discharging him from his service in the Holy Land from the Templar Grandmaster Arnold of Torroja and Cecilia giving praise to God on hearing news of Arn's survival.
The film production was headed by Svensk Filmindustri in conjunction with Film i Väst, TV4 (Sweden), Danmarks Radio (Denmark), YLE (Finland), TV 2 (Norway) and Telepool (Germany). With a total budget of around US $30,000,000 for the whole production, it is the most expensive production in Scandinavian film history. SVT originally was one of the biggest sponsors of the project, but they pulled out and their role as a major sponsor was taken over by TV4.[citation needed]
The music for the movie was composed by Tuomas Kantelinen. Laleh also recorded the theme song for the film, entitled "Snö,". The track was released as a single in 2007 and was later placed as a track on her 2009 album Me and Simon. "Snö" peaked at #14 on the Swedish Singles Chart.
The Guardian credited the film with an exciting plot and convincing acting, and locations that "you don't get bored [of] for a second". However, it criticised the story for not being very believable as the Knights Templar were religious fundamentalists, not "tolerant and multicultural-friendly crusaders".[2]
