Baudonivia (fl. c. 600) was a nun and hagiographer at the convent of Holy Cross of Poitiers. Very little is known about her. She wrote a biography of Radegund, Queen, founder of Holy Cross, and saint. Scholars have noticed a marked difference in perspective between an earlier life composed by Venantius Fortunatus and that written by a nun of her own convent.
History
Illuminated Manuscript of St. Radegund inspired, in part, by the work of Baudonivia
Baudonivia wrote her Vita Radegundis, a biography of the Frankish queen Radegund, founder of the Holy Cross abbey,[1][2] at the request of the other nuns at Holy Cross.
Baudonivia wrote it sometime between 599 and 614 at Chelles Abbey[3] using a previous vita by Venantius Fortunatus and her own recollections of a young Radegund. She regarded her work as similar to half of a diptych. Baudonivia created a portrait of a devout yet politically shrewd woman who used her worldly power to sustain the monastery.[4] Her work has been characterized as faithful to the picture painted by Venantius Fortunatus, but more significantly influenced by the ideology of Caesarius of Arles's Regula Virginum with the clear purpose of providing a model of sanctity for the nuns of her generation. The work is focused on the later stages of Radegund's life, when Radegund lived in a cell near Poitiers. The book also includes miracles attributed to Radegund's intercession.
Commentary
Scholars have noted the thematic differences between Venantius Fortunatus' and Baudonivia's biographies. According to Professor Lynda L. Coon Fortunatus depicts Radegund emphasizes her asceticism, while Baudonivia stresses her role as astute politician,
her administrative achievements, and her traveling to collect relics and, most importantly, her efforts to gain a fragment of the True Cross from Justin II, the Byzantine Emperor.[5]
Fortunatus wrote his part as someone who knew Radegund on a personal level but Baudonivia presented Radegund as a role model.[3] Venanzio focuses on the humble life of Radegonda who dedicated herself to caring for the poor local people, those suffering from leprosy and the most derelict. Having become a tenacious penitent, she lives in a state of sanctity. That of Baudovinia tells a completely different way, giving the image of an indomitable woman with great mental autonomy who also reserves her inexhaustible energy for recreational or culinary activities, and spends her time not only in prayer and penance but also in intense political activity, kept quiet by Venantius.[6]
In the eleventh century the abbesses of the Holy Cross convent were called to renegotiate their power and maintained their challenged authority by employing symbols of Radegund, based on the words of Baudonivia. Baudonivia herself inspired the artists creating stained-glass windows and manuscripts which protected the abbey.
References
^McNamara, Jo Ann; Halborg, John E.; Whatley, E. Gordon; Watt, D. E. R., eds. (1992), Sainted Women of the Dark Ages, Durham, NC: Duke University Press, pp. 70–86, ISBN0-8223-1200-X
^Labande-Mailfert, Yvonne (1986). "Histoire de l'abbaye Sainte-Croix de Poitiers" (in French). 4. La Société des antiquaires de l'Ouest: 19. ((cite journal)): Cite journal requires |journal= (help)
^ abLerner, Gerda (1993), The Creation of Feminist Consciousness: From the Middle Ages to Eighteen-Seventy, Oxford: Oxford University Press, p. 249, ISBN0-19-506604-9
Wemple, Suzanne Fonay. "Scholarship in Women’s Communities" in Women in Frankish Society: Marriage and the Cloister, 500 to 900 : University of Pennsylvania Press, 1981.
Smith, Julia M. H. (2009), "Radegundis Peccatrix: Authorizations of Virginity in Late Antique Gaul", in Rousseau, Philip; Papoutsakis, Manolis (eds.), Transformations of Late Antiquity: Essays for Peter Brown, Burlington: Ashgate, pp. 303–26, ISBN0-7486-1110-X
Edwards, Superior Women. Oxford: Oxford University Press. 2019
