Benny Golson | |
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 Golson playing in New York City, 2006 | |
| Background information | |
| Born | January 25, 1929 Philadelphia, Pennsylvania, United States |
| Genres | Jazz, bebop, hard bop |
| Occupation(s) | Musician, composer, arranger |
| Instrument(s) | Tenor saxophone |
Benny Golson (born January 25, 1929)[1] is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger.[2] He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.[3]
Many of Golson's compositions have become jazz standards including "I Remember Clifford", "Blues March", "Stablemates", "Whisper Not", "Along Came Betty", and "Killer Joe". He is regarded as "one of the most significant contributors" to the development of hard bop jazz,[4] and was a recipient of a Grammy Trustees Award in 2021.[5]
Born in Philadelphia, Golson began learning the piano at age nine, then switched to the saxophone when he was 14.[3] While a student at Benjamin Franklin High School in Philadelphia,[6] he played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. He later attended Howard University.
After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson's pianist at the time.[1]
From 1953 to 1959, Golson played with Dameron's band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers,[1] with whom he recorded the classic Moanin' in 1958.[7]
Golson was working with the Lionel Hampton band at the Apollo Theater in Harlem in 1956 when he learned that Clifford Brown, a noted and well-liked jazz trumpeter who had done a stint with him in Dameron's band,[8] had died in a car accident. Golson was so moved by the event that he composed the threnody "I Remember Clifford", as a tribute to a fellow musician and friend.
In addition to "I Remember Clifford", many of Golson's other compositions have become jazz standards. Songs such as "Stablemates", "Killer Joe", "Whisper Not", "Along Came Betty", and "Are You Real?", have been performed and recorded numerous times by many musicians.[9]
From 1959 to 1962, Golson co-led the Jazztet with Art Farmer,[1] mainly playing his own compositions.[10] Golson then left jazz to concentrate on studio and orchestral work for 12 years.[1] During this time he composed music for such television shows as Mannix, Ironside, Room 222, M*A*S*H, The Partridge Family and Mission: Impossible. He also formulated and conducted arrangements to various recordings, such as Eric Is Here, a 1967 album by Eric Burdon, which features five of Golson's arrangements, conducted by Golson.[11]
During the mid-1970s, Golson returned to jazz playing and recording. Critic Scott Yanow of AllMusic wrote that Golson's sax style underwent a major shift with his performing comeback, more resembling avant-garde Archie Shepp than the swing-era Don Byas influence of Golson's youth.[12] In 1982, Golson re-organized the Jazztet.[13]
Golson played a cameo role in the 2004 movie The Terminal, related to his appearance in "A Great Day in Harlem", a group photograph of prominent jazz musicians taken in 1958.[14] Main character Viktor Navorski (Tom Hanks) travels to the US from Europe to obtain Golson's signature; Golson was one of seven musicians then surviving from the photo, the others being Johnny Griffin (died 2008), Eddie Locke (died 2009), Hank Jones (died 2010), Marian McPartland (died 2013), Horace Silver (died 2014), and Sonny Rollins. Pianist Ray Bryant's song "Something in B-Flat," which was included on the Golson's debut album as a leader, Benny Golson's New York Scene, can be heard during a scene where Viktor is painting and redecorating part of an airport terminal; in a later scene, Golson's band performs "Killer Joe".[15] The album Terminal 1 was released by Golson shortly after the film, as a "homage to Steven Spielberg", its director.[16]
In 1996, Golson received the NEA Jazz Masters Award of the National Endowment for the Arts.[17]
In 1999, Golson was awarded an honorary doctorate of music from Berklee College of Music.[18]
In October 2007, Golson received the Mellon Living Legend Legacy Award,[17] presented by the Mid Atlantic Arts Foundation at a ceremony at the Kennedy Center. Additionally, during the same month, he won the University of Pittsburgh International Academy of Jazz Outstanding Lifetime Achievement Award at the university's 37th Annual Jazz Concert in the Carnegie Music Hall.[19]
In November 2009, Golson was inducted into the International Academy of Jazz Hall of Fame, during a performance at the University of Pittsburgh's annual jazz seminar and concert.[citation needed]
The Howard University Jazz Studies program created a prestigious award in his honor called the "Benny Golson Jazz Master Award" in 1996. Many distinguished jazz artists have received this award.[20]
Benny Golson in Denmark (2007)
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Main article: Benny Golson discography |
