.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in Italian. (February 2021) Click [show] for important translation instructions. View a machine-translated version of the Italian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 3,025 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Polittico dell'Assunta]]; see its history for attribution. You should also add the template ((Translated|it|Polittico dell'Assunta)) to the talk page. For more guidance, see Wikipedia:Translation.
Reconstruction

The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.

The whole work was originally in the Basilica of Santa Maria degli Angeli in Gardone Val Trompia but was split up in 1805 and moved to the Pinacoteca di Brera in Milan.[1] All the panels remained there until 1812, when the two lower side panels (St Bonaventure and St Anthony of Padua and St Bernardino of Siena and St Louis of Toulouse) and three other paintings (one each by Boltraffio, Marco d'Oggiono and Carpaccio) were given to the Louvre in exchange for two paintings by Van Dyck and one each by Rubens, Jordaens and Rembrandt.[2]

Mary

Panels

Cornice

Upper register

Lower register

References

  1. ^ György Gombosi, p. 65-67
  2. ^ Pier Virgilio Begni Redona, p. 223

Bibliography (in Italian)