Films directed by Beaumont Smith
Films directed by Beaumont Smith | |
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Authority control databases: People
Beaumont Smith | |
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| Born | Frank Beaumont Smith 15 August 1885 Hallett, South Australia, Australia |
| Died | 2 January 1950 (aged 64) St Leonards, New South Wales, Australia |
| Occupation(s) | Director, producer |
| Years active | 1913–1938 |
| Spouse | Elsie Fleming (m. 1911–1950; his death) |
Frank Beaumont "Beau" Smith (15 August 1885 – 2 January 1950), was an Australian film director, producer and exhibitor, best known for making low-budget comedies.[1]
Smith made his first film, Our Friends, the Hayseeds, in 1917. He went on to become one of the most prolific and popular Australian filmmakers of the silent era. Among his films were adaptations of the works of Banjo Paterson and Henry Lawson. His 1933 comedy The Hayseeds featured the first screen appearance of Cecil Kellaway.
Smith was famous for making his films quickly – sometimes he would complete shooting and post-production within one month for budgets ranging from £600 to £1,200. His wife Elsie would comment on his scripts and his brother Gordon looked after company finances. He was sometimes known as "One Shot Beau" or "That'll Do Beau".[2]
Smith was born in Hallett, South Australia, named after a popular singer at the time, Armes Beaumont.[3] He was educated at East Adelaide Public School.
Smith won writing competitions as a teenager.[4][5][6]
He first worked as a journalist, writing for The Critic and The Register. When he was around 19 he established a small newspaper, Seaside Topics, in the Victor Harbor region, which had a short run.[7] Smith then helped C. J. Dennis found The Gadfly, which ran for several years.[3]
Smith moved from Adelaide to Sydney in 1907 to work for The Bulletin as a writer and advertising manager. He also worked at The Lone Hand.[7][8]
Smith moved into theatre, becoming secretary for theatrical entrepreneur William Anderson. He also worked as press secretary for Anderson's representative.[7][9]
He toured Europe in 1909 and 1911. During the latter visit he arranged for a European troupe of midgets, "Tiny Town", to tour Australia. It was enormously successful, making a profit of 425%. Smith later toured the show in South Africa, where it was a success, and Canada, where it flopped due to opposition from existing circuses.[7][10][11]
He also toured a show by the suffragette Muriel Matters. It was not a success because the main market, suffragettes, could see her at women's clubs for free.[12]
Smith tried playwriting, working on an adaptation of On Our Selection by Steele Rudd. He wrote the first act on his own and then collaborated with Rudd. The play was eventually rewritten by Bert Bailey to great success.[13][14][15]
In 1914 he went into theatre management.[16]
He toured the plays Mr Wu (1914), The Barrier by Rex Beach, No Mother to Guide Her, A Girl's Cross Roads and The Glad Eye.[12]
He was a fan of the works of Henry Lawson and adapted several of his stories for stage and film, including While the Billy Boils.[17]
He adapted Seven Little Australians into a play and toured it in 1914-15.[15] He also wrote a play with Edward Dyson, Two Battlers and a Bear, and a review, Stop Your Nonsense.
Our Friends, the Hayseeds (1917) was shot in South Australia. Many of the cast had appeared in Smith's theatrical productions of While the Billy Boils and Seven Little Australians. Smith followed it with The Hayseeds Come to Sydney (1917), shot in Sydney, The Hayseeds' Back-blocks Show (1917), shot in Brisbane, and The Hayseeds' Melbourne Cup (1918), filmed in Melbourne.
Smith's first non-Hayseed film was a wartime melodrama, Satan in Sydney (1918). He followed it with Desert Gold (1919), a race horse story, and the comedy Barry Butts In (1919) starring Barry Lupino.
In May 1919 he stopped producing films until better terms for exhibiting them could be found. He recommenced production in October.[2] He spent a number of months in Hollywood, then returned to Australia to make The Man from Snowy River (1920).
Smith travelled to New Zealand to make the inter-racial romance The Betrayer (1921), then back in Australia did While the Billy Boils (1921), adapted from the stories of Henry Lawson (which Smith had previously adapted for the stage). He made the drama The Gentleman Bushranger (1922), then returned to Hayseed comedies with Townies and Hayseeds (1923) and Prehistoric Hayseeds (1923).
Smith made two films starring Arthur Tauchert, The Digger Earl (1924) and Joe (1924). He then made two comedies starring Claude Dampier, Hullo Marmaduke (1925) and The Adventures of Algy (1925).
Shrinking profits led to Smith retiring from film-making in 1925. He moved to New Zealand and became managing director of Williamson Films (New Zealand) Ltd (later J. C. Williamson Picture Corporation Ltd), Wellington.[18][19]
Smith returned to filmmaking to make The Hayseeds (1933), giving Cecil Kellaway his first lead in a film, and Splendid Fellows (1934).
He went back to Williamsons but eventually he and his wife sold their interests in 1937 for £15,000 with an additional £7,000.[15][20]
He retired to Killara, Sydney in 1938.
Smith was married to Elsie Fleming from 1911 until his death.[21] She was often an uncredited contributor with his work, helping him write scripts.
His brother Gordon managed his finances.[22]
Smith died on 2 January 1950 in Royal North Shore Hospital, St Leonards.[23] He was survived by his wife Elsie. He was cremated at Northern Suburbs Crematorium.
The National Library of Australia tracked down a collection of 300 reels of Smith's films, including all his features. However, when the researchers arrived to collect it they were told that the entire collection had been burnt within the previous weeks, on the advice of an insurance company because of the film's inflammable nature.[24]
