Linklater, Hawke, and Delpy began developing a third film in 2011, wishing to replicate the nine-year gap between the first two installments. Principal photography began in August 2012, and took place entirely on the Peloponnese coast in Southern Greece, including the Kardamyli home once owned by author Patrick Leigh Fermor. Like its predecessors, Before Midnight has a minimal plot, with considerable screentime devoted to extended conversations between the characters.
Nine years since rekindling their relationship,[N 2] Jesse and Céline have become parents to twin girls. Jesse reflects on his inability to maintain his relationship with his teenage son, Hank. Hank flies home to Chicago after vacationing with the couple and their children on the Greek Peloponnese peninsula, and lives with his mother, Jesse's ex-wife.
Jesse is a successful novelist, while Céline is at a career crossroads, considering a job with the French government. The couple discuss their concerns over Hank, as well as Céline's career, and reflect on love and life over dinner with friends. Their friends pay for a hotel room for the couple; while walking to the hotel, Jesse and Céline reminisce about their initial meetings, and wonder if they would become a couple if they met in their present state.
After reaching the hotel, they begin to get intimate but are interrupted by a phone call from Hank, who seems to have bonded with Céline more than Jesse. They eventually have a fierce argument, expressing fears about the strength of their relationship. Jesse wants them to consider moving to Chicago so he can be closer to Hank, which Céline thinks will cost her any chance of a career outside her family. During the argument, Céline leaves and returns twice. Then she tells Jesse she thinks she no longer loves him.
Céline leaves their room the third time and sits alone in the hotel's outdoor restaurant. Jesse joins her and jokes that he is a time traveler (referencing their first meeting),[N 3] bringing her a letter from her 82-year-old self, describing this night as one of the best of their lives. Unamused, Céline says their fantasies will never match the imperfect reality. Jesse says while their love may be imperfect, it is real. After a moment, Céline joins in Jesse's joke, and the two reconcile.
Richard Linklater, Ethan Hawke, and Julie Delpy had all discussed doing a sequel to Before Sunset (or the third in a trilogy). In November 2011, Hawke said that he, Delpy and Linklater
"have been talking a lot in the last six months. All three of us have been having similar feelings, that we're kind of ready to revisit those characters. There's nine years between the first two movies and, if we made the film next summer, it would be nine years again, so we started thinking that would be a good thing to do. So we're going to try and write it this year."[4][5]
In June 2012, Hawke confirmed that the sequel to Before Sunset would be filmed that summer.[6] Soon after, Delpy denied filming would take place that year.[7] By that August, numerous reports emerged from Messenia, Greece, that the film was being shot there.[8] The completion of the sequel, Before Midnight, was announced on September 5, 2012.[9] Linklater said that, after ten weeks of writing and rehearsing, the film was made in 15 days for less than $3 million.[2] He announced plans to premiere the film at a festival in early 2013.[10]
The film opened to general audiences on May 24, 2013, at five theaters in New York, Los Angeles, and Austin, Texas.[13] It was released wide in 897 theaters on June 14, 2013.[14]
Box office
The film grossed $8,110,621 domestically and $15,141,309 internationally, for a worldwide gross of $23,251,930.[3]
Critical reception
Like the previous entry of the trilogy, Before Midnight received widespread critical acclaim. Rotten Tomatoes gives the film an approval rating of 98% based on 207 reviews, with an average rating of 8.7/10. The site's critics consensus reads: "Building on the first two installments in Richard Linklater's well-crafted Before trilogy, Before Midnight offers intelligent, powerfully acted perspectives on love, marriage, and long-term commitment."[15]Metacritic gives the film a weighted average score of 94 out of 100, based on 41 critics, indicating "universal acclaim".[16] It was listed as the third-best film of the year after 12 Years a Slave and Gravity.[17] It was the second-best reviewed film of 2013 according to Rotten Tomatoes, after Alfonso Cuarón's Gravity.[18]
According to Total Film's Philip Kemp, "As with its two predecessors — and with the films of French New Wave director Éric Rohmer, presiding deity of this kind of cinema—Midnight's essentially a film about people talking. But when the talk's this good, this absorbing and revealing and witty and true, who's going to complain?... [It's a] more-than-worthy, expectation-exceeding chapter in one of modern cinema's finest love stories. As honest, convincing, funny, intimate and natural as its predecessors."[19]
Perry Seibert of AllMovie also praised the film, writing: "The screenwriting trio fill the movie with long, discursive conversations (there are only two scenes in the first 20 minutes) that feel utterly improvised when they are performed, but are far too deftly structured to be anything other than the work of consummate artists."[20] Eric Kohn, from Indiewire, gave the film a rave review, adding it to his list of Top 10 Films of 2013. He wrote that "With Before Midnight, Richard Linklater has completed one of the finest movie trilogies of all time."[21]Peter Bradshaw of The Guardian called the film "intimate and intelligent".[22]
