In 1939, Ball is an actress contracted to RKO Pictures, earning the moniker "Queen of the B-Movies". Cast in the failed comedy Too Many Girls, she falls in love with her costar, Cuban singer Arnaz. He assures her of her talent as a physical comedian, and she confides her dream of simply making a home with someone. They marry and buy a house in Hollywood, but struggle to spend time together, with Arnaz busy fronting his Desi Arnaz Orchestra while Ball continues her film career with little success.
After serving in World War II, Arnaz resumes touring with his orchestra, and Ball lands a starring role in 1942's The Big Street. She meets with RKO President Charles Koerner, expecting to become an established star like Rita Hayworth and Judy Holliday. Instead, he terminates her contract, largely due to her age, and suggests she use her voice for radio. In 1948, she is cast in the radio show My Favorite Husband, which becomes a massive success.
CBS suggests turning My Favorite Husband into a television show, sponsored by cigarette company Philip Morris. Hoping to bring her and Arnaz closer together, Ball agrees on the condition that he plays her on-screen husband; the executives initially refuse to have an "all-American" star with a Cuban husband, but are forced to concede. By 1953, the show is renamed I Love Lucy and becomes a smash hit with nearly 60 million viewers each week.
Ball and Arnaz produce the show in Los Angeles through their company Desilu Productions, with a three-camera system designed by Arnaz allowing East Coast viewers to watch live without static, while accommodating a studio audience. Dealing with friction between her costars William Frawley, who is often drunk, and Vivian Vance, who resents Ball's attempts to make her less attractive, Ball clashes with the directors and writers over her exacting demands.
Walter Winchell's radio program claims to have evidence of Ball's Communist ties, alarming I Love Lucy's crew that their show will be shut down. Ball admits to registering with the party when she was young and influenced by a relative, and Arnaz frustrates her by announcing that she innocently marked the wrong box. They inform the writers she is pregnant with their second child, planning to integrate this into future episodes, but executives refuse to allow even the word "pregnant" on the air.
Ball confronts her husband for often staying out late, but he proves that a tabloid photo of him with another woman was taken months ago. After Frawley suggests that Arnaz's behavior stems from feeling emasculated by Ball taking over many of the show's business and creative decisions, she asks Oppenheimer, the official showrunner, to help save her marriage. Instead of offering him a producer credit, Oppenheimer assures Arnaz he has top billing as the "I" in I Love Lucy, but he rejects the patronizing gesture. Arnaz reaches out to the head of Philip Morris directly, securing permission to introduce Ball's pregnancy into the show.
The night of filming a new episode, a newspaper article declares Ball a Communist, though she was cleared during an HUAC hearing. Arnaz addresses the studio audience about the accusations and takes a live call with FBI Director J. Edgar Hoover, who confirms that Lucy was cleared of all charges. Celebrating backstage, Ball confronts Arnaz with a lipstick-stained handkerchief, which he claims is hers, but she shows him another handkerchief with her own lipstick, and he finally admits to his infidelity.
As filming begins, Ball momentarily loses her concentration, triggered by Arnaz's catchphrase — "Lucy, I'm home". An epilogue reveals that Ball filed for divorce after the taping of their last show in 1960.
Production was originally given a tax credit to film in California in November 2019,[3] and producers were revealed to be meeting with directors in January 2020.[4] However, by January 2021, Blanchett had dropped out of the project, with Nicole Kidman in negotiations to replace her and Javier Bardem in negotiations to portray Desi Arnaz. Sorkin, having enjoyed the experience of directing The Trial of the Chicago 7, had elected to serve as director himself.[5] The casting of Kidman was met with some controversy on social media, to which Lucie Arnaz spoke out in defense of Kidman's casting.[6] In February, J. K. Simmons and Nina Arianda were cast to portray William Frawley and Vivian Vance respectively.[7]
Filming
Filming began on March 29, 2021, in Los Angeles, with Tony Hale, Alia Shawkat, Jake Lacy, and Clark Gregg added to the cast.[8][9] The production canceled filming at Chateau Marmont due to backlash against the establishment.[10] In September 2021, Sorkin stated that the film was in post-production.[11] The set design was led by Emmy-nominated set decorator Ellen Brill and production designer Jon Hutman.[12]Daniel Pemberton composed the film score, which was released by Lakeshore Records on December 17, 2021.[13]
Release
The film premiered in New York City on December 7, 2021.[citation needed] The film was released in a limited release exclusively in the United States on December 10, 2021, prior to streaming globally on Prime Video on December 21, 2021.[14]
Though Amazon does not publicly release box office grosses, the film made an estimated $150,000 from 450 theaters on its first day, and a total of $450,000 in its opening weekend.[15]
The review aggregation websiteRotten Tomatoes reports an approval rating of 68% based on 281 reviews, with an average rating of 6.6/10. The website's critics consensus reads: "Being the Ricardos can't hope to truly capture its subjects' brilliant star power, but Nicole Kidman has a ball with Aaron Sorkin's spitfire dialogue."[16]Metacritic assigned the film a weighted average score of 60 out of 100, based on 51 critics, indicating "mixed or average reviews".[17]
Richard Roeper of the Chicago Sun-Times gave the film a three and a half out of four stars, and pointed out how, despite unfavorable reactions in response to the casting of Kidman and Bardem in the lead roles, "Bardem does a solid job of capturing Arnaz' charismatic stage presence, business acumen and duplicitous ways with the ladies, while Kidman is outstanding at reminding us there were two Lucys [...] It's not an impersonation so much as it is a fully realized characterization."[18]Mark Feeney from The Boston Globe mentioned that Kidman gets "the smokiness of Ball's voice. And in the black-and-white that's used for scenes from the sitcom the physical resemblance is uncanny. It's Kidman playing one Lucy as that Lucy plays another", and mentioned how, although Bardem doesn't physically resemble his character much, "that's not a problem, since what Bardem does convey, and it matters a lot more, is Arnaz's babalu gusto and coiled-spring alertness."[19] Lindsey Bahr of the Associated Press stated that "while no one is going to mistake either Kidman or Bardem for either of their real-life counterparts, they were hired to be actors, not mimics and do a terrific job bringing to life the spirit of their characters off-camera lives, illustrating a full, complex, adult relationship."[20]
Stephanie Zacharek from Time mentioned how "Kidman makes a fine Lucille Ball in many ways", such as when "capturing Ball's smarts", and continued on by saying that "Bardem is terrific as Arnaz, finding complexities in the man that we might not have known were there."[21] David Rooney of The Hollywood Reporter stated that "the performances of Nicole Kidman and Javier Bardem as golden-age TV's best-loved couple can't be faulted", describing Bardem's performance as "oozing charisma" and showing "a roguish charm and a shrewd mind" as Arnaz. He also reiterated that despite Kidman not physically resembling Ball, "she plays the laser-focused professionalism and self-preservation with stirring conviction, and she nails the dual on- and off-camera personae in her movements, and above all, in vocal distinctions between the raspy heavy smoker in the writers' room and the squawking comic on TV."[22]
Reception of the casting of a European actor (Bardem) to play a Cuban-American character (Arnaz) was quite a bit more negative,[23][24][25][26][27][28] with reporter Laura Bradley noting that "Hollywood has a well-established history of hiring Spanish actors to play characters from the countries the Spaniards colonized."[29] Director Sorkin defended the casting decision by saying that "having an actor who was born in Spain playing a character who was born in Cuba was not demeaning. And it wasn't just the casting consultant who agreed, Lucy and Desi's Cuban-American daughter didn't have a problem with it. So, I'm very comfortable with it."[30] A Cuban-American critic noted wryly that "a Spaniard portraying a Santiaguero was gonna be an uneasy pill to swallow for that most clannish of people known as Cubans. Everyone in Hialeah was probably having a fit."[31] Additionally, as a sign of the Hollywood view of Cubans, some Spanish-language media accused the film of having Bardem "darken" his skin to appear "more Cuban", when in fact Arnaz was lighter-skinned than Bardem.[32] It was also pointed out that it was the second time that Bardem has been cast to portray a Cuban (the first being a film about Cuban writer Reinaldo Arenas).[32] A major newspaper in Spain accused Bardem of "cultural appropriation" while also noting that Arnaz was "a direct descendant of families from Spain."[33] On the other side of the casting controversy, a separate major Spanish newspaper endorsed the casting of Bardem as Arnaz, noting that Arnaz had "more in common with Bardem [lineage to Spain] than with any other Hispanic [non Spaniard] actor."[34]
Stu Shostak, the host and producer of the podcast "Stu's Show" and a personal friend of Lucille Ball, had negative things to say about the movie. As someone who spent his whole life studying vintage TV and interviewing many people who were involved with "I Love Lucy", he was upset at how the cast was portrayed, the factual inaccuracies of the script (J. Edgar Hoover never called on the set), and how the actor's relationships with each other weren't as frosty (nor as chummy, in some situations) as they were portrayed in the film. Ultimately, he found the film to be a disgrace to Lucy and Desi's legacy, and hoped that people would "let them rest in peace" going forward.[46]
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