1992 American film
Beethoven is a 1992 American family comedy film, directed by Brian Levant and written by John Hughes (under the pseudonym "Edmond Dantès") and Amy Holden Jones. The film's story centers on a St. Bernard dog named after a German composer who finds a home with a suburban family. The film received mixed reviews from critics but was a surprise hit at the box office, earning $147.2 million worldwide. The film spawned a franchise, including a short-lived animated TV series. A direct sequel, Beethoven's 2nd, was released the following year.
Plot
A group of puppies are stolen from a pet store by two thieves, Harvey and Vernon. A St. Bernard puppy escapes and sneaks into the Newton family's home. George, a control freak and workaholic, does not want the responsibility of owning a dog, but his wife, Alice, and their children, Ryce, Ted, and Emily, plead with him to take the dog in. The dog is named "Beethoven" when Emily plays a portion of Ludwig van Beethoven's Fifth Symphony on the piano and he barks along to it.
Beethoven quickly grows into a large dog and George must clean up after the lovable but slobbery, mischievous animal. The dog becomes an important part of the family: he helps Ryce talk to a boy she has a crush on, scares off bullies for harming Ted, and saves Emily's life when she falls into an irresponsible babysitter's swimming pool. George still maintains his dislike, which is further aggravated when the dog's antics ruin a barbecue he is hosting for Brad and Brie Wilson, unpleasant venture capitalists looking to invest and swindle him out of his car air freshener firm.
The Newtons take Beethoven to veterinarian Dr. Herman Varnick for a routine medical exam, unaware that he is secretly involved in unethical and deadly animal experiments. Dr. Varnick tells George of a supposed mental instability among St. Bernards that make them potentially dangerous and violent, and advises him to watch Beethoven closely for any sign of viciousness. However, Dr. Varnick actually seeks large-skulled dogs such as St. Bernards for an ammunition test.
Under the guise of doing a follow-up exam on Beethoven, Varnick visits the Newton home. After applying fake blood onto his arm and the dog, he provokes Beethoven into a fight and successfully convinces George that the dog attacked him. Varnick warns George that Beethoven may be turning aggressive and must be put to sleep, or he will have no choice but to press charges. Against the protests of Alice and his kids, George reluctantly takes Beethoven to Varnick's office. On the way there, George reveals his own father took the family dog to be put down at the vet, which he never forgave him for. George fears that his family will similarly hate him. When he returns home, his fears are proven true when his family leaves the dinner table.
George has a change of heart when Alice pushes him to consider the impact on his family. Accompanied by Alice and the kids, he goes to Varnick's office to find Beethoven, but the doctor lies and claims the dog has already been euthanized. However, George remembers that the receptionist told him that Beethoven would not be put to sleep until the next day. George then notices that Varnick has no bite marks on his arm and, realizing he lied to the Newtons, punches him.
The Newtons then follow Varnick to his warehouse, where Beethoven is being kept. Beethoven manages to escape his cage, but is recaptured by Harvey and Vernon, who are revealed to be working for the doctor. As Alice uses a phone booth to call the police, George goes to the top of the building and spies through the skylight. The skylight crashes and George falls to the ground in front of Varnick, who prepares to shoot Beethoven. Before he can, he is impeded by Sparky, a captive Jack Russell Terrier that Beethoven had earlier befriended. Sparky bites Varnick in the crotch, causing him to fire a shot in the air. Ted hears the gunshot and drives the car through the warehouse. The car crashes into a cart and launches numerous syringes into Varnick, sedating him. As the Newtons reunite with Beethoven and free all the captive dogs, they notice Harvey and Vernon trying to escape, but Ted sends the dogs after them. They escape into a junkyard, only to be attacked by a pack of ferocious Doberman guard dogs.
Dr. Varnick, Harvey and Vernon are arrested for animal cruelty. Beethoven and the Newtons are praised as heroes in the news and George takes a new liking to the dog. The Newtons go to sleep, saying good night to Beethoven, along all of the other dogs they rescued.
Production
John Hughes left the Beethoven script for Universal Pictures when he parted ways with the studio.[1] Hughes allowed Universal to make the film on the condition that he be credited under his pseudonym, Edmond Dantès.[4] It became an open secret in the industry that Hughes was behind the pseudonym.[4]
The dogs featured in the film were owned and trained by Eleanor Keaton.[5] Beethoven is played by canine actor Chris, who had 12 doubles.[6]
Principal photography began on May 1, 1991, in Los Angeles, California, under the direction of Steve Rash.[1] However, Rash left the production due to creative differences and was replaced with Brian Levant.[4]
Reception
Critical response
On review aggregator Rotten Tomatoes, it has an approval rating of 31%, based on reviews from 29 critics, with an average score of 4.7/10. The critical consensus reads: "Fluffy and incorrigible, Beethoven is a good boy who deserves a better movie".[7] Audiences surveyed by CinemaScore gave Beethoven a grade of A.[8]
The Washington Post's Rita Kempley praised the film as a "a waggish tale of canine chicanery, an uproarious if impawsible symphony of drool, doggy fidelity and chewed shoes".[9] Johanna Steinmetz of the Chicago Tribune wrote "'Beethoven' charms its way through [its] highly formulaic premise with the help of some smart animal-handling, a few excellently realized visual stunts and narrative montages of life a la dog."[10] The Hartford Courant said, "The most important work comes from a hulking, brown-eyed, sad-faced big star named Chris, who makes Beethoven into a Benji for the '90s, a sort of canine Wallace Beery or Walter Matthau. Roll on, Beethoven."[11]
In The New York Times, Caryn James wrote Beethoven is "much more enjoyable than it has any right to be" and "tugs all the right strings, in a manner strangely reminiscent of 'Home Alone.' It is savvy about kids' troubles...[and] is sentimental but not gooey. Most important, its cartoonish bad guys offer villainy without any true danger and are vanquished by a non-adult hero."[4] James's colleague Janet Maslin also gave a positive review, opining that while the film is "no classic...it's a sunny, energetic children's film with a good notion of what young audiences like".[12]
James added Charles Grodin "provides much of the adult appeal of 'Beethoven.' He underplays his comic scenes where another actor would have been mugging furiously, but he still lets on that George is a softy underneath it all".[4] In the Los Angeles Times, Michael Wilmington said, "The movie is about the way pets humanize uptight suburbanites. And the suburbanite here, Charles Grodin as George Newton, is a good part of what makes 'Beethoven' work. Grodin’s mastery of uptight types is always apparent."[6] He concluded "despite [Beethoven's] crudities, overstatement and predictable plot...there's something a little goofy and sweet about it".[6]
Roger Ebert of the Chicago Sun-Times gave the film two-and-a-half stars out of four, writing in his review that "this is not the sort of entertainment I scour the movie pages for, hoping desperately for a new film about a cute dog. Nor did I find anything particularly new in Beethoven, although I concede that the filmmakers secured an admirable dog for the title role, and that Charles Grodin, who is almost always amusing, has what fun can be had playing the grumpy dad".[13] He concluded Beethoven is "the kind of clever, innocuous family entertainment that's always in short supply".[13]
Negative reviews criticized the film's plot,[14][15] with some pointing out the film's darker elements may prove too scary for young kids.[16][11][17] Chris Hicks of the Deseret News wrote "the first half brings to mind the best elements of 'Honey, I Shrunk the Kids,' with its delightful portrayal of domestic bliss gone awry. But the second half is more like a failed kiddie version of a TV crime drama. And the film never quite recovers."[16]
The plot line of Alice leaving the work force after an alarming experience with a babysitter was criticized in multiple reviews because of its perceived bias against working mothers.[9][4][15][18] In The Boston Globe, Betsy Sherman wrote the film had "a strange tone of desperateness in its depiction of a 'perfect' suburban nuclear family. An assortment of grotesque supporting characters become threats to the family, and are dispatched by Beethoven".[15] The American Veterinary Medical Association expressed disapproval for the film's evil veterinarian plot and sent letters of protest to Ivan Reitman, the film's executive producer, and to the Motion Picture Association of America.[18]
Box office
Beethoven opened in third place at the North American box office, with a total of $7,587,565.[19] In its fourth week of release, it moved to the number 2 spot.[19] The film ultimately grossed $57,114,049 in North America and $90,100,000 in other territories, for a total of $147.2 million worldwide.[20][6][3]
Accolades
Music
The soundtrack to the film was released on December 15, 1992.[23]
| Title | Artist |
|---|
| 1. | "Opening" | Randy Edelman | 4:20 |
|---|
| 2. | "Discovering the Neighborhood" | Randy Edelman | 2:24 |
|---|
| 3. | "Ciao, Baby" | Randy Edelman | 0:40 |
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| 4. | "Ted and the Bullies" | Randy Edelman | 2:36 |
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| 5. | "Beethoven to the Rescue" | Randy Edelman | 2:10 |
|---|
| 6. | "A Stroll Through Town" | Randy Edelman | 1:41 |
|---|
| 7. | "Puppy Snatchers" | Randy Edelman | 3:01 |
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| 8. | "The Dog Has to Go" | Randy Edelman | 2:03 |
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| 9. | "Table Spin" | Randy Edelman | 0:49 |
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| 10. | "Sparkie's Chase" | Randy Edelman | 1:53 |
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| 11. | "George Gets Turned On" | Randy Edelman | 1:29 |
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| 12. | "Family In Pursuit" | Randy Edelman | 1:38 |
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| 13. | "The Break-In" | Randy Edelman | 1:51 |
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| 14. | "Our Heroes" | Randy Edelman | 2:19 |
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| 15. | "The Dogs Let Loose" | Randy Edelman | 1:25 |
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| 16. | "A Sad Return" | Randy Edelman | 2:19 |
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| 17. | "Ryce's Theme" | Randy Edelman | 1:30 |
|---|
| 18. | "Roll Over Beethoven (written by Chuck Berry)" | Paul Shaffer and The World's Most Dangerous Band | 4:43 |
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| Total length: | 38:51[24] |
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Sequels and spin-offs
The film was followed by four sequels and three standalone films that use the Beethoven name and the premise of a St. Bernard, but the plots are less and less connected as the series goes on. Beethoven's 2nd was released to theaters in 1993. The remaining sequels were direct-to-video films: Beethoven's 3rd (2000), Beethoven's 4th (2001), Beethoven's 5th (2003), Beethoven's Big Break (2008), Beethoven's Christmas Adventure (2011), and Beethoven's Treasure Tail (2014). An animated TV series was also created around the films that debuted in 1994. Dean Jones voiced George Newton in it after playing Dr. Herman Varnick in the film and Nicholle Tom reprised her role, voicing Ryce Newton. None of the sequels or related media featured the involvement of Hughes.
