.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in Polish. (April 2012) Click [show] for important translation instructions. View a machine-translated version of the Polish article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 1,438 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Polish Wikipedia article at [[:pl:Bazyli Bohdanowicz]]; see its history for attribution. You should also add the template ((Translated|pl|Bazyli Bohdanowicz)) to the talk page. For more guidance, see Wikipedia:Translation.

Bazyli Bohdanowicz (1740– 23 February 1817) was a Polish violinist and composer.[1][2] He was a member of the orchestra in the Leopoldstädter Theater. He and his wife performed unconventional concerts in Vienna accompanied by their eight children.[3]

References

  1. ^ Rice, John A. (2003-07-24). Empress Marie Therese and Music at the Viennese Court, 1792-1807. Cambridge University Press. pp. 160–163. ISBN 978-0-521-82512-2.
  2. ^ "PWM -Kompozytorzy I Autorzy, Bazyli Bohdanowicz, Biography". pwm.com.pl. Retrieved 2023-09-08.
  3. ^ Ferencz, Jane Riegel (2004). "Surely Something New": Context and Genre of Beethoven's Concerto for Piano, Violin, Violoncello, and Orchestra, Op.56. University of Wisconsin--Madison. p. 25.


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