Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans.[1] Only a small percentage of stolen art is recovered—an estimated 10%.[2] Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.[3]
Many thieves are motivated by the fact that valuable art pieces are worth millions of dollars and weigh only a few kilograms at most. Also, while most high-profile museums have extremely tight security, many places with multimillion-dollar art collections have disproportionately poor security measures.[7] That makes them susceptible to thefts that are slightly more complicated than a typical smash-and-grab, but offer a huge potential payoff. Thieves sometimes target works based on their own familiarity with the artist, rather than the artist's reputation in the art world or the theoretical value of the work.[8]
Unfortunately for the thieves, it is extremely difficult to sell the most famous and valuable works without getting caught, because any interested buyer will almost certainly know the work is stolen and advertising it risks someone contacting the authorities. It is also difficult for the buyer to display the work to visitors without it being recognized as stolen, thus defeating much of the point of owning the art. Many famous works have instead been held for ransom from the legitimate owner or even returned without ransom, due to the lack of black-market customers. Returning for ransom also risks a sting operation.[8]
For those with substantial collections, such as the Marquess of Cholmondeley at Houghton Hall, the risk of theft is neither negligible nor negotiable.[9]Jean-Baptiste Oudry's White Duck was stolen from the Cholmondeley collection at Houghton Hall in 1990. The canvas is still missing.[10]
Prevention in museums
Museums can take numerous measures to prevent the theft of artworks include having enough guides or guards to watch displayed items, avoiding situations where security-camera sightlines are blocked, and fastening paintings to walls with hanging wires that are not too thin and with locks.[11]
Art theft education
The Smithsonian Institution sponsors the National Conference on Cultural Property Protection, held annually in Washington, D. C. The conference is aimed at professionals in the field of cultural property protection.
Since 1996, the Netherlands-based Museum Security Network has disseminated news and information related to issues of cultural property loss and recovery. Since its founding the Museum Security Network has collected and disseminated over 45,000 reports about incidents with cultural property. The founder of the Museum Security Network, Ton Cremers, is recipient of the National Conference on Cultural Property Protection Robert Burke Award.
2007 saw the foundation of the Association for Research into Crimes against Art (ARCA). ARCA is a nonprofit think tank dedicated principally to raising the profile of art crime (art forgery and vandalism, as well as theft) as an academic subject. Since 2009, ARCA has offered an unaccredited postgraduate certificate program dedicated to this field of study. The Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection is held from June to August every year in Italy. A few American universities, including New York University, also offer courses on art theft.
According to Robert King Wittman, a former FBI agent who led the Art Crime Team until his retirement in 2008, the unit is very small compared with similar law-enforcement units in Europe, and most art thefts investigated by the FBI involve agents at local offices who handle routine property theft. "Art and antiquity crime is tolerated, in part, because it is considered a victimless crime," Wittman said in 2010.[11]
In response to a growing public awareness of art theft and recovery, a number of not-for-profit and private companies now act both to record information about losses and oversee recovery efforts for claimed works of art. Among the most notable are:
In January 2017, Spain's Interior Ministry announced that police from 18 European countries, with the support of Interpol, Europol, and Unesco, had arrested 75 people involved in an international network of art traffickers. The pan-European operation had begun in October 2016 and led to the recovery of about 3,500 stolen items including archaeological artifacts and other artwork. The ministry did not provide an inventory of recovered items or the locations of the arrests.[12]
In 1969 the Italian Ministry of Cultural Heritage and Activities and Tourism formed the Comando Carabinieri Tutela Patrimonio Culturale (TPC), better known as the Carabinieri Art Squad. In 1980, the TPC established the database Leonardo, with information about more than 1 million stolen artworks, and accessible to law enforcement agencies around the world.[13]
In December 2021 Michael Steinhardt, an American hedge-fundbillionaire, was ordered to surrender 180 looted and illegally smuggled antiquities valued at 70 million U.S. dollars. The antiquities will be returned to their rightful owners and Mr. Steinhardt is banned for life from acquiring any other relics.[14]
State theft, wartime looting and misappropriation by museums
From 1933 through the end of World War II, the Nazi regime maintained a policy of looting art for sale or for removal to museums in the Third Reich. Hermann Göring, head of the Luftwaffe, personally took charge of hundreds of valuable pieces, generally stolen from Jews and other victims of the Holocaust.
The looted, mostly Modernist art was banned by the Nazis when they came to power, on the grounds that it was "un-German" or Jewish Bolshevist in nature.[18] Descendants of Jewish collectors who were robbed of their works by the Nazis may be able to claim ownership of many of the works.[17] Members of the families of the original owners of these artworks have, in many cases, persisted in claiming title to their pre-war property.
The 1964 film The Train, starring Burt Lancaster, is based on the true story of works of art which had been placed in storage for protection in France during the war, but was looted by the Germans from French museums and private art collections, to be shipped by train back to Germany. Another film, The Monuments Men (2014), co-produced, co-written and directed by George Clooney, is based on a similar true-life story. In this film, U.S. soldiers are tasked with saving over a million pieces of art and other culturally important items throughout Europe, before their destruction by Nazi plunder.
In 2006, after a protracted court battle in the United States and Austria (see Republic of Austria v. Altmann), five paintings by Austrian artist Gustav Klimt were returned to Maria Altmann, the niece of pre-war owner, Ferdinand Bloch-Bauer. Two of the paintings were portraits of Altmann's aunt, Adele. The more famous of the two, the gold Portrait of Adele Bloch-Bauer I, was sold in 2006 by Altmann and her co-heirs to philanthropist Ronald Lauder for $135 million. At the time of the sale, it was the highest known price ever paid for a painting. The remaining four restituted paintings were later sold at Christie's New York for over $190 million.
Because antiquities are often regarded by the country of origin as national treasures, there are numerous cases where artworks (often displayed in the acquiring country for decades) have become the subject of highly charged and political controversy. One prominent example is the case of the Elgin Marbles, which were moved from the Parthenon to the British Museum in 1816 by the Earl of Elgin. Many different Greek governments have called for the repatriation of the marbles.[19]
In 2006, New York's Metropolitan Museum reached an agreement with Italy to return many disputed pieces. The Getty Museum in Los Angeles is also involved in a series of cases of this nature. The artwork in question is of Greek and ancient Italian origin. The museum agreed on November 20, 2006, to return 26 contested pieces to Italy. One of the Getty's signature pieces, a statue of the goddess Aphrodite, is the subject of particular scrutiny.
In January 2013, after investigations by Interpol, FBI and The U.S. Department of Homeland Security, police in Canada arrested John Tillmann for an enormous spate of art thefts. It was later determined that Tillmann in conjunction with his Russian wife, had for over twenty years stolen at least 10,000 different art objects from museums, galleries, archives and shops around the world. While not the largest art heist in total dollar value, Tillmann's case may be the largest ever in number of objects stolen.
Since its invasion of Ukraine in 2022, Russia has stolen tens of thousands of art pieces.[6] Experts state that this is the largest art theft since the Nazi looting of Europe in World War II.[6]
Perhaps the most famous case of art theft occurred on August 21, 1911, when the Mona Lisa was stolen from the Louvre by employee Vincenzo Peruggia, who was caught after two years.
Two panels of the fifteenth-century Ghent Altarpiece, painted by the brothers Jan and Hubert Van Eyck were stolen in 1934, of which only one was recovered shortly after the theft. The other one (lower left of the opened altarpiece, known as De Rechtvaardige Rechters (transl. The Just Judges)), has never been recovered, as the presumable thief (Arsène Goedertier), who had sent some anonymous letters asking for ransom, died before revealing the whereabouts of the painting.
The Nazi plundering of artworks was carried out by the Reichsleiter Rosenberg Institute for the Occupied Territories (Einsatzstab Reichsleiter Rosenberg für die Besetzen Gebiete). In occupied France, the Jeu de Paume Art Museum in Paris was used as a central storage and sorting depot for looted artworks from museums and private art collections throughout France pending distribution to various persons and places in Germany. The Nazis confiscated tens of thousands of works from their legitimate Jewish owners. Some were confiscated by the Allies at the end of the war. Many ended up in the hands of respectable collectors and institutions. Jewish ownership of some of the art was codified into the Geneva conventions.
In 1945, an American soldier, Joe Meador, stole eight medieval artifacts found in a mineshaft near Quedlinburg, which had been hidden by members of the local clergy from Nazi looters in 1943.
After he returned to the United States, the artifacts remained in Meador's possession until his death in 1980. He made no attempt to sell them. When his older brother and sister attempted to sell a 9th-century manuscript and 16th-century prayer book in 1990, the two were charged. However, the charges were dismissed after it was declared the statute of limitations had expired.
Alfred Stieglitz Gallery
1946
Three paintings by Georgia O'Keeffe were stolen while on display at the art gallery of her husband, Alfred Stieglitz. The paintings were eventually found by O'Keeffe following their purchase by the Princeton Gallery of Fine Arts for $35,000 in 1975. O'Keeffe sued the museum for their return and, despite a six-year statute of limitations on art theft, a state appellate court ruled in her favor on July 27, 1979.
Dulwich College Picture Gallery
December 30, 1966
A total of eight Old Master paintings—three each by Rembrandt and Peter Paul Rubens, and one each by Adam Elsheimer and Gerrit Dou—were removed from this London gallery. The paintings were appraised at a combined value of £1.5 million (then US$4.2 million). The thieves entered the gallery by cutting a panel out of an unused door. All of the paintings were recovered by January 4, 1967.
Sketches by Spanish artist Pablo Picasso and British sculptor Henry Moore, valued at $200,000, were stolen while on display in a travelling art exhibit organized by the University of Michigan. The sketches were eventually found by federal agents in a California auction house on January 24, 1969, although no arrests were made.
Izmir Archaeology Museum
July 24, 1969
Various artifacts and other art worth $5 million were stolen from the Izmir Archaeology Museum in Istanbul, Turkey on July 24, 1969 (during which a night watchman was killed by the unidentified thieves). Turkish police soon arrested a German citizen who, at the time of his arrest on August 1, had 128 stolen items in his car.
Stephen Hahn Art Gallery
November 17, 1969
Art thieves stole seven paintings, including works by Cassatt, Monet, Pissarro and Rouault, from art dealer Stephen Hahn's Madison Avenue art gallery at an estimated value of $500,000 on the night of November 17, 1969. Incidentally, Stephen Hahn had been discussing art theft with other art dealers as the theft was taking place.
On September 4, 1972, the Montreal Museum of Fine Arts was the site of the largest art theft in Canadian history, when armed thieves made off with jewelry, figurines and 18 paintings worth a total of $2 million (approximately $10.9 million today), including works by Delacroix, Gainsborough and a rare Rembrandt landscape. Other than a work at the time attributed to Brueghel the Elder returned by the thieves as an effort to start negotiations, the works have never been recovered. In 2003, The Globe and Mail estimated that the Rembrandt alone would be worth $1 million.
In 1974, members of the IRA, including Rose Dugdale, bound and gagged the Beits, making off with nineteen paintings worth an estimated £8 million. A deal to exchange the paintings for prisoners was offered, but the paintings were recovered after a raid on a rented cottage in Cork, and those responsible were caught and imprisoned.
In 1986, a Dublin gang led by Martin Cahill stole eighteen paintings worth an estimated £30 million in total. Sixteen paintings were subsequently recovered, with a further two still missing As of 2006[update].
Two paintings worth an estimated £3 million were stolen by three armed men in 2001. One of these, a Gainsborough had been previously stolen by Cahill's gang. Both paintings were recovered in September 2002.
A mere two to three days after the recovery of the two paintings stolen in 2001, the house was robbed for the fourth time, with five paintings taken. These paintings were recovered in December 2002 during a search of a house in Clondalkin.
Kanakria mosaics and the looting of Cypriot Orthodox Churches following the invasion of Cyprus
1974
Following the invasion of Cyprus in 1974 by Turkey, and the occupation of the northern part of the island churches belonging to the Cypriot Orthodox Church have been looted in what is described as "…one of the most systematic examples of the looting of art since World War II".[22] Several high-profile cases have made headline news on the international scene. Most notable was the case of the Kanakaria mosaics, 6th century AD frescoes that were removed from the original church, trafficked to the US and offered for sale to a museum for the sum of US$20,000,000. These were subsequently recovered by the Orthodox Church following a court case in Indianapolis.
On April 15, 1983, more than 200 rare clocks and watches were stolen from the L. A. Mayer Institute for Islamic Art in Jerusalem. Among the stolen watches was one known as the Marie-Antoinette, the most valuable piece of the watch collection made by the French-Swiss watchmaker Abraham-Louis Breguet on order by Queen Marie Antoinette, it is estimated to be worth $30 million. The heist is considered to be the largest robbery in Israel. The man responsible for the robbery was Naaman Diller. On November 18, 2008, French and Israeli police officials discovered half of the cache of stolen timepieces in two bank safes in France. Of the 106 rare timepieces stolen in 1983, 96 have now been recovered. Among those recovered was the rare Marie-Antoinette watch. In 2010, Nili Shamrat, Diller's widow, was sentenced to 300 hours of community service and given a five-year suspended sentence for possession of stolen property.
On October 28, 1985, during daylight hours, five masked gunmen entered the museum and stole nine paintings, threatening security and visitors in the process. Among the stolen works were Impression, Sunrise (Impression, Soleil Levant) by Claude Monet, the painting from which Impressionism derived its name. Also stolen were Camille Monet and Cousin on the Beach at Trouville, Portrait of Jean Monet,Portrait of Poly, Fisherman of Belle-Isle and Field of Tulips in Holland also by Monet, Bather Sitting on a Rock and Portrait of Monet by Pierre-Auguste Renoir, Young Woman at the Ball by Berthe Morisot, and Portrait of Monet by Sei-ichi Naruse and were valued at $12 million.[30] The paintings were later recovered in Corsica in 1990.[31]
A couple who arrived at the museum shortly before it opened for the day left ten minutes later. Guards found shortly afterwards that Willem de Kooning's Woman-Ochre had been cut from its frame; sketches were made of the couple but the investigation was unable to make any progress until 2017, when a New Mexico antique dealer found the painting in the home of a recently deceased woman for whom he had been contracted to hold an estate sale. After his customers told him the painting was likely a de Kooning, he found that it had been stolen in 1987 during an Internet search. He contacted the museum, which sent staff the next day to pick it up.[32]
The largest art theft, and the largest theft of any private property, in world history occurred in Boston on March 18, 1990, when thieves stole 13 pieces, collectively worth $300 million, from the Isabella Stewart Gardner Museum. A reward of $5,000,000 was on offer for information leading to their return, but expired at the end of 2017. A reward of $10,000,000.00 is currently (2024)being offered by the museum, with a separate $100,000 reward for the eagle finial.
Three paintings were stolen from a German gallery in 1994, two of them belonging to the Tate Gallery in London. In 1998, Tate conceived of Operation Cobalt, the secret buyback of the paintings from the thieves. The paintings were recovered in 2000 and 2002, resulting in a profit of several million pounds for Tate, because of prior insurance payments.
While being stored in preparation to be reproduced, the portrait of Thomas Jefferson painted by artist Mather Brown in 1786, was stolen from a Boston warehouse on July 28, 1994. Authorities apprehended the thieves and recovered the painting on May 24, 1996, following a protracted FBI investigation.
The work of Henri Matisse Odalisque with red trousers, dating back to 1925 was stolen from the museum and replaced by a bad imitation; this work valued at ten million dollars was recovered in 2012 and returned to the institution two years later.
Cooperman Art Theft hoax
1999
In July 1999, Los Angeles ophthalmologist Steven Cooperman was convicted of insurance fraud for arranging the theft of two paintings, a Picasso and a Monet, from his home in an attempt to collect $17.5 million in insurance.
Vjeran Tomic
Fall, 2000
In France, using a crossbow, ropes, and a caribiner, Tomic broke into an apartment and stole two Renoirs, a Derain, an Utrillo, a Braque, and various other works worth more than a million euros.
One Rembrandt and two Renoir paintings were stolen from the Nationalmuseum in Stockholm, Sweden, after three armed thieves, who had diverted the attention of police by setting off two separate car bombs nearby beforehand, broke into the museum and fled using a boat, moored nearby. By 2001, the police had recovered one of the Renoirs and by March 2005 they had recovered the second one in Los Angeles. That year, in September, they recovered the Rembrandt in a sting operation in a hotel in Copenhagen.
Stephane Breitwieser admitted to stealing 238 artworks and other exhibits from museums travelling around Europe; his motive was to build a vast personal collection. In January 2005, Breitwieser was given a 26-month prison sentence. Unfortunately, over 60 paintings, including masterpieces by Brueghel, Watteau, François Boucher, and Corneille de Lyon were chopped up by Breitwieser's mother, Mireille Stengel, in what police believe was an effort to remove incriminating evidence against her son.
Three artworks—Vincent van Gogh's The Fortification of Paris with Houses, Pablo Picasso's Blue PeriodPoverty and Paul Gauguin's Tahitian Landscape—valued at £4 million were discovered missing by staff at the Whitworth Art Gallery in Manchester on the morning of Sunday April 27, 2003. The pieces were stolen any time from 21:00 the evening prior in a heist described as sophisticated by Greater Manchester Police. The thieves had bypassed the gallery's alarm systems, unscrewed the paintings and carried them to a back door, leaving the grounds via a hole in a chain-link fence.
Initially it was speculated the three pieces had been stolen to order, however, shortly after 02:00 on Monday April 28, police received an anonymous 999 call directing them to a disused public lavatory in the adjacent Whitworth Park, some 200 metres from the gallery. The artworks were discovered in the toilets, rolled up inside a brown cardboard poster tube alongside a handwritten note criticising the gallery's security. (The Whitworth Gallery had in fact updated its security system two years prior). The pieces suffered minor damage, with the Van Gogh bearing a small tear in the corner, and the Picasso and Gauguin both water damaged. However, all were restored and returned to public view within a matter of weeks. The frames were not recovered.
On August 22, 2004, another original of The Scream was stolen—Munch painted several versions of The Scream—together with Munch's Madonna. This time the thieves targeted the version held by the Munch Museum, from where the two paintings were stolen at gunpoint and during opening hours. Both paintings were recovered on August 31, 2006, relatively undamaged. Three men have already been convicted, but the gunmen remain at large. If caught, they could face up to eight years in prison.
On May 11, 2003, Benvenuto Cellini's Saliera was stolen from the Kunsthistorisches Museum in Vienna, which was covered by a scaffolding at that time due to reconstruction works. On January 21, 2006, the Saliera was recovered by the Austrian police.
The artist's cast of Reclining Figure 1969–70, a bronze sculpture of British sculptor Henry Moore, was stolen from the Henry Moore Foundation's Perry Green base on December 15, 2005. Thieves are believed to have lifted the 3.6 × 2 × 2 metres (11.8 × 6.6 × 6.6 ft) wide, 2.1-tonne statue onto the back of a Mercedes lorry using a crane. Police investigating the theft believe it could have been stolen for scrap value.
On February 24, 2006, the paintings Man of Sickly Complexion Listening to the Sound of the Sea by Salvador Dalí, The Dance by Pablo Picasso, Luxembourg Gardens by Henri Matisse, and Marine by Claude Monet were stolen from the Museu da Chácara do Céu [pt] in Rio de Janeiro, Brazil. The thieves took advantage of a carnival parade passing by the museum and disappeared into the crowd. The paintings haven't been recovered yet.
On June 12, 2008, three armed men broke into the Pinacoteca do Estado Museum, São Paulo with a crowbar and a carjack around 5:09 am and stole The Painter and the Model (1963) and Minotaur, Drinker and Women (1933) by Pablo Picasso, Women at the Window (1926) by Emiliano Di Cavalcanti, and Couple (1919) by Lasar Segall. It was the second theft of art in São Paulo in six months. On August 6, 2008, two paintings were discovered in the house of one of the thieves and recovered by police in the same city.
On February 11, 2010, Rácz Erzsébet, owner of the painting of Palma il Giovane—Venus with a Mirror, reported a set of robberies. In its course all of her art collection were taken. Among other paintings this one too. The painting: oil, dry fresco, wooden tablet. Szépművészeti Múzeum (Museum of Fine Arts registration number: 290137.
On June 19, 2012, Salvador Dalí's Cartel de Don Juan Tenorio was stolen from the then month-old Venus Over Manhattan gallery in New York City. The theft was captured on tape. The drawing was mailed back to the gallery from Greece, and was displayed for the last day of a 10-day show.
A cast of Barbara Hepworth's (5/6) Two Forms (Divided Circle) was displayed in Dulwich Park from 1970 until it was cut from it plinth by scrap metal thieves in December 2011. It was insured for £500,000, but its scrap value was estimated at perhaps £750. Southwark Council offered a reward of £1,000, and the Hepworth Estate increased the reward to £5,000, for information leading to the arrest and conviction of the thieves.
On October 16, 2012, seven paintings were stolen from the museum in Rotterdam. The paintings included Monet's Waterloo Bridge, London and Charing Cross Bridge, London, Picasso's Tete d'Arlequin, Gauguin's Femme devant une fenêtre ouverte, Matisse's La Liseuse en Blanc et Jaune, De Haan's Autoportrait, and Lucian Freud's Woman with Eyes Closed.
On January 18, 2013, police in Canada arrested John Mark Tillmann of Fall River Nova Scotia after extensive investigations by Interpol, FBI, RCMP and the US Dept of Homeland Security. The case was mammoth and it took authorities nearly three years to close the file. Tillmann was sentenced to nine years in prison for stealing over 10,000 pieces of art-work. In sheer volume, it may be the biggest case of art heist of all time. It was later determined that Tillmann had acted in concert with his Russian wife and her brother, and that they had travelled extensively posing as security and maintenance workers to gain access to museums. Successfully eluding authorities for almost twenty years, the trio had stolen millions of dollars of artifacts in every continent except Australia. Tillmann and his accomplice wife, even raided the Nova Scotia Provincial Legislature in his home province, making off with a valuable 200 year old watercolour. He was versatile in his art thefts, not solely concentrating on paintings, but also known for stealing rare books, statutes, coins, edged weapons, and even a 5,000 year old Egyptian mummy. A university graduate, he was a history buff.
In 2006, about 8 antique Chola idols, that of Natarajar and Uma Mashewari, Vinayagar, Devi, Deepalaksmi, Chandrashekarar, Sampanthar and Krishnar, were stolen from the Brihadeeswarar temple at Sripuranthan, allegedly on the orders of New York-based art dealer Subhash Kapoor, and smuggled to the United States. Of these statues the Natarajar idol was sold to the National Gallery of Australia, Canberra for US$5.1 million and the Vinayagar idol to the Toledo Museum of Art, Ohio, and the Uma Maheswari idol to Asian Civilisation Museum, Singapore. The scandal was exposed by the investigative website Chasing Aphrodite, and received wide coverage in the Indian media. The Australian Government decided to return to idol to India and it was handed over to the Indian Prime Minister. The other museums also agreed to return the stolen idols.
Five paintings—said to be of medium-to-small size and worth a combined estimated €30m—by Irish artist Francis Bacon were stolen from the Madrid home of their owner during his absence in what has been defined as the largest contemporary art heist in recent Spanish history. The owner is the last known love interest of the painter, from whom he had inherited the paintings. The art thieves left no fingerprints and managed to get away with the works without setting off any alarms or raising any eyebrows in one of the city's safest and most heavily monitored districts.
In May 2016 seven people were detained in connection with the case, they stand accused for masterminding the heist and are currently on parole. However the artworks (which are believed to remain somewhere in Spain) were not found.
In July 2017 three of the five paintings were recovered by the Spanish police.
Genres such as crime fiction often portray fictional art thefts as glamorous or exciting raising generations of admirers. Most of these sources add adventurous, even heroic element to the theft, portraying it as an achievement. In literature, a niche of the mystery genre is devoted to art theft and forgery. In film, a caper story usually features complicated heist plots and visually exciting getaway scenes. In many of these movies, the stolen art piece is a MacGuffin.[95]
Literature
False Idols by Patrick Lohier, Lisa Klink, and Diana Renn is a thriller about antiquities theft that starts in Cairo and spans the globe. The serial novel was written with input from famous FBI art detective Robert King Wittman.
Author Iain Pears has a series of novels known as the Art History Mysteries, each of which follows a fictional shady dealing in the art history world.
St. Agatha's Breast by T. C. Van Adler follows an order of monks attempting to track the theft of an early Poussin work.
The Man Who Stole the Mona Lisa by Robert Noah is a historical fiction speculating on the motivations behind the actual theft.
Author James Twining has written a trio of novels featuring a character called Tom Kirk, who is/was an art thief. The third book, The Gilded Seal is centered on a fictional theft of Da Vinci works, specifically, the Mona Lisa.
Ian Rankin's novel Doors Open centers on an art heist organised by a bored businessman.
The Art Thief by Noah Charney, a fiction quoting art thefts in history, some plots are based on the real theft of missing Caravaggio from Palermo. Through a character's mouth the author also gave his conclusion as how to narrow the circle of suspects for the famous robbery of the Boston Gardner Museum.
In The Tenth Chamber by Glenn Cooper, a fictional town hijacks a train and steals, among other artifacts, the Portrait of a Young Man by Raphael (missing in real life), offering a fictional explanation as to its disappearance.
In the manga From Eroica With Love, British Earl, Dorian Red, Earl of Gloria, is the notorious art thief, Eroica.
Art Historian Noah Charney's 2011 monograph, "The Theft of the Mona Lisa: On Stealing the Worlds Most Famous Painting" (ARCA Publications) is a full account of the 1911 theft of the Mona Lisa from the Louvre Museum.
In If Tomorrow Comes by Sidney Sheldon, a very cunning plan to steal a painting by Francisco Goya was watched closely by an Interpol officer, but eventually succeeded.
Once a Thief (1991), directed by John Woo, follows a trio of art-thieves in Hong Kong who stumble across a valuable cursed painting.
Hudson Hawk (1991) centers on a cat burglar who is forced to steal Da Vinci works of art for a world domination plot.
In Entrapment (1999), an insurance agent is persuaded to join the world of art theft by an aging master thief.
Ocean's Twelve (2004) involves the theft of four paintings (including Blue Dancers by Edgar Degas) and the main plot revolves around a competition to steal a Fabergé egg.
The Maiden Heist (2009), three museum security guards who devise a plan to steal back the artworks to which they have become attached after they are transferred to another museum.
Headhunters (2011), a corporate recruiter who doubles as an art thief sets out to steal a Rubens painting from one of his job prospects.
Trance (2013) Simon, an art auctioneer, becomes involved in the theft of a painting, Goya's Witches in the Air, from his own auction house.
The Thomas Crown Affair (1999), When the painting of San Giorgio Maggiore at Dusk by Monet is stolen from the Metropolitan Museum of Art, the insurers of the $100 million artwork send investigator Catherine Banning (Rene Russo) to assist NYPD Detective Michael McCann (Denis Leary) in solving the crime.
Belphegor, Phantom of the Louvre (2001), A rare collection of artifacts from an archaeological dig in Egypt are brought to the famous Musée du Louvre in Paris. While experts are using a laser scanning device to determine the age of a sarcophagus, a ghostly spirit escapes and makes its way into the museum's electrical system.
St. Trinian's (2007), A group of schoolgirls scheme to steal Johannes Vermeer's Girl with a Pearl Earring and use the profits to save their school from closure.
Television
White Collar (2009-2014), Neal Caffrey, an art thief and suave con artist, teams up with FBI Agent Peter Burke to catch criminals using his expertise. However, throughout the course of the series, Neal continues to occasionally steal art under a variety of circumstances. Multiple seasons involve a plot arch that revolves around a cache of Nazi-looted art.
Leverage (2008-2012), A crew of semi-reformed criminals form a Robin Hood-style organization that helps people no one else can help. Many members of the group have flashbacks to various instances of art theft in which they participated. At times, they are required to steal art in order to complete their jobs of aiding desperate people.
The Blacklist (2013–2023), artwork and antiquities (stolen or otherwise) is often a big part, if not a central theme, to many episodes in the series. Raymond Reddington has also admitted to brokering many deals revolving around stolen art, sculptures, coins, and many other small items of artistic value during his time as a criminal mastermind.
^ abAnthony M. Amore; Tom Mashberg (2012). Stealing Rembrandts: The Untold Stories of Notorious Art Heists. St. Martin's Publishing. ISBN978-0-230-33990-3.
^Bourloyannis, Christiane; Virginia Morris (January 1992). "Autocephalous Greek-Orthodox Church of Cyrprus v. Goldberg & Feldman Fine Arts, Inc". The American Journal of International Law. 86 (1): 128–133. doi:10.2307/2203143. JSTOR2203143. S2CID147162639.
^(in Portuguese) * IPHAN – Official Note "Redirecionando". Archived from the original on October 19, 2015. Retrieved January 25, 2012. – The paintings "O lavrador de Café", "Retrato de Suzanne Bloch" as well as the entire collection of MASP are considered Brazilian National Heritage since 1969 due to its importance to the culture of the country.
^McDermott, Quentin; Richards, Deborah (March 25, 2014). "The Dancing Shiva". Australian Broadcasting Corporation. Archived from the original on October 19, 2015. Retrieved September 29, 2015.
Adele's Wish a 2008 documentary film dealing with the theft and restitution of five paintings by Gustav Klimt, including the famous "Portrait of Adele Bloch-Bauer I".
The Van Eyck Theft guided tour exploring the Van Eyck theft in Ghent in 1934.
![Amedeo Modigliani: La Femme à l'éventail (Modigliani) [fr] (1919). Stolen from Musée d'Art Moderne de la Ville de Paris](/en/File:Amedeo_Modigliani,_1919,_Woman_with_a_Fan,_oil_on_canvas,_100_x_65_cm,_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg)
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