100 najboljih domaćih pesama (Top 100 Domestic Songs) was a list compiled by the Serbian Radio B92. In 2006, Radio B92 organized the poll for the selection of top 100 Yugoslav songs. The whole list was presented on radio B92 on November 5, 2006. The list contains popular music songs from former Yugoslavia and the songs from successor states.

The list

Reactions

^[tone] Darko Rundek, the former frontman of Haustor stated:

I'm glad "Šejn" is ranked so high [second] on that list and I'm not complaining about it not being first. Among these 100 chosen songs there are quite a few excellent ones and I can't pick out only one. ^[9]

Toma Grujić, Radio B92 executive in charge of musical programming, stated:

This list is not an intersection of the masses' taste, but it reflects the taste of younger, more educated, communicative and open people. It is quite logical that most of these songs are from the 1980s not only because of the fame of that "golden age", but also because of the mere fact that the production had been greater and of better quality than in any other period.^[9]

Ivan Fece "Firchie", the former drummer of Ekatarina Velika stated in 2007:

I think, as far as I remember, six of Milan Mladenović's songs—both with Šarlo and EKV—made the top ten. I know that "Par godina za nas" came in first, and that, if I am correct, the fifth or sixth song was again an EKV track. Without a trace of pretentiousness, I am not at all surprised [that people voted that way]. It's like being offered three meals at a table, one is good, the other two are not that good, which does not mean they are necessarily bad, but I don't want to turn sappy. I knew Milan quite well, we were good friends for years, since all the way back in 1978. He was a good dude to such an extent that him being that way naturally led to him doing quality work in Šarlo as well as Katarina and EKV. And I find it quite logical that his quality remains [recognized] to this day. But there is yet another driblet here. We all know that Jimi Hendrix died, that many bands disappeared, Janis Joplin, Jim Morrison, etc. and that a piece of that mystique is present here as well. It would be unfair to omit mentioning that EKV's entire original lineup is no longer with us, and that this specific circumstance breeds mystique and fascination that adds to the band's and his continued relevance. All of which does not reduce the quality that he left after him.^[10]