This article is missing information about the film's theatrical release. Please expand the article to include this information. Further details may exist on the talk page. (November 2019)
After successfully distributing Beast of Blood in 1970, producer Kane W. Lynn (as Hemisphere Pictures) tried to get the distribution rights to Ashley's next horror film, titled Beast of the Yellow Night. Ashley and his production company Four Associates Ltd. put up the money to produce the film themselves in the Philippines, and instead of allowing Lynn to distribute it, he made a deal with Roger Corman's then-fledgling New World Pictures instead. Lynn's ex-business partner in Hemisphere Pictures, Eddie Romero, was hired to direct and co-produce, but Lynn was cut out of the deal. Ashley's Four Associates Ltd. went on to produce several other films in the Philippines, such as The Twilight People, The Woman Hunt and Ebony, Ivory & Jade, before disbanding.[3] Lynn invested in Sam Sherman's 1971 sci-fi film Brain of Blood, which did not fare well, and died soon after of cancer in 1975.
Plot
The film is set near the end of World War II in the Philippines. Satan (Vic Díaz) saves murderer Joseph Langdon (John Ashley) from death on condition that he become his disciple. Satan has Langdon inhabit the bodies of several people over the years, bringing out the latent evil of those around them and carrying out the devil's evil deeds for the next 25 years. Inhabiting the body of Phillip Rogers and with his face, Langdon tries to exert his own free will, but becomes a hairy, murderous beast — a werewolf on the rampage — and kills several people. His wife Julia (Mary Wilcox) tries to support and comfort him during the day, as does his brother Earl (Ken Metcalfe), but when he meets blind former bandit Sabasas Nan (Andres Centenera), he starts to find the strength to fight back. Inspector de Santos (Leopoldo Salcedo) recognizes Rogers as being Langdon, and takes him into custody, putting him under house arrest. Rogers attempts to make love to his wife, but changes again and escapes. When he and Nan try to leave the city, they encounter the police and military and Rogers changes again, battling against the combined forces. When a gravely wounded Sabasas Nan asks Rogers to pray for him, he does so, and at that moment, he is shot by Lt. Campos, dies and reverts to his true age, his soul now free.
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Ashley said that playing the role of the monster "was a lot of fun to do. I used a double in the long shots but the scenes where the beast was talking...was me."[4] Ashley later said that the film was among the better written of his Philippines films. "It certainly was the most cerebral, if you can call any of those pictures that", he said.[5] The success of the movie led Corman to make a series of films in the Philippines, including The Big Doll House.[6]
Release
Beast of the Yellow Night was released in 1971 in the US. "We really tried for quality", Romero said later. "I don't think it did very well. They [the audience] prefer out and out gore."[7]
Diabolique magazine wrote that "The film is a lot of fun, and Ashley's performance is good – he's not playing a stock leading man character this time, but a tormented killer redeemed by love for his new wife. It was a financial success and launched Ashley as a producer, while confirming his status as a draw in horror movies."[6]
Home video
Beast of the Yellow Night was released on DVD by Ventura Distribution on August 21, 2001. The film was reissued several times after its initial DVD release, usually as part of a multi-disc combo pack. It was last released by VCI Video as a part of a four-disc combo pack.[8]
Reception
This section needs expansion. You can help by adding to it. (August 2018)
Beast of the Yellow Night received mostly negative reviews upon its release. Linda Gross of the Los Angeles Times called it a "confusing, implausible rather poorly made horror film", although she admitted it had "a nice twist" showing "two kinds of caring: that of a woman whose love implies expectations and that of a friend who wants nothing and is thereby able to give more."[9] Graeme Clark of The Spinning Image rated the film three out of 10 stars, criticizing the film's overly talky and confusing script.[10]
Legacy
Ashley later became a producer on The A Team television series. He made a cameo in an episode as a backer of a horror film called The Beast of the Yellow Night.[11]
