The Barbican Centre is owned, funded, and managed by the City of London Corporation. It was built as the City's gift to the nation at a cost of £161 million (equivalent to £480 million in 2014) and was officially opened to the public by Queen Elizabeth II on 3 March 1982. The Barbican Centre is also known for its brutalist architecture.[3]
Performance halls and facilities
Barbican Hall: capacity 1,943; home of the London Symphony Orchestra and the BBC Symphony Orchestra.[4]
Barbican Art Gallery and the free new-commission gallery The Curve
Barbican Film: 3 cinema screens with seating capacities of 288, 156 and 156
Barbican Library: Public lending library with special collections in arts and music
Restaurants: 3
Conference halls: 7
Trade exhibition halls: 2
Informal performance spaces
The second-floor library is one of the five City of London libraries. It is one of the largest public libraries in London and has a separate arts library, a large music library and a children's library that regularly conducts free events. The Barbican Library houses the 'London Collection' of historical books and resources, some of which date back to the 18th century, all being available on loan. The library presents regular literary events[6] and has an art exhibition space for hire. The music library has two free practice pianos for public use.
History and design
Barbican Centre
The Barbican Centre had a long development period, only opening some years after the surrounding Barbican Estate housing complex had been finished. It is situated in an area which was badly bombed during World War II.
The Barbican Centre, designed by Peter Chamberlin, Geoffry Powell and Christoph Bon of Chamberlin, Powell and Bon in the Brutalist style, has a complex multi-level layout with numerous entrances. Lines painted on the ground help would-be audience members avoid getting lost on the walkways of the Barbican Estate, within which the centre is located, on the way to it. The Barbican Centre's design – a concrete ziggurat – has always been controversial and divides opinion. It was voted "London's ugliest building" in a Grey London poll in September 2003.[7]
In September 2001, arts minister Tessa Blackstone announced that the Barbican Centre complex was to be a Grade IIlisted building. It has been designated a site of special architectural interest for its scale, its cohesion and the ambition of the project.[8] The centre was designed by architectural practice Chamberlin, Powell and Bon, who were also responsible for the upscale residential area surrounding the centre (the Barbican Estate), as well as the nearby Golden Lane Estate. Project architect John Honer later worked on the British Library at St Pancras – a red brick ziggurat.
In the mid-1990s, a cosmetic improvement scheme by Theo Crosby, of the Pentagram design studio, added statues and decorative features reminiscent of the Arts and Crafts movement. In 2005–2006, the centre underwent a more significant refurbishment, designed by architects Allford Hall Monaghan Morris and Roger Westman, which improved circulation and introduced bold signage in a style in keeping with the centre's original 1970s Brutalist architecture. That improvement scheme added an internal bridge linking the Silk Street foyer area with the lakeside foyer area. The centre's Silk Street entrance, previously dominated by an access for vehicles, was modified to give better pedestrian access. The scheme included removing most of the mid-1990s embellishments.
Outside, the main focal point of the centre is the lake and its neighbouring terrace. The theatre's fly tower has been surrounded by glass and made into a high-level conservatory.
The Barbican Hall's acoustic has also been controversial: some praised it as attractively warm, but others found it too dry for large-scale orchestral performance. In 1994, Chicago acoustician Larry Kirkegaard oversaw a £500,000 acoustic re-engineering of the hall "producing a perceptible improvement in echo control and sound absorption", music critic Norman Lebrecht wrote in October 2000[9] – and returned in 2001 to rip out the stage canopy and drop adjustable acoustic reflectors, designed by Caruso St John, from the ceiling, as part of a £7.5 mn refurbishment of the hall. Art music magazine Gramophone still complained about "the relative dryness of the Barbican acoustic" in August 2007.[10]
The theatre was built as the London home of the Royal Shakespeare Company, which was involved in the design, but decided not to renew its contract in 2002 after claiming a lack of performing space, plus the artistic director, Adrian Noble, wanting to develop the company's touring performances.[11] The theatre's response was to extend its existing six-month season of international productions, "Barbican International Theatre Event", to the whole year.[12] On 23 January 2013, Greg Doran, RSC artistic director, announced the company's return to the Barbican Centre in a three-year season of Shakespeare's history plays.[13]
The Guildhall School of Music and Drama, where the Barbican Centre theatrical performances are occasionally staged,[18] and the City of London's Barbican Library, neither part of the centre, are also on the site. The Museum of London is nearby at Aldersgate, and is also within the Barbican Estate.
The annual London Australian Film Festival (LAFF), supported by the Australian Film Commission (AFC), was formerly held at the Barbican Theatre, from March 1994[19] until the 17th edition in 2011.[20][21] In 2017, the volunteer-run London Australian Film Society founded a new festival, initially named Oz Film Festival but later renamed London Australian Film Festival. Despite the identical name, it has nothing to do with the LAFF at the Barbican, and screenings are held at other cinemas in London.[22][23]
In popular culture
The Barbican Centre features in Michael Paraskos's novel In Search of Sixpence as the home of the lead character, Geroud, and also a bar called "The Gin Bar" loosely based on the Gin Joint bar at the Barbican Centre.[24]
Barbican
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