You do not have permission to edit this page, for the following reasons:

This IP address has been blocked from editing Wikipedia.
This does not affect your ability to read Wikipedia pages.
Most people who see this message have done nothing wrong. Some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and can sometimes affect other users who are unrelated to that abuse. Review the information below for assistance if you do not believe that you have done anything wrong.

The IP address or range 3.87.0.0/16 has been blocked (disabled) by ‪Blablubbs‬ for the following reason(s):

The IP address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. To prevent abuse, web hosts and colocation providers may be blocked from editing Wikipedia.
You will not be able to edit Wikipedia using a web host or colocation provider because it hides your IP address, much like a proxy or VPN.
We recommend that you attempt to use another connection to edit. For example, if you use a proxy or VPN to connect to the internet, turn it off when editing Wikipedia. If you edit using a mobile connection, try using a Wi-Fi connection, and vice versa. If you are using a corporate internet connection, switch to a different Wi-Fi network. If you have a Wikipedia account, please log in.
If you do not have any other way to edit Wikipedia, you will need to request an IP block exemption.

How to appeal if you are confident that your connection does not use a colocation provider's IP address:
If you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: ((unblock|reason=Caught by a colocation web host block but this host or IP is not a web host. My IP address is _______. Place any further information here. ~~~~)). You must fill in the blank with your IP address for this block to be investigated. Your IP address can be determined here. Alternatively, if you wish to keep your IP address private you can use the unblock ticket request system. There are several reasons you might be editing using the IP address of a web host or colocation provider (such as if you are using VPN software or a business network); please use this method of appeal only if you think your IP address is in fact not a web host or colocation provider.

Administrators: The IP block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. If you intend to give the IPBE user right, a CheckUser needs to take a look at the account. This can be requested most easily at SPI Quick Checkuser Requests. Unblocking an IP or IP range with this template is highly discouraged without at least contacting the blocking administrator.

This block will expire on 11:04, 19 October 2026.

Even when blocked, you will usually still be able to edit your user talk page, as well as email administrators and other editors.

For information on how to proceed, please read the FAQ for blocked users and the guideline on block appeals. The guide to appealing blocks may also be helpful.

Other useful links: Blocking policy · Help:I have been blocked
Your IP address is in a range that has been blocked on all Wikimedia Foundation wikis. The block was made by ‪Jon Kolbert‬. The reason given is Open proxy: Amazon.
- Start of block: 04:19, 18 April 2019
- Expiry of block: 04:19, 18 April 2024
Your current IP address is 3.87.13.95. The blocked range is 3.87.0.0/16. Please include all above details in any queries you make. If you believe you were blocked by mistake, you can find additional information and instructions in the No open proxies global policy. Otherwise, to discuss the block please post a request for review on Meta-Wiki. You could also send an email to the stewards VRT queue at stewards@wikimedia.org including all above details.

You can view and copy the source of this page:

((Short description|British journalist (born 1938)))
((EngvarB|date=August 2014))
((Use dmy dates|date=August 2014))
((Infobox person
| image        = 
| image_size   = 
| name         = Bill Harry
| caption      =
| birth_date   = ((Birth date and age|df=yes|1938|9|17))
| birth_place  = [[Liverpool]], England
| birth_name   = William Harry
| death_date   = 
| death_place  = 
| occupation   = Journalist, [[Public relations|public relations agent]]
| years active = 1958−present 
| spouse       = Virginia Sowry 
| parents      =
| children     = 1
| website      = [http://triumphpc.com/mersey-beat/about/founders-story.shtml Triumphpc]
))
<!-- Put references into this article from books or web pages or your edit will be deleted -->
'''William Harry''' (born 17 September 1938) is the creator of ''[[Mersey Beat]]'', a newspaper of the early 1960s which focused on the [[Liverpool music scene]]. Harry had previously started various magazines and newspapers, such as ''Biped'' and ''Premier'', while at Liverpool's Junior School of Art.<ref>((Cite web |last=Pingitore |first=Silvia |date=2022-01-08 |title=The man who introduced The Beatles to Brian Epstein: EXCLUSIVE interview with legendary 1960s Mersey Beat founder Bill Harry |url=https://the-shortlisted.co.uk/bill-harry-mersey-beat-interview/ |access-date=2023-07-08 |website= |language=en-GB))</ref> He later attended the [[Liverpool College of Art]], where his fellow students included [[John Lennon]] and [[Stuart Sutcliffe]], who both later performed with [[the Beatles]].<ref>((Cite web |last=Pingitore |first=Silvia |date=2022-01-08 |title=The man who introduced The Beatles to Brian Epstein: EXCLUSIVE interview with legendary 1960s Mersey Beat founder Bill Harry |url=https://the-shortlisted.co.uk/bill-harry-mersey-beat-interview/ |access-date=2023-07-29 |website= |language=en-GB))</ref> He published a magazine, ''Jazz'', in 1958, and worked as an assistant editor on the [[University of Liverpool]]'s charity magazine, ''Pantosphinx''.

Harry met his wife-to-be, Virginia Sowry, at the Jacaranda club—managed by [[Allan Williams]], the first manager of the Beatles—and she later agreed to help him start a music newspaper. After borrowing £50, Harry released the first issue of ''Mersey Beat'' on 6 July 1961, with the first 5,000 copies selling out within a short time. The newspaper was published every two weeks, covering the music scenes in Liverpool, [[Wirral Peninsula|Wirral]], [[Birkenhead]], [[New Brighton, Merseyside|New Brighton]], [[Crosby, Merseyside|Crosby]] and [[Southport]], as well as [[Warrington]], [[Widnes]] and [[Runcorn]]. He edited the paper in a small attic office above a wine merchant's shop at 81a Renshaw Street, Liverpool.

Harry arranged for the future Beatles' manager, [[Brian Epstein]], to see them perform a lunchtime concert at [[the Cavern Club]] on 9 November 1961. Epstein subsequently asked Harry to create a national music paper, the ''Music Echo''. After disagreements with Epstein about editorial control, he decided to become a [[public relations]] agent, and went on to work for artists such as [[Pink Floyd]], [[Jethro Tull (band)|Jethro Tull]], [[Procol Harum]], [[David Bowie]], [[Led Zeppelin]] and [[the Beach Boys]].

==Early years==
<!-- Put references into this article from books or web pages or your edit will be deleted -->
Harry was born in [[Smithdown Road, Liverpool|Smithdown Road Hospital]] (now demolished), in [[Liverpool]], Lancashire, on 17 September 1938. He came from a poor Liverpudlian background and was brought up in a rough neighbourhood near Liverpool's dockyards.((sfn|Spitz|2005|p=103)) His father (John Jelicoe Harry), was killed during the [[World War II|war]] on the SS Kyleglen British Steam Merchant ship, which was torpedoed in the middle of the Atlantic Ocean by a German U-boat. None of the crew survived, and Harry's father died on 14 December 1940, aged 25. 
Harry attended the Catholic St. Vincent's Institute, but had to get used to the priests dispensing corporal punishment on a regular basis. Because of his small stature, Harry was beaten by his classmates, being once kicked in the appendix and "left for dead". His mother had no option but to transfer him elsewhere.((sfn|Spitz|2005|p=104))

Harry became interested in science fiction and read comics by candlelight (as the house had no electricity), eventually joining the Liverpool Science Fiction Society.((sfn|Spitz|2005|p=104)) At the age of 13, he produced his own [[science fiction fanzine]], ''Biped'',<ref name="BeatlePeopleBillHarry"/> using a [[David Gestetner|Gestetner]] machine to print 60 copies. His pen friend at the time was [[Michael Moorcock]];<ref name="TheFoundersStory"/> the writer of science fiction and fantasy novels. After winning a scholarship to the Junior School of Art in Gambier Terrace, Liverpool, Harry started his first school newspaper, ''Premier''.<ref name="TheFoundersStory">((cite web|url=http://triumphpc.com/mersey-beat/about/founders-story.shtml |title=The Founders' Story |first=Bill |last=Harry |publisher= triumphpc |access-date=7 June 2012))</ref>

===Liverpool College of Art===
<!-- Put references into this article from books or web pages or your edit will be deleted -->
[[File:Liverpoolartcollege2.jpg|250px|right|thumb|The Liverpool College of Art at 68 Hope Street, Liverpool, which Harry, Lennon and Sutcliffe all attended]]
At the age of 16, Harry obtained a place at Liverpool's College of Art at 68 Hope Street. After studying [[typography]] and page layouts,<ref name="Typographyandpagelayout">((cite web|url=http://www.liverpoolecho.co.uk/liverpool-entertainment/the-beatles/the-beatles-news/2004/10/18/taking-the-pulse-of-beatles-generation-100252-14769221/ |title=Taking the pulse of Beatles generation |first=David |last=Charters |date=18 October 2004 |publisher=Liverpool Echo |access-date=7 June 2012))</ref> he borrowed the college's duplicating machine and published a newspaper called ''Jazz'' in 1958, which reported concerts at the Liverpool Jazz Society club, the Temple Jazz Club and the Cavern Club.<ref name="MerseybeatNostalgiaBillHarry">((cite web |url=http://www.merseybeatnostalgia.co.uk/html/bill_harry.html |title=Bill Harry |publisher=Merseybeat Nostalgia |access-date=7 June 2012))</ref> He also worked as assistant editor on University of Liverpool's charity magazine, ''Pantosphinx'', and on a music newsletter for Frank Hessy's musical instruments store called ''Frank Comments''.<ref name="TheFoundersStory"/><ref name="HessysMusicStore">((cite web |url=http://www.rockmine.com/Beatles/Liverpool/Hessy.html |title=Hessy's Music Store |publisher=Rock mine |access-date=7 June 2012))</ref> The title was suggested by the owner, Frank Hesselberg, as a play on his own comments, but was abandoned after a few issues.((sfn|Spitz|2005|p=264))<ref name="TheBirthofMerseyBeatp4">((cite web |url=http://www.mersey-beat.com/ |title= The Birth of Mersey Beat (p4) |publisher=Bill Harry/Mersey Beat Ltd. |access-date=7 June 2012))</ref>

Harry received a [[National Diploma (UK)|National Diploma]] in design while at the Liverpool Art College and became the first student in the new Graphic Design course, eventually winning a Senior City Art Scholarship.<ref name="TheBirthofMerseyBeatp5">((cite web |url=http://www.mersey-beat.com/ |title=The Birth of Mersey Beat (p5) |publisher=Bill Harry/Mersey Beat Ltd. |access-date=7 June 2012))</ref> Harry maintained that students at art college should be [[bohemian style|bohemian]] in their thoughts and actions and not like the "dilettantes and dabblers", whom Harry disapproved of for wearing [[duffle coat]]s and [[polo neck|turtle neck sweaters]].((sfn|Spitz|2005|p=103)) One of the college's artists and teachers, Arthur Ballard, later stated that Harry and Sutcliffe both overshadowed Lennon at college, explaining that they were both "extremely well educated, and very eager for information".((sfn|Spitz|2005|p=139)) Harry organised a students' film society, where he showed ''[[Orpheus (film)|Orphee]]'', by [[Jean Cocteau]] and [[Salvador Dalí]], and [[Luis Buñuel]]'s, ''[[L'Age d'Or]]''.<ref name="BeatlePeopleBillHarry">((cite web|url=http://www.beatlesbible.com/people/bill-harry/ |title=Beatle People – Bill Harry |date=22 May 2008 |publisher=The Beatles Bible |access-date=7 June 2012))</ref>

Meeting Lennon had been a shock for Harry, as Lennon often dressed like a [[Teddy boy]], and was a disruptive influence at the college.((sfn|Spitz|2005|p=104)) Despite his misgivings about Lennon, Harry introduced him to Sutcliffe, who was a small, softly-spoken and shy student, who had painted a portrait of Harry.((sfn|Spitz|2005|pp=105–107)) The three often spent time together at the [[Ye Cracke|Cracke]] pub in Rice Street, or on the top floor of the Jacaranda club (run by Williams, who later managed the Beatles).<ref name="MerseybeatNostalgiaBillHarry"/> Harry met his then 16-year-old future wife-to-be, Virginia Sowry, at the club.((sfn|Pawlowski|1989|p=37))<ref name="Mr&MrsMerseyBeat">((cite web|url=http://www.freewebs.com/merseybeat/billharry.htm|title=Mr & Mrs Mersey Beat|publisher=Mersey Beat Lover 1|access-date=7 June 2012|url-status=dead|archive-url=https://web.archive.org/web/20100408101139/http://www.freewebs.com/merseybeat/billharry.htm|archive-date=8 April 2010|df=dmy-all))</ref> Harry, Lennon, Sutcliffe and Rod Murray saw the poet [[Royston Ellis]] at Liverpool University in June 1960. Having been disappointed with Ellis' performance, Harry proposed the idea that they should call the assembled quartet of friends [[Dissenter|the Dissenters]], and make Liverpool famous: Sutcliffe and Murray with their paintings, Harry's writing and Lennon's music.<ref name="TheDissenters">((cite web |url=http://www.triumphpc.com/mersey-beat/about/founders-story.shtml |title=Bill & Virginia Harry |publisher=Bill Harry/Mersey Beat Ltd.|access-date=7 June 2012))</ref>

===Music and journalism===
<!-- Put references into this article from books or web pages or your edit will be deleted -->
A fellow student, John Ashcroft, introduced Harry to rock 'n' roll records, and the members of [[Rory Storm|Rory Storm & the Hurricanes]] and Cass & the Cassanovas. Harry carried notebooks with him, collecting information about the local groups, once writing to the ''[[Daily Mail]]'': "Liverpool is like [[New Orleans]] at the turn of the century, but with rock 'n' roll instead of jazz". He also wrote to the ''[[Liverpool Echo]]'' about the emerging Liverpool music scene, but neither paper was interested in stories about music that was popular with teenagers.<ref name="TheBirthofMerseyBeatp4"/> The classified ads in the ''Liverpool Echo'' for local groups were always under the heading of ''Jazz'',<ref name="BeatleFolksHarry3"/> but the paper refused to change this policy, despite pleas from the promoters and groups who actually paid for them.<ref name="TheFoundersStory"/> Harry planned to produce a jazz newspaper called ''Storyville/52nd Street'' and contacted Sam Leach, the owner of a club called Storyville. Leach promised to fund the newspaper, but failed to turn up for three meetings with Harry, leaving him no other option but to find another investor.<ref name="Mr&MrsMerseyBeat"/> Harry thought starting a fortnightly newspaper covering Liverpool's rock 'n' roll music scene would be more successful, and would differ from national music newspapers such as the ''[[New Musical Express]]'' and the ''[[Melody Maker]]'', which only wrote articles about current chart hits and artists.<ref name="MerseybeatNostalgiaBillHarry"/>

==''Mersey Beat''==
<!-- Put references into this article from books or web pages or your edit will be deleted -->
Photographer Dick Matthews, a friend from the Jacaranda,<ref name="TheBirthofMerseyBeatp5"/> heard about Harry's problems with Leach and introduced Harry to a local civil servant, Jim Anderson, who lent Harry £50. This enabled Harry to found ''Mersey Beat'' in 1961.<ref name="TheFoundersStory"/> Harry decided to publish the newspaper every two weeks, covering the music scene in Liverpool, Wirral, Birkenhead, New Brighton, Crosby and Southport, as well as Warrington, Widnes and Runcorn. He thought up the name ''Mersey Beat'' by thinking about a policeman's 'beat' (the area of duty), which had nothing to do with a musical beat.<ref name="TheBirthofMerseyBeatp5"/> Virginia gave up her accountancy/[[comptometer]] operator job at Woolworth's<ref name="Mr&MrsMerseyBeat"/> and worked full-time for £2.10/- a week (also contributing a ''Mersey Roundabout'' article), while Harry lived on his Senior City Art Scholarship funding.((sfn|Spitz|2005|p=264)) Matthews photographed groups, while Anderson found a small attic office for £5 a week above David Land's wine merchant's shop at 81a Renshaw Street, Liverpool.<ref name="TheBirthofMerseyBeatp5"/><ref name="50thanniversaryofmerseybeat"/> Anderson and Matthews helped with the move to the new office, with Anderson providing a desk, chair and an Olivetti typewriter.((sfn|Spitz|2005|p=264))
[[File:Renshaw Street, Liverpool - geograph.org.uk - 978005.jpg|200px|right|thumb|The original ''Mersey Beat'' office was at 81a Renshaw Street, Liverpool. (green shop front on the right)]]
Harry asked printer James E. James (who had printed ''Frank Comments''), if he could borrow the [[printing|printing blocks]] he used for photos, as they were too expensive for the fledgling company at the time.<ref name="BeatleFolksHarry3">((cite web|url=http://www.beatlefolks.com/bharry3.shtml|title=How did the idea for Mersey Beat first originate?|publisher=Beatle Folks|access-date=7 June 2012|url-status=dead|archive-url=https://web.archive.org/web/20120210172914/http://www.beatlefolks.com/bharry3.shtml|archive-date=10 February 2012|df=dmy-all))</ref> Harry also borrowed blocks from the ''Widnes Weekly News'', ''Pantosphinx'' and local cinemas, but contributed to charities by printing free charity advertisements at the side of the front cover page. After taking Virginia home to [[Bowring Park, Knowsley|Bowring Park]] in the evening, Harry would often return to the office and work throughout the night, pausing only to go to the [[Pier Head]] to buy a cup of tea and a hot pie at four in the morning.<ref name="50thanniversaryofmerseybeat">((cite web|url=http://www.liverpoolecho.co.uk/liverpool-entertainment/music/music-news/2011/07/22/bill-harry-celebrates-the-50th-anniversary-of-mersey-beat-the-newspaper-he-created-and-edited-100252-29098409/3/ |title=Bill Harry celebrates the 50th anniversary of Mersey Beat – the newspaper he created and edited|first=Paddy |last=Shennan |publisher=[[Liverpool Echo]]|date=22 July 2011|access-date=7 June 2012))</ref> Virginia's parents helped the paper during this time, as they paid for classified ads, and arranged for Harry and his future wife's first photographs together.<ref name="Mr&MrsMerseyBeat"/>

===The first issue===
<!-- Put references into this article from books or web pages or your edit will be deleted -->
Splitting the price of the newspaper ([[Threepence (British coin)|three pence]]), with retailers,((sfn|Astley|2006|p=141)) Harry arranged for three major wholesalers, [[W.H. Smith]], Blackburn's and Conlan's, to sell ''Mersey Beat''.((sfn|Spitz|2005|p=265)) Harry personally delivered copies to more than 20 newsagents as well as to local venues and musical instrument and record stores, such as Cramer & Lea, Rushworth & Draper and Cranes.<ref name="TheBirthofMerseyBeatp5"/> The paper released its first edition on 6 July 1961, selling out all 5,000 copies.<ref name="50thanniversaryofmerseybeat"/> The paper's circulation increased rapidly as Harry started featuring stories about groups in [[Manchester]], Birmingham, [[Sheffield]] and [[Newcastle upon Tyne|Newcastle]], with circulation growing to 75,000.<ref name="50thanniversaryofmerseybeat"/> As the newspaper's sales rose, it became known as the "Teenagers Bible". Local groups were soon being called "beat groups", and venues started advertising concerts as "Beat Sessions".<ref name="MerseyBeatNostalgiaAboutMerseyBeat">((cite web |url= http://www.merseybeatnostalgia.co.uk/html/about_merseybeat.html |title=About Mersey Beat |publisher=Mersey Beat Nostalgia |access-date=7 June 2012))</ref> With circulation rising, the paper's offices were moved downstairs to a larger two-roomed office. The Cavern Club's doorman, Pat (Paddy) Delaney, was employed to deliver copies, a secretary, Pat Finn, was hired, as well as Raymond Caine to promote advertising space, ((sfn|Harry|1984|p=207))

Harry later said: "The newspapers, television, theatres and radio were all run by people of a different generation who had no idea of what youngsters wanted. For decades they had manipulated and controlled them. Suddenly, there was an awareness of being young, and young people wanted their own styles and their own music, just at the time they were beginning to earn money, which gave them the spending power. ''Mersey Beat'' was their voice, it was a paper for them, crammed with photos and information about their own groups, which is why it also began to appeal to youngsters throughout Britain as its coverage extended to other areas."<ref name="MerseybeatNostalgiaBillHarry"/> Because of the employment situation in Liverpool at the time, The ''[[Daily Worker (UK)|Daily Worker]]'' newspaper denounced the enthusiasm of younger people in Liverpool by saying "The Mersey Sound is the sound of 30,000 people on the [[unemployed|dole]]."<ref name="ThisMerseyBeatStory">((cite web|url=http://triumphpc.com/mersey-beat/a-z/merseybeat-story.shtml |title=The 'This Is Mersey Beat' Story |first=Bill |last=Harry |publisher=triumphpc|access-date=7 June 2012))</ref>

===Liverpool groups===
<!-- Put references into this article from books or web pages or your edit will be deleted -->
Between 1958 and 1964, the Merseyside area had about 500 different groups, which were constantly forming and breaking up, with an average of about 350 groups playing concerts on a regular basis.<ref name="MerseyGroupsandArtistsofTheSixties ">((cite web |first=Bill |last=Harry |url=http://www.sixtiescity.com/Mbeat/mb1A.htm |title=Mersey Groups and Artists of The Sixties |publisher=Sixties City |access-date=7 June 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120505082202/http://www.sixtiescity.com/Mbeat/mb1A.htm |archive-date=5 May 2012 |df=dmy-all ))</ref> In 1961, Harry and the Cavern Club's DJ, [[Bob Wooler]], compiled a list of groups that they had personally heard of, which had almost 300 names.<ref name="BandsArtistsMerseyside">((cite web |url=http://www.triumphpc.com/mersey-beat/birth/The%20Bands%20and%20Artists%20of%20Merseyside%20-%201959-1964.pdf |title=The Bands and Artists of Merseyside (1958–1964)|publisher=Triumph pc |access-date=7 June 2012))</ref><ref name="TheBirthofMerseyBeat">((cite web |url=http://www.mersey-beat.com/ |title= The Birth of Mersey Beat |publisher=Bill Harry/Mersey Beat Ltd. |access-date=7 June 2012))</ref> In 1962, ''Mersey Beat'' held a poll to find out who was the most popular Merseyside group. When the votes were counted, Rory Storm & the Hurricanes were in first place, but after looking through the postal votes again, Harry noticed that forty votes were all written in green ink, in the same handwriting, and from the same area of Liverpool, so the dubious votes were declared void. This was suspected to have been Storm himself, but Harry had no idea that the Beatles and other groups had done exactly the same thing.((sfn|Spitz|2005|pp=287–288))

The results were announced on 4 January 1962, with the Beatles in first place. The results were printed in issue 13 of ''Mersey Beat'' on 4 January 1962, with the now famous front page announcing, "Beatles Top Poll!"<ref name=groupswithguitars>((cite web |url=http://www.rarebeatles.com/photopg2/mersey.htm |title=groups with guitars are on their way out|publisher=Rare Beatles |access-date=7 June 2012))</ref> Such was the popularity of the poll, Rushworth's music store manager, Bob Hobbs, presented Lennon and [[George Harrison]] with new guitars.<ref name="LiverpoolCityCentreRushworths">((cite web |url=http://www.beatlesliverpool.0catch.com/Liverpoolcitycenter2.html |title=Liverpool City Centre (Rushworths, Whitechapel St.) |publisher=Beatles Liverpool |access-date=7 June 2012 |archive-url=https://web.archive.org/web/20160303180751/http://www.beatlesliverpool.0catch.com/Liverpoolcitycenter2.html |archive-date=3 March 2016 |url-status=dead ))</ref> At the time, many groups in Liverpool complained to Harry that his newspaper should be called ''Mersey Beatles'', as he featured them so often.<ref name="Bill Harry part 2">((cite web |url=http://www.beatlefolks.com/bharry4.shtml |title=Bill Harry (part 2) |first=John |last=Hester |publisher=Beatlefolks |access-date=7 June 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120217184607/http://www.beatlefolks.com/bharry4.shtml |archive-date=17 February 2012 |df=dmy-all ))</ref>

Harry asked a local singer, [[Cilla Black|Priscilla White]], to contribute a fashion column after writing an article called "Swinging Cilla", in which he wrote, "Cilla Black is a Liverpool girl who is starting out on the road to fame." Harry's mistake came about because he could not remember her surname (which he knew was a colour), but White decided to keep it as a stage name.((sfn|Spitz|2005|p=265))<ref name="Bill Harry Q and A">((cite web|url=http://www.merseybeatabd.co.uk/bill_harry.htm |title=Bill Harry Q and A |publisher=web archive |access-date=7 June 2012 |url-status=dead |archive-url=https://web.archive.org/web/20090615093324/http://www.merseybeatabd.co.uk/bill_harry.htm |archive-date=15 June 2009 ))</ref> Two years later Harry arranged for her to sing for Epstein at the Blue Angel club, leading to a management contract.((sfn|Coleman|1989|p=158))

In late 1962, Harry wrote an article called "Take a look up North", asking for [[A&R]] men from London to travel up to Liverpool and see what was really happening with the music scene, but not one record company sent an A&R representative to Liverpool.((sfn|Spitz|2005|p=363)) Journalist [[Nancy Spain]] once wrote an article for the ''[[News of the World]]'' newspaper, stating that "Bill and Virginia Harry were Mr. & Mrs. Mersey Beat", and when [[Bob Dylan]] visited Liverpool to appear at the Odeon, he specifically asked for Harry to act as his guide to the city.<ref name="Mr&MrsMerseyBeat"/>

===The Beatles and Brian Epstein===
<!-- Put references into this article from books or web pages or your edit will be deleted -->
Harry often heard Lennon, McCartney and Harrison rehearsing or playing in the Art College canteen in the basement,((sfn|Spitz|2005|p=138)) but after Sutcliffe joined [[the Quarrymen]], Harry complained that Sutcliffe should be concentrating on art and not music, as he thought he was a competent, but not brilliant bassist.((sfn|Spitz|2005|pp=173–174)) As Harry and Sutcliffe were members of the Liverpool College of Art's Student Union committee, they put forward the idea that the college should buy its own P.A. system for college dances,((sfn|Astley|2006|p=142)) which the Quarrymen often played at, but the equipment would later be appropriated by the group and taken to [[Hamburg]].((sfn|Spitz|2005|p=176)) As late as 7 March 1962, the Students' Union sent Pete Mackey to ask Lennon to either return the equipment or pay for it, but Lennon told him it had been sold in Hamburg. Harry asked Lennon to write a short biography of the Beatles for the first issue of ''Mersey Beat'', which Harry titled, "Being a Short Diversion on the Dubious Origins of Beatles, Translated From the [sic] John Lennon":<ref name="TheBirthofMerseyBeatp5"/>((sfn|Spitz|2005|p=265))<ref name="Mersey Beat, July, 1961">((cite web|url=http://www.beatletour.com/d_mersey_beat.htm|archive-url=https://web.archive.org/web/20080203072351/http://www.beatletour.com/d_mersey_beat.htm|archive-date=3 February 2008 |title= Mersey Beat, July, 1961: Being a Short Diversion on the Dubious Origins of Beatles |first=John |last=Lennon |publisher=Beatle Tour  |access-date=7 June 2012))</ref> ((cquote | Many people ask what are Beatles? Why Beatles? Ugh, Beatles? How did the name arrive? So we will tell you. It came in a vision – a man appeared on a flaming pie and said unto them, 'From this day on you are Beatles with an "A". 'Thank you Mister Man', they said, thanking him. And so they were Beatles."<ref name="BillHarryandMerseyBeatNO9">((cite web |first=Holmes, David |last= Kelly, Lisa |url= http://beatlesnumber9.com/billharry.html |title=Bill Harry and Mersey Beat|publisher=Beatles No. 9 |access-date=7 June 2012))</ref>)) Lennon was very grateful that Harry printed his 'Dubious Origins' piece without editing it and later gave Harry a large collection of drawings, poems and stories (approximately 250),((sfn|Lennon|2005|p=99)) telling Harry he was free to publish whatever he liked (under the pseudonym of "Beatcomber", which was appropriated from a ''[[Daily Express]]'' column, ''Beachcomber'').<ref name="AroundandAboutbyBeatcomber">((cite web |url=http://www.mersey-beat.com/ |title=Around and About by Beatcomber |publisher=Bill Harry/Mersey Beat Ltd. |access-date=7 June 2012))</ref>((sfn|Cross|2004|p=35))

Harry convinced Epstein to sell 12 copies of the first ''Mersey Beat'' newspaper at his North End Music Stores (NEMS), which sold out in one day, resulting in Epstein having to order more copies.((sfn|Cross|2004|p=35)) After ordering and selling 144 copies of the second issue,((sfn|Miles|1997|p=84)) Epstein invited Harry to his office for a glass of sherry, proposing the idea that he (Epstein), should write a record review column.<ref name="TheBirthofMerseyBeatp5"/> It was published in the third issue on 3 August 1961, entitled "Stop the World—And Listen To Everything in It: Brian Epstein of NEMS".((sfn|Cross|2004|p=36))<ref name="BeatleFolksHarry3"/>((sfn|Spitz|2005|p=265))
Epstein saw numerous posters around Liverpool advertising concerts by the Beatles as well as in the second issue of ''Mersey Beat'', which had "Beatles sign Recording Contract!" on the front cover, as the Beatles had recorded the "[[My Bonnie]]" single with [[Tony Sheridan]] in Germany.<ref name="TheBirthofMerseyBeatp5"/>((sfn|Miles|1997|p=84))((sfn|Spitz|2005|pp=264–265))((sfn|Miles|1997|p=88)) Some months after its release, Epstein supposedly (as stated in his biography), asked his assistant [[Alistair Taylor]] about the single,((sfn|Spitz|2005|p=265)) because a customer, one Raymond Jones, had asked Epstein for the single on 28 October 1961, which made Epstein curious about the group.((sfn|Miles|1997|pp=84–85)) Harry and McCartney repudiated this story, as Harry had been talking to Epstein about the Beatles for a long time (being the group he promoted the most in ''Mersey Beat''), and by McCartney saying, "Brian [Epstein] knew perfectly well who the Beatles were, they were on the front page of the second issue of ''Mersey Beat''."<ref name="TheBirthofMerseyBeatp5"/>

The Beatles were due to perform a lunchtime concert at the Cavern Club on 9 November 1961, not far from Epstein's NEMS store.<ref name="NowhereMan">((cite news |first=Glenn |last=Frankel |url=https://www.washingtonpost.com/wp-dyn/content/article/2007/08/21/AR2007082101714.html |title=Nowhere Man |newspaper=Washington Post |date=26 August 2007 |access-date=7 June 2012))</ref> Epstein asked Harry to arrange for him and Taylor to watch the Beatles perform without queuing at the door.((sfn|Spitz|2005|p=266)) Harry phoned the owner, Ray McFall, who said he would inform the doorman on the day, Delaney, to let Epstein in.<ref name="Gary James Interview">((cite web|url=http://www.classicbands.com/BillHarryInterview.html |title=Gary James' Interview with Mersey Beat Magazine Founder Bill Harry |first=Gary |last=James |publisher=Gary James/Classic Bands |access-date=7 June 2012))</ref> Epstein and Taylor bypassed the line of fans at the door and heard a welcome message announced over the club's [[PA system|public-address system]] by Wooler:((sfn|Spitz|2005|pp=266–268)) "We have someone rather famous in the audience today, Mr. Brian Epstein, the owner of NEMS&nbsp;..."((sfn|Miles|1997|p=85))<ref name="TheBeatlesAnthologyDVDEpisode10:57:74">The Beatles ''Anthology'' DVD (2003) (Episode 1 – 0:57:74) Harrison talking about Bob Wooler's announcement.</ref>

Lennon had once given Harry a collection of photos taken in Hamburg, showing Lennon standing on the [[Reeperbahn]] reading a newspaper and wearing nothing but his underpants, performing on stage with a toilet seat around his neck, and one of McCartney sitting on a toilet. After Epstein became the Beatles' manager, Lennon rushed into Harry's office and asked for them back, saying, "Brian [Epstein] insists I've got to get them back—the pictures, everything you've got. I must take it all with me now."((sfn|Spitz|2005|p=289)) When Epstein finally secured a recording contract with [[EMI]], he sent Harry a telegram from London to the ''Mersey Beat'' office to announce the news.((sfn|Spitz|2005|p=290))

===The last issues and London===
<!-- Put references into this article from books or web pages or your edit will be deleted -->
On 13 September 1964, Epstein approached Harry to create a national music paper, so Harry coined the name ''Music Echo'',<ref name="50thanniversaryofmerseybeat"/> and gradually merged ''Mersey Beat'' into it.<ref name="RecordCollectorHarry">((cite web|url=http://recordcollectormag.com/articles/in-the-beginning-the-beatles-and-me-by-bill-harry |title=In the Beginning The Beatles and Me by Bill Harry|publisher=Record Collector|access-date=7 June 2012))</ref> Epstein had promised Harry full editorial control, but then hired a female press officer in London to write a fashion column and a [[D.J.]] to write a gossip column, without informing Harry of his intentions,<ref name="50thanniversaryofmerseybeat"/> leaving Harry with no other option but to resign.<ref name="RecordCollectorHarry"/> The paper subsequently ran into financial problems, and Epstein had to merge it with another paper, becoming the ''Disc & Music Echo''. When Harry and his wife moved to London in 1966,<ref name="50thanniversaryofmerseybeat"/> he was already contributing a column for the magazine ''Weekend'' and also for the teen magazines ''Marilyn'' and ''Valentine''. He then became the feature writer, news editor and columnist for ''[[Record Mirror]]'' (using various pseudonyms such as 'Brenda Tarry' and 'David Berglas'), and wrote features for ''Music Now'' (under the name of Nick Blaine) for ''[[Record Retailer]]''.

==PR and present==
<!-- Put references into this article from books or web pages or your edit will be deleted -->
Harry and his wife moved to London in 1966 where he was engaged as a [[public relations|public relations (PR)]] officer for [[the Kinks]] and [[the Hollies]]. During the next 18 years he was the PR to many artists, including Pink Floyd, Jethro Tull, Procol Harum, David Bowie, Led Zeppelin, the Beach Boys, [[Clouds (60s rock band)|Clouds]], [[Ten Years After]], [[Free (band)|Free]], [[Mott the Hoople]], [[the Pretty Things]], [[Christine Perfect]], [[Supertramp]], [[Hot Chocolate (band)|Hot Chocolate]], [[Arrows (British band)|Arrows]], [[Suzi Quatro]] and [[Kim Wilde]].<ref name="BillHarryandMerseyBeatNO9"/> During this time, Harry started a monthly magazine called ''Tracks'',<ref name="TheFoundersStory3">((cite web |url=http://www.triumphpc.com/mersey-beat/about/founders-story3.shtml |title=The Founders' Story (p3) |publisher=Bill Harry/Mersey Beat|access-date=7 June 2012))</ref> which reported the latest album releases, and another magazine, ''Idols: 20th Century Legends'',<ref name="LennonSpiritWorld">((cite web|url=http://www.triumphpc.com/mersey-beat/beatles/spirit-world2.shtml |title=John Lennon in the Spirit World |first=Bill |last=Harry |publisher= triumphpc |access-date=7 June 2012))</ref> which ran for 37 issues, from 1988 to 1991.<ref name="MovieMags">((cite web|url=http://www.moviemags.com/main.php?title=IDOLS |title=The Magazine of 20th Century Legends |publisher=moviemags|access-date=7 June 2012))</ref> Harry also compiled a 34-track compilation, ''Mersey Beat'', for Parlophone records, which was released on 31 October 1983.<ref name="MerseyCatsHarrysBlog">((cite web|url=http://www.merseycats.com/Bill-Harry's-Cavern-Days.html |title=London 5 June 2009 |publisher=Mersey Cats |access-date=7 June 2012))</ref>

Harry was presented with a gold award for a "Lifetime Achievement in Music" by the [[British Academy of Songwriters, Composers and Authors|British Academy of Songwriters, Composers and Authors (BASCA)]] in 1994,<ref name="TheFoundersStory3"/> has taken part in over 350 international television/radio shows, and was hired by [[Associated-Rediffusion|Rediffusion]] to be programme assistant for the documentary ''Beat City''. He was a programme assistant for the [[BBC]]'s ''Everyman'' documentary about Lennon, ''A Day in the Life'', and for ''The Story of Mersey Beat''. The [[British Council]] asked him to represent them in Hong Kong, promoting the Beatles.<ref name="TheFoundersStory3"/> ''Mersey Beat'' returned to publication in August 2009 with a 24-page special issue to celebrate the "Liverpool International Beatle Week". He was an associate producer of the film ''The City That Rocked the World''.<ref name="FilmCityRocked">((cite web|url=https://www.imdb.com/title/tt1843283/ |title=The City That Rocked the World |publisher=[[IMDb]]|access-date=7 June 2012))</ref>

Harry and Virginia have a son, Sean Harry, who is an adult movie actor,<ref>((Cite web|url=https://www.imdb.com/title/tt0140697/|title = Witchcraft X: Mistress of the Craft (Video 1998) - IMDb| website=[[IMDb]] ))</ref> director, and producer.<ref name="TheFoundersStory3"/><ref name="SeanHarryIMDb">((cite web|url=https://www.imdb.com/name/nm0366058/bio |title=Sean Harry |publisher=[[IMDb]]|access-date=7 June 2012))</ref>

== Books written or co-written by Bill Harry ==
<!-- Put references into this article from books or web pages or your edit will be deleted -->
Harry once commented on his numerous books:
"The hundreds of interviews I have conducted over the past 40 years have been utilised. I have always been a hoarder of clippings in addition to collecting magazines, fanzines, newspapers and books. I'll never tire of it."<ref name="BeatlesPeopleBillHarry">((cite web |first=Peter |last=Grant |url=http://www.liverpoolecho.co.uk/liverpool-entertainment/the-beatles/the-beatles-people/2001/03/28/bill-harry-100252-11006542/ |title=Beatles' People – Bill Harry |date=28 March 2001 |publisher=Liverpool Echo |access-date=7 June 2012))</ref>

* ''Arrows : The Official Story'', Everest Books (1976) ((ISBN|978-0-903925-61-7))
* ''Mersey Beat: The Beginnings of the Beatles'', Omnibus Press (1978) ((ISBN|978-0-86001-415-7))
* ''The Beatles Who's Who'', Littlehampton Book Services Ltd. (1982) ((ISBN|978-0-906053-38-6))
* ''Beatle-mania: The History of the Beatles on Film'', Virgin Books (1984) ((ISBN|978-0-86369-041-9))
* ''Paperback Writers'', Virgin Books (1984) ((ISBN|978-0-86369-021-1))
* ''The Book of Lennon'', John Wiley & Sons Australia Ltd (1984) ((ISBN|978-0-906053-74-4))
* ''Paperback writers'' Avon (1985) ((ISBN|978-0-380-89558-8))
* ''Beatles: Beatlemania the History of the Beatles on Film'' Avon (1985) ((ISBN|978-0-380-89557-1))
* ''Ask Me Why'', Littlehampton Book Services Ltd. (1985) ((ISBN|978-0-7137-1635-1))
* ''Beatles For Sale'', Virgin Books (1985) ((ISBN|978-0-86369-097-6))
* ''The Book of Beatle Lists'', Javelin Books (1985) ((ISBN|978-0-7137-1521-7))
* ''The McCartney File'', Virgin Books (1986) ((ISBN|978-0-86369-157-7))
* ''Sgt. Pepper's Lonely Hearts Club Band'', Atalanta Press (1987) ((ISBN|978-1-870049-08-5))
* ''The Ultimate Beatles Encyclopedia'', Hyperion Books (1994) ((ISBN|978-0-7868-8071-3))
* ''Jan Olofsson: My '60s'', (Harry & Olofsson) Taschen GmbH (1994) ((ISBN|978-3-8228-8915-2))
* ''The Encyclopedia of Beatles' People'', Cassell Illustrated (1997) ((ISBN|978-0-7137-2606-0))
* ''The Best Years of the Beatles'' (Harry & [[Pete Best]]) Headline Book Publishing (1997) ((ISBN|978-0-7472-7762-0))
* ''Whatever Happened To&nbsp;... : The Ultimate Pop and Rock Where Are They Now'' (Harry & [[Alan Clayson]]) Cassell Illustrated (1999) ((ISBN|978-0-7137-2675-6))
* ''The Beatles Encyclopedia: Revised and Updated'', Virgin Books (2000) ((ISBN|978-0-7535-0481-9))
* ''The John Lennon Encyclopedia'', Virgin Books (2001) ((ISBN|978-0-7535-3921-7))
* ''The Paul McCartney Encyclopedia'', Virgin Books (2002) ((ISBN|978-0-7535-0716-2))
* ''The George Harrison Encyclopedia'', Virgin Books (2003) ((ISBN|978-0-7535-0822-0))
* ''The Ringo Starr Encyclopedia'', Virgin Books (2004) ((ISBN|978-0-7535-0843-5))
* ''The British Invasion: How the Beatles and Other UK Bands Conquered America'', Chrome Dreams (2004) ((ISBN|978-1-84240-247-4))
* ''Bigger Than the Beatles'', Trinity Mirror (2009) ((ISBN|978-1-906802-04-2))
* ''Lennon's Liverpool'', Trinity Mirror (2010) ((ISBN|978-1-906802-51-6))
* ''The Sixties'' (Harry & Robert Orbach) Endeavour London Ltd. (2011)  ((ISBN|978-1-873913-78-9))
* ''Love Me Do''; Miniver Press. (2012)  ASIN: B00993EROI

==Notes==
((Reflist|30em))

==References==
* ((cite book |first=John |last=Astley  |title=Why Don't We Do It in the Road?: The "Beatles" Phenomenon|publisher=Information Architects |location=England|year=2006 |isbn=978-0-9551834-7-8 ))
* ((cite book |last=Coleman |first=Ray |title=Brian Epstein: The Man Who Made The Beatles |publisher=Mcgraw-Hill |year=1989 |isbn=978-0-07-011789-1  |url=https://archive.org/details/manwhomadebeatle00cole ))
* ((cite book |last=Cross |first=Craig |title=The Beatles: Day-By-Day Song-By-Song Record-By-Record |publisher=iUniverse |year=2004 |isbn=978-0-595-31487-4 ))((Self-published source|date=September 2020))
* ((cite book |last=Harry |first= Bill | title=The Book of Lennon |publisher=John Wiley & Sons Australia Ltd |location=Australia |year=1984 |isbn=978-0-906053-74-4))
* ((cite book |last=Harry |first= Bill |title=The Encyclopedia of Beatles People |publisher=Blandford Press |location=London |year=1997 |isbn=978-0-7137-2606-0  |url=https://archive.org/details/encyclopediaofbe00harr ))
* ((cite book |last=Lennon |first=Cynthia |author-link=Cynthia Lennon |title=John |publisher=[[Hodder & Stoughton]] |year=2005 |isbn=978-0-340-89512-2))
* ((cite book |last=Miles |first=Barry |author-link=Barry Miles |title=[[Many Years From Now]] |publisher=[[Vintage (publisher)|Vintage]]-[[Random House]] |year=1997 |isbn=978-0-7493-8658-0))
* ((cite book |first=Gareth L. |last=Pawlowski |title=[[How They Became The Beatles]] |publisher=[[Penguin Books]] |year=1989 |isbn=978-0-525-24823-1 ))
* ((cite book |last=Spitz |first=Bob |author-link=Bob Spitz |title=The Beatles – The Biography |url=https://archive.org/details/beatlesbiography00spit |url-access=registration |publisher=[[Little, Brown and Company]] |year=2005 |isbn=978-0-316-80352-6 ))
* ((cite book |author=The Beatles |author-link=The Beatles| title=[[The Beatles Anthology]] (DVD) |publisher=[[Apple records]] |year=2003 |id=ASIN: B00008GKEG))

==External links==
*[http://www.radiownet.pl/publikacje/the-interview-with-bill-harry-the-worlds-biggest-expert-on-all-things-beatles-wywiad-wnet-z-billem-harry Radio interview with Anna Frawley]
*[http://www.classicbands.com/BillHarryInterview.html Bill Harry interview]
*[http://www.merseybeatnostalgia.co.uk/html/bill_harry.html Mersey Beat Nostalgia]
*[http://www.mersey-beat.com/  Merseybeat.com]
*[https://web.archive.org/web/20141101234537/http://www.frankcarlyle.co.uk/archive.html Frank Carlyle chats to Bill Harry for Mersey Radio (audio - 27 October 2014)]


((good article))

((Authority control))

((DEFAULTSORT:Harry, Bill))
[[Category:British male journalists]]
[[Category:Living people]]
[[Category:Publishers from Liverpool]]
[[Category:Alumni of Liverpool College of Art]]
[[Category:1938 births]]
[[Category:The Beatles]]
[[Category:Beatles historians]]

Pages transcluded onto the current version of this page (help):

Bill Harry (edit)
Template:Authority control (view source) (template editor protected)
Template:Birth date and age (view source) (template editor protected)
Template:Blockquote (view source) (template editor protected)
Template:Blockquote/styles.css (view source) (template editor protected)
Template:Br separated entries (view source) (template editor protected)
Template:Catalog lookup link (view source) (template editor protected)
Template:Category handler (view source) (protected)
Template:Cite book (view source) (protected)
Template:Cite news (view source) (protected)
Template:Cite web (view source) (protected)
Template:Count (view source) (template editor protected)
Template:Cquote (view source) (template editor protected)
Template:DMCA (view source) (template editor protected)
Template:Dated maintenance category (view source) (template editor protected)
Template:Dated maintenance category (articles) (view source) (template editor protected)
Template:Delink (view source) (protected)
Template:EngvarB (view source) (template editor protected)
Template:FULLROOTPAGENAME (view source) (template editor protected)
Template:Fix (view source) (protected)
Template:Fix/category (view source) (protected)
Template:Good article (view source) (template editor protected)
Template:Hlist/styles.css (view source) (protected)
Template:ISBN (view source) (template editor protected)
Template:If empty (view source) (protected)
Template:Infobox person (view source) (template editor protected)
Template:Main other (view source) (protected)
Template:Ns has subpages (view source) (protected)
Template:Pagetype (view source) (protected)
Template:Plainlist/styles.css (view source) (protected)
Template:Pluralize from text (view source) (template editor protected)
Template:Reflist (view source) (protected)
Template:Reflist/styles.css (view source) (protected)
Template:SDcat (view source) (protected)
Template:Self-published source (view source) (template editor protected)
Template:Sfn (view source) (template editor protected)
Template:Short description (view source) (protected)
Template:Short description/lowercasecheck (view source) (protected)
Template:Top icon (view source) (template editor protected)
Template:Unbulleted list (view source) (template editor protected)
Template:Use dmy dates (view source) (template editor protected)
Template:Wikidata image (view source) (template editor protected)
Template:Yesno (view source) (protected)
Template:Yesno-no (view source) (template editor protected)
Template:Yesno-yes (view source) (template editor protected)
Module:Age (view source) (template editor protected)
Module:Arguments (view source) (protected)
Module:Authority control (view source) (template editor protected)
Module:Authority control/auxiliary (view source) (template editor protected)
Module:Authority control/config (view source) (template editor protected)
Module:Catalog lookup link (view source) (template editor protected)
Module:Category handler (view source) (protected)
Module:Category handler/blacklist (view source) (protected)
Module:Category handler/config (view source) (protected)
Module:Category handler/data (view source) (protected)
Module:Category handler/shared (view source) (protected)
Module:Check for clobbered parameters (view source) (template editor protected)
Module:Check for unknown parameters (view source) (protected)
Module:Check isxn (view source) (template editor protected)
Module:Citation/CS1 (view source) (protected)
Module:Citation/CS1/COinS (view source) (protected)
Module:Citation/CS1/Configuration (view source) (protected)
Module:Citation/CS1/Date validation (view source) (protected)
Module:Citation/CS1/Identifiers (view source) (protected)
Module:Citation/CS1/Utilities (view source) (protected)
Module:Citation/CS1/Whitelist (view source) (protected)
Module:Citation/CS1/styles.css (view source) (protected)
Module:Date (view source) (template editor protected)
Module:Delink (view source) (protected)
Module:Detect singular (view source) (template editor protected)
Module:Disambiguation/templates (view source) (protected)
Module:EditAtWikidata (view source) (protected)
Module:Footnotes (view source) (template editor protected)
Module:Footnotes/anchor id list (view source) (template editor protected)
Module:Footnotes/anchor id list/data (view source) (template editor protected)
Module:Footnotes/whitelist (view source) (template editor protected)
Module:If empty (view source) (protected)
Module:Infobox (view source) (template editor protected)
Module:Infobox/styles.css (view source) (template editor protected)
Module:InfoboxImage (view source) (template editor protected)
Module:List (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
Module:Pagetype/setindex (view source) (protected)
Module:Pagetype/softredirect (view source) (protected)
Module:ParameterCount (view source) (template editor protected)
Module:SDcat (view source) (protected)
Module:Separated entries (view source) (protected)
Module:String (view source) (protected)
Module:TableTools (view source) (protected)
Module:Text (view source) (template editor protected)
Module:Unsubst (view source) (protected)
Module:Wd (view source) (template editor protected)
Module:Wd/i18n (view source) (template editor protected)
Module:Wikitext Parsing (view source) (protected)
Module:Yesno (view source) (protected)

Return to Bill Harry.

Retrieved from "https://en.wikipedia.org/wiki/Bill_Harry"