Bangaarada Manushya (Kannada: ಬಂಗಾರದ ಮನುಷ್ಯ, Golden Man) is a 1972 Indian Kannada language film based on T. K. Rama Rao's novel of same name.[1] Ramarao was known for his crime and detective novels, but this film was a social drama. It was directed by S. Siddalingaiah under the banner Srinidhi Productions. Prior to this, Siddalingaiah had worked with Rajkumar in Mayor Muthanna. It stars Rajkumar and Bharathi. The film was screened for over two years at the States Theatre (now Bhumika Theatre) in Bangalore and was screened for sixty weeks in Chamundeshwari theatre in Mysore, the film Completed one year in many centres and twenty five weeks in every major and minor centre.[2] The movie saw a 25 weeks run when it was re-released in 1988.
The film was produced by R. Lakshman and Gopal, the film set new standards in the production design. Breaking away from conventional movie making, the producers preferred an open discussion with the crew and preliminary survey of outdoor shooting venues. While Lakshman was a Kannada activist closely associated with a league of frontline writers such as A.N. Krishna Rao and M.N. Murthy and managing the famous Bharat Talkies on the J.C. Road, Gopal was his close associate with a penchant for cinema. Most of the film was shot in Kalasa village in Chikmagalur district.
The music for the film was composed by G. K. Venkatesh. All five songs of the film became hits. Among the five songs, the song "Aagadu Endu Kai Katti Kulithare" became an inspirational song to the people. All the songs were sung by P. Susheela and P. B. Srinivas.
The film became the highest grossing Kannada film at the time of its release . Today this film is viewed as a milestone in Rajkumar's career. On the centenary of Indian cinema in April 2013, Forbes included Rajkumar's performance in the film on its list, "25 Greatest Acting Performances of Indian Cinema".[3] The film was remade in Telugu in 1975 as Devudulanti Manishi, starring Krishna.[4]
Plot
Rajiva is on his way to visit his sister, Sharadha, but to his astonishment, he discovers upon arrival that his brother-in-law has died. With no one left to care for Rajiv's elder sister's family, he takes a loan to improve their situation and begins irrigation on his brother-in-law's land. Sharada's sons, Keshava and Chakrapani, leave for Bengaluru to pursue higher studies. Meanwhile, Rajiva falls in love with Lakshmi, his neighbor's daughter.
Motivated to improve their lives further, Rajiva purchased 25 acres of barren land near the village from the government. Through his efforts, he becomes a successful and respected individual in the village, earning substantial profits. However, Rajiva frequently travels to Belgaum, another city, every six months. During one of his trips, he visits a woman named Sharavathi and her son, Kishore, in Belgaum.
Keshava marries Nagaveni, the daughter of Rajiva and Sharada's elder brother, Ramachandra. Chakrapani agrees to marry Nandini, a daughter of a family friend. Sridhar, a friend of Keshava and Chakrapani, marries Saraswati, Sharada's only daughter. Eventually, Rajiva agrees to marry Lakshmi. Patil, a neighbor of Sharavathi, informs Keshava about Rajiva's periodic visits to Belgaum. To confirm this troubling news, Keshava travels to Belgaum and sees Rajiva's photo displayed in Sharavathi's house. When asked about Rajiva, Sharavathi replies, "Mane Yajamanru adu" (the house owner). Filled with disrespect for Rajiva, Keshava confronts him and requests 50,000 Rupees to start a business. Rajiva was firm that he will give Keshava the money once he understands its value.
In a fit of anger, Keshava reveals to Lakshmi and Sharada about Sharavathi, accusing Rajiva of adultery. However, both Lakshmi and Sharada refuse to believe the accusation and decide not to disclose their knowledge about Sharavathi to Rajiva. One afternoon, while taking lunch to her husband in the field, Lakshmi is chased by a bull. Despite Rajiva's attempt to fend off the bull, Lakshmi falls into a nearby well. Rajiva dives in to save her but arrives too late.
Nagaveni convinces Keshava to seek legal assistance in reclaiming what is rightfully theirs. Keshava visits Rajiva to discuss the matter, leading to a disagreement between Rajiva and Sharadha. During the argument, Keshava directs hurtful words at Rajiva, accusing him of stealing their property and taking advantage of their situation. He even claims that the rice in front of him is not his. Disturbed by this, Rajiva washes his hands without consuming a morsel of rice. He quietly exits the house while silently praying for the well-being of the villagers.
Chakrapani locates Sharavathi and brings her to Rajiva's house to showcase Rajiva's magnanimity to Keshava. Sharavathi reveals that she is their half-sister, an illegitimate child of Sharadha's husband. Rajiva had kept this secret and supported her throughout the years. Determined to find Rajiva, they set out on a search but are unable to locate him. Rajiva quietly walks into the sunset.
The song "Aaha Mysooru Mallige" was later used by G. K. Venkatesh in the 1977 Telugu movie Chakradhari as "Naalo Evevo Vinthalu",[7] which incidentally was the remake of 1974 Kannada movie Bhakta Kumbara, also starring Rajkumar, with music composition by G. K. Venkatesh.
P. Susheela, P. B. Sreenivas, S. P. Balasubramaniam
Vijayanarasimha
6:12
Reception
Critical response
Despite the overwhelming response, the film attracted strong criticism from a section of writers. Commenting on the purpose and narrative mode of the film, the late novelist Alanahalli Krishna said, "The film shows scant respect to the audience by showing a close-up of the hero’s footwear in the very beginning of the film. It encourages idol worship." On the other hand, writer U. R. Ananthamurthy said the film was deceptive and would lead the young audience believe that they too will grow rich overnight like their hero Rajiva in the film. Irrespective of the flak, the film was set to redefine the course of Kannada commercial cinema. Bangarada Manushya had drawn the audience to the cinema hall in an unprecedented manner.
Box office
The film was screened for over 104 weeks at the States Theatre (now Bhumika Theatre) in Bangalore and was screened for 60 weeks in Chamundeshwari theatre in Mysore, the film Completed one year in many centers and twenty five weeks in every major and minor center. The film collected ₹ 2.5 crores (equivalent to ₹88 crores in 2021) at the box office and was the highest grossing Kannada film at the time.[2] The film saw a 25 weeks run when it was re-released in 1988.[citation needed]
The film screened at IFFI 1992 Kannada cinema Retrospect.
Legacy
Bangaarada Manushya had a tremendous impact on moviegoers. Some city youth, inspired by the movie's central theme—returning to one's ancestral village—left their jobs, came back to their respective villages and took to agriculture.[8] The film had a phenomenal box office run and was screened for two years in a row in the States film theatre on Kempe Gowda road in Bangalore.[9] The film had a deep social impact on the audience as well and there are many stories of people in the city going to villages and becoming farmers. The film also touched on very important topics like rural development, modern agricultural practices, co-operative movement, social unity, honesty, love and dedication. In the beginning of the movie, it shows the hardship of farmers and how much they have to toil in order to make ends meet. The movie subtly says that middle-class and working-class are the backbone of the country by showing the son of a rich village head as being a spoiled brat wasting his money in the city. One of the most important messages given in the movie is that, one should not waste time and money in trying to modernize/westernize themselves through a posh lifestyle. One should be true to his identity and not try to become someone else. This theme struck a chord with the audience as Karnataka was one of the fast developing states in the country and there was a large migration from rural to urban areas.
After the film ran for a year just at the States theatre in Bangalore, the management of the cinema hall decided to stop screening the film to accommodate a new film. This caused public outrage and took a violent turn. However, S. Bangarappa, the then MLA, intervened and resolved the issue successfully. The film went on to complete two years.
The film was remade in Telugu in 1975 as Devudulanti Manishi, starring Krishna.[4] On the centenary of Indian cinema in April 2013, Forbes India included the performances of Rajkumar in the film on its list, "25 Greatest Acting Performances of Indian Cinema".[10] The 2017 film Bangara s/o Bangarada Manushya starring Dr. Rajkumar's son Shiva Rajkumar had a similar plot dealing with the problems of farmers.[11]
Rajkumar: The Inimitable Actor With A Golden Voice
The English translation of the book Bangarada Manushya named Rajkumar: The Inimitable Actor With A Golden Voice was released in New Jersey, United States on 10 May 2008. The same book was released in London, England by Edward Thamson, Senator during the month of August 2008. The late thespian Rajkumar, who made Kannadigas proud with his brilliant acting skills and his golden voice, the book dedicated to him, in English. Rajkumar: The Inimitable Actor With A Golden Voice was released by the actor's wife Parvathamma Rajkumar in May 2008 at Bangalore also. She handed over the first copy to Professor K. S. Nissar Ahemed, the famous poet and Padmshree Awardee. The book, originally written in Kannada by A. N. Prahlada Rao, and titled Bangarada Manushya (The Golden Man), was first released in 2005 in the presence of Rajkumar himself. It ran into four editions and sold over 15,000 copies. The book has been translated into English by literary critic C. N. Ramachandran and journalist Alladi Jayashri. Published by Sapna Book House, Bangalore. To mark the completion of 75 years of Kannada film industry, the book has been released in New Jersey, America on 10 May 2008 sponsored by Brindavana, the Kannada Association of New Jersey. On this occasion, the author A. N. Prahalada Rao and his wife Mallika Prahlad have been honoured by the resident Kannadigas from New Jersey, New York, Washington DC and other surrounding cities.
