Career as a writer
Doherty wrote for the newspaper children's pages from age five until she lost eligibility when she turned fourteen. She returned seriously to writing when her children had entered school, more than twenty years later.[5] Her first book was How Green You Are!, a novel published in 1982 by Methuen in its Pied Piper series, with illustrations by Elaine McGregor Turney.[10] Next year she became a full-time writer.
White Peak Farm (1984) was Doherty's third book and her first for older readers, featuring life on a contemporary family farm and its recent changes. One reviewer called it autobiographical but her only farm experience had been work for one of the Sheffield schools radio series, when she had interviewed farm teenagers in Derbyshire, where she set the novel. (Later she moved into a 300-year-old farm cottage in the Derbyshire Peak District, in the midst of farming but not as a farmer.)[5]
She has written over sixty novels and picture books for children and young adults.[3] According to Philip Pullman, "Doherty's strength has always been her emotional honesty."[11] Her books encompass multiple genres. Some draw on her experience as a social worker to dramatise contemporary issues, including teenage pregnancy in Dear Nobody (1991), adoption in The Snake-Stone (1995), and African AIDS orphans and child trafficking in her latest novel, Abela: The Girl Who Saw Lions (2007).[12] A conservationist, her story book Tilly Mint and the Dodo (1988) centres on the threat of species extinction.[7][13] Spellhorn (1989) uses a fantasy setting to explore the experience of blindness. Several of her works have historical settings, such as Street Child (1993), which is set in 1860s London and Treason, set in Henry VIII's reign. Some of them are based on Doherty's own family history; Granny Was a Buffer Girl (1986) includes the story of her parents' marriage, while The Sailing Ship Tree (1998) draws on the lives of her father and grandfather.[12] She had been deprived of living grandparents as living links to her own "distant past"; she "re-created" both her mother's parents in Granny and re-created her father's father in Sailing-Ship.[5]
Doherty's works often have a strong sense of place. She has stated that she is inspired by landscape and admires Thomas Hardy for "the sense of people within a landscape" that his novels convey, and[14] She now lives in Edale, Derbyshire in the Dark Peak, and many of her books like 'Jeannie of White Peak Farm', are set in the Peak District. Children of Winter (1985) is loosely based on the story of the plague village of Eyam, and the drowning of the villages of Derwent and Ashopton by the Ladybower Reservoir is recounted in Deep Secret (2004). The fantasy picture book Blue John (2003) was inspired by the Blue John Cavern at Castleton.[12][14] A ghost story, The Haunted Hills was inspired by a local legend, Lost Lad, which gave name to one of the rocky outcrops on Derwent Edge close to Berlie's home.[15]
Doherty often works with children and teenagers when developing her novels, having "a conviction that children are the experts and I can always learn from them."[7] She read her first novel, How Green You Are!, to one of her classes while working as a teacher in Sheffield; Tough Luck (1987) was written as part of a writer's residency at a Doncaster school; and her research for Spellhorn included extensive work with a group of blind children from a school in Sheffield.[6][12]
Though best known as a writer for children, Doherty has also written two novels for adults, Requiem (1991) and The Vinegar Jar (1994).[3] On the differences between writing for children and adults, she has said, "Children need a good strong storyline. But they need sensitive writing and must be able to relate to the characters and the plot."[7]
Poetry
Berlie Doherty's poetry collection Walking on Air was published in 1993 and her poems have also appeared in several anthologies.[16] She edited a collection of "story poems", The Forsaken Merman and other story poems (1998).[17] Her poem "Here lies a city's heart ...", a Sheffield Arts commission, has been engraved on a Sheffield pedestrian shopping street, since transferred to a bench in the same area.[18]
Drama
Doherty has written many plays for radio, which she describes as "a wonderful medium to write for, inviting as it does both writer and listener to use their imaginations, to 'see' with their mind's eye."[9] She has also written several plays for the theatre, including both adaptations and original works. She has adapted two of her novels for television, White Peak Farm for BBC1 (1988) and Children of Winter for Channel 4 (1994). She also wrote the 2001 series Zzaap and the Word Master about two children trapped in cyberspace, broadcast on BBC2 as part of the Look and Read schools programming.[3][9]
Works associated with music
Several of Doherty's works are intended to be accompanied by music. She has written the libretti for three children's operas.[19] Daughter of the Sea was adapted from her novel of the same name, and was first performed at Sheffield Crucible Theatre, musicians including the Lindsay String Quartet in 2004, with music composed by Richard Chew.[12][19] The Magician's Cat (2004) was commissioned by the Welsh National Opera and features music by Julian Philips, composer in residence at Glyndebourne.[20] Her most recent libretto, for the chamber opera Wild Cat, was also commissioned by the Welsh National Opera as part of the trilogy 'Land, Sea, Sky' on the theme of conservation, and was first performed in May 2007 by the WNO Singing Club (a youth group), directed by Nik Ashton. The libretto was partly translated into Welsh by poet Menna Elfyn, and the music was also composed by Philips.[21]
Three commissions from the Lindsay Quartet were written to be read over live performances of their music. The Midnight Man was inspired by Debussy's Quartet in G minor, Blue John by Smetana's string quartet From My Life, and The Spell of the Toadman by Janáček's string quartet Kreutzer Sonata.[19] The Midnight Man and Blue John were later published as picture books.[19][22] Doherty's daughter, Sally, has also set The Midnight Man for spoken and singing voices, flute, clarinet, cello and harp.[22]
