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((short description|English electronic music project))
((Use dmy dates|date=August 2015))
((EngvarB|date=May 2023))
((refimprove|date=March 2014))
((Infobox musical artist
| name            = Bomb the Bass
| image           = Timsimenon_zurich.jpg
| caption         = Simenon in 2008
| origin          = London, England
| genre           = [[Electronic music|Electronic]], [[Hip hop music|hip hop]], [[downtempo]], [[trip hop]]
| years_active    = 1987–2013
| label           = [[!K7]], Mister-Ron/[[Rhythm King]],<ref>((Cite web|url=https://www.officialcharts.com/search/singles/beat-dis/|title=beat dis &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=16 August 2021))</ref> [[Electric Tones]], Stoned Heights, Island Records
| associated_acts = [[A.P.E. (band)|A.P.E.]], [[Neneh Cherry]], [[Consolidated (band)|Consolidated]], [[Paul Conboy]], [[Jack Dangers]], [[Depeche Mode]], [[Merlin (rapper)|Merlin]], [[Sinéad O'Connor]], [[Lali Puna]], [[Atticus Ross]], [[Justin Warfield]], [[Jah Wobble]]
| website         = 
))

'''Bomb the Bass''' is an [[electronic music]] alias of English musician and producer '''Timothy Simenon'''.<ref>((cite web|url=http://www.imorecords.co.uk/house-2/house-artists/bomb-the-bass-biography/|title=Bomb the Bass Biography|archive-url=https://archive.today/20120909175134/http://www.imorecords.co.uk/house-2/house-artists/bomb-the-bass-biography/|archive-date=9 September 2012|publisher=[[IMO Records]]|location=London|accessdate=25 January 2012))</ref><ref>((Cite book|last=Rambarran|first=Shara|title=Virtual Music: Sound, Music, and Image in the Digital Era|publisher=Bloomsbury|year=2021|isbn=9781501336379|url=https://www.bloomsbury.com/uk/virtual-music-9781501336379/))</ref>

As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section. So the concept was one of bombing the bass line with different ideas, with a collage of sounds. Bombing was a graffiti term for writing, like people would 'bomb' trains or whatever."<ref name="Tim Simenon: Bomb The Bass">((cite news|last=Tingen|first=Paul|title=Tim Simenon: Bomb The Bass|publisher=Sound on Sound|date=1995-03-01|url=http://www.soundonsound.com/sos/1995_articles/mar95/timsimenon.html?print=yes|access-date=2008-03-11))</ref>

==History==
Bomb the Bass had originally started out as the Rhythm King All Stars, a project which would see the back catalogue of Rhythm King Records mixed into a 12 inch medley for the clubs, by producers Tim Simenon (a housemate of label founder James Horrocks)<ref>((Cite web|url=https://www.classicpopmag.com/2020/03/bomb-the-bass-interview/|title=Bomb The Bass Interview: 'All of a sudden I was in the job that I'd always dreamed about doing'|website=Classicpopmag.com|date=11 March 2020|access-date=16 August 2021))</ref> and Pascal Gabriel. However, as the back catalogue of the company was at that point small, the duo used a number of other records and samples from other companies, with the record evolving into "[[Beat Dis]]". Simenon then decided to change the name of the project from the Rhythm King All Stars to Bomb the Bass, with Simenon and Gabriel using the names DJ Kid 33 and Emilio Pasquez to give the impression that the record was an American import.<ref>((Cite news|url=http://www.theguardian.com/music/2021/jul/19/how-we-made-beat-dis-by-bomb-the-bass|title=How we made Beat Dis by Bomb the Bass|date=19 July 2021|newspaper=[[The Guardian]]|access-date=16 August 2021))</ref> When the record was released by Rhythm King records in the UK (on their Mister-Ron sublabel) it debuted at number five and peaked a week later at number two on the chart of 21 to 27 February 1988, giving Bomb the Bass the chance to appear on ''Top of the Pops'' (in a performance that also included Adele Nozedar from [[Indians in Moscow]], who was working for the record company at the time).<ref>((Cite web|url=https://www.officialcharts.com/charts/singles-chart/19880221/7501/|title=Official Singles Chart Top 100 &#124; Official Charts Company|website=Officialcharts.com|access-date=16 August 2021))</ref>

===Pushing the needle: The accelerated success of "Beat Dis"===
While the [[bass line]] and [[drum]] tracks of "[[Beat Dis]]" were written by Simenon, the rest of the track was compiled from samples. Having already taken a part-time sound course at the [[School of Audio Engineering]] in [[Holloway, London|Holloway]], Simenon was able to build "Beat Dis" himself - assisted in the process by producer [[Pascal Gabriel]], who went on to experience his own success as co-producer of [[S'Express]] and a wide variety of other artists.<ref name="Tim Simenon: Bomb The Bass"/>

According to the [[BBC]], which featured "Beat Dis" on their clip-based ''[[TOTP2]]'' show, the track contains an alleged 72 samples, including lifts from [[hip hop music|hip hop]] like [[Public Enemy (band)|Public Enemy]], [[funk]] (including [[The Jimmy Castor Bunch]]), and [[Ennio Morricone]]. Also featured were dialogue clips from the television shows ''[[Dragnet (series)|Dragnet]]'' and ''[[Thunderbirds (TV series)|Thunderbirds]]''. Talking to ''[[Sound on Sound]]'' magazine many years later, Simenon said of the track's construction: "I suppose I was tuned in to what was current at the time and was able to pick and choose what I wanted with some knowledge of how it should be applied."<ref name="Tim Simenon: Bomb The Bass"/>

He co-produced [[Neneh Cherry]]'s "[[Buffalo Stance]]" after a chance encounter with [[Jamie Morgan (musician)|Jamie Morgan]] of band [[Morgan-McVey]] in London nightclub The Wag, where Simenon was doing a DJ set including the track's first incarnation, a Morgan-McVey B-side called "Looking Good Diving With The Wild Bunch."<ref name=":0">((Cite web|title=A Journey Through Stock Aitken Waterman: Ep 19: Looking Good Diving to I Just Can't Wait on Apple Podcasts|url=https://podcasts.apple.com/au/podcast/ep-19-looking-good-diving-to-i-just-cant-wait/id1565879477?i=1000546134676|access-date=2021-12-28|publisher=[[Apple Podcasts]]|language=en-AU))</ref> Simenon expressed interest in reworking the track, before alerting Morgan to the approach of a crazed stalker who was trying to kill him.<ref name=":0" /> Morgan informed Cherry's record company of Simenon's interest in the track, and a deal was struck for him to produce what became "Buffalo Stance".<ref name=":0" />

Along with [[Trevor Horn]], he co-produced "Krazy",<ref>((Citation |title=Seal - Crazy |date=1990 |url=https://www.discogs.com/release/63734-Seal-Crazy |access-date=2023-07-08 |language=en))</ref> a remix of the song "[[Crazy (Seal song)|Crazy]]" by [[Seal (musician)|Seal]].<ref>((cite web|url=http://www.allmusic.com/artist/bomb-the-bass-mn0000766898/biography|title=Bomb the Bass: Biography|publisher=[[AllMusic]]|access-date=25 July 2016))</ref>

===Computer Games: Xenon 2 Megablast===
[[The Bitmap Brothers]] cooperated with Tim Simenon to include the 1988 Bomb the Bass hip hop track "Megablast (Hip Hop on Precinct 13)" as theme music for the video game ''[[Xenon 2 Megablast]]'', which is also the origin of the game's subtitle. In turn, this song uses samples from [[Sly and the Family Stone]] song, "[[You Can Make It If You Try]]", and its theme seems heavily inspired by The Splash Band track "The End (Disco Version)" released in 1984, which is itself based on the theme of [[John Carpenter]]'s film ''[[Assault on Precinct 13 (1976 film)|Assault on Precinct 13]]''.((fact|date=February 2018))

There are two versions of the track in the game: a nearly faithful rendition (only missing a few spoken lines) as the loading music, and a simplified version as the in-game background music. The [[Amiga]] version of the loading music is based on the same track, but significantly different, with such changes as helicopter sound effects at the beginning and end.

The game was one of the first instances of a computer being programmed to play a pop single with reasonable accuracy.((Citation needed|date=March 2023)) Sections of the music were sampled and then re-sequenced (by computer game musician [[David Whittaker (video game composer)|David Whittaker]]). In the cartridge-based console versions, the music is radically simplified, being purely synthesised and lacking the voice samples of the computer versions.

===Into ''Unknown Territory''===
In February 1991, the first single from Bomb the Bass' new album ''Unknown Territory'', "Love So True" was released with vocals from Loretta Heywood. It suffered under hastily imposed (and unofficial) [[censorship]] broadcast regulations, as the outbreak of the [[First Gulf War]] prompted UK broadcasters, especially the main national music station [[BBC Radio 1]], to [[blacklist]] a variety of songs and acts deemed potentially controversial due to their content or titles. The band name Bomb the Bass was considered to fall into this category, along with that of [[Massive Attack]],<ref>((cite web|url=http://www.bbc.co.uk/radio2/soldonsong/whatson/unfinishedsympathy.shtml|title=BBC - Radio 2 - Sold On Song - Brits25 - Unfinished Sympathy|publisher=[[BBC]]|access-date=25 June 2016))</ref> and so the record had to be released under Simenon's own name, making it chart low in the United Kingdom at number 84.<ref>((Cite web|url=https://www.officialcharts.com/artist/26752/tim-simenon/|title = TIM SIMENON &#124; full Official Chart History &#124; Official Charts Company| website=[[Official Charts Company|Official Charts]] ))</ref>

Following the success of "Winter in July", ''[[Unknown Territory (Bomb the Bass album)|Unknown Territory]]'' was the band's most well received release to date. Reviewing the album at the time, music writer and author [[Simon Reynolds]] attempted to outline a new genre in the making, suggesting that, by moving beyond mere dance tracks into fully cohesive albums, the band were venturing into ''progressive dance''.<ref name="Energy Flash">((cite news|last=Reynolds|first=Simon|title=Energy Flash|publisher=Picador|date=2008-02-08))</ref>

===Break from the beat: Bomb the Bass as production outfit===
In the mid 1990s, Simenon signed Bomb the Bass and his Stoned Heights imprint to Island Records' dance and hip-hop label [[4th & B'way Records]].<ref name="auto">((Cite web|url=https://www.soundonsound.com/people/tim-simenon-bomb-bass|title=Tim Simenon: Bomb The Bass|website=Soundonsound.com|access-date=16 August 2021))</ref> This partnership saw the 1995 album ''[[Clear (Bomb the Bass album)|Clear]]'' reach the UK albums chart and the [[Justin Warfield]] featuring single "[[Bug Powder Dust]]" reach number 24 in the UK singles chart<ref>((Cite web|url=https://www.officialcharts.com/artist/5734/bomb-the-bass-justin-warfield/|title=BOMB THE BASS FEAT. JUSTIN WARFIELD &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=16 August 2021))</ref><ref name="UK">((Cite web|url=https://www.officialcharts.com/artist/24699/bomb-the-bass/|title=BOMB THE BASS &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=16 August 2021))</ref>

Interviewed for ''[[Sound on Sound]]'' magazine in 1995, Simenon agreed with the interviewer when it was suggested that, with this more frenetic side of his work, he was looking to "combine the art of sampling with the energy of rock and roll."<ref name="Tim Simenon: Bomb The Bass"/>

Another record released by Island<ref name="auto"/> in 1995 was [[Gavin Friday|Gavin Friday's]] ''[[Shag Tobacco]]'', which Simenon produced and which spawned the track "Angel" (which found its way onto the hugely successful soundtrack of the ''[[Romeo + Juliet]]'' movie). This album caught the attention of [[Dave Gahan]] and [[Martin Gore]] of Depeche Mode, who were on the look out for a new producer. Gahan said, "There was loads of names being thrown at us (to produce Depeche Mode's next album after ''[[Songs of Faith and Devotion]]''), but in the end we picked (Simenon) because Martin (Gore) and I really liked the Gavin Friday album that he did. ''Shag Tobacco'' is an absolutely brilliant album, (and) we really loved the sounds he produced".<ref name="Depeche Mode pick Tim Simenon as their producer">((cite news|last=Malins|first=Steve|title=Depeche Mode: Black Celebration|publisher=André Deutsch|year=2006))</ref>

The resulting album, ''[[Ultra (Depeche Mode album)|Ultra]]'', was released in April 1997. Quoted in the biography, ''Depeche Mode: Black Celebration'' by Steve Malins, Simenon confessed, "I just felt fucked by the end of the recording, and I carried on working in January and February 1997, which was the worst thing I could have done. I started to feel really ill. So I took a break and had a few months off. I was just mentally and physically exhausted".

The work in question, which took the form of recording sessions with [[Jack Dangers]] from [[Meat Beat Manifesto]], did not surface for many years, leaving a further single with Depeche Mode, "[[Only When I Lose Myself]]" as the last major Simenon outing for many years: "It'd been non-stop for more than 10 years, and I was just burnt out. It all just caught up, and took its toll; just left me feeling very, very uninspired".<ref>((cite web | url = http://www.myspace.com/bombthebass | title = Tim Simenon: q&a | publisher = [[Steve Jansen]] | date = 10 February 2008 | access-date = 2008-02-10))</ref>

===1990s become 2000s, become Electric Tones===
The ''[[Tracks (EP)|Tracks]]'' [[Extended play|EP]] was recorded in collaboration with [[Jack Dangers]], from [[Meat Beat Manifesto]], and the first actual Bomb the Bass material to be released via Electric Tones. With all tracks co-credited to ''Bomb the Bass & Jack Dangers'', the recording sessions were listed as having taken place years earlier, in 1998.((citation needed|date=July 2016))

===''Future Chaos'': Bomb the Bass in the 21st century===
It was originally thought that "Butterfingers" (featuring [[Fujiya & Miyagi]]) would be the first single released from ''[[Future Chaos]]'', as an animated short film for the track surfaced on [[YouTube]] in March 2008.<ref name="Butterfingers">((cite news|last=Simenon|first=Tim|title=Myspace page: Bomb The Bass|publisher=Tim Simenon|date=2008-03-01|url=http://www.myspace.com/bombthebass?print=yes|access-date=2008-03-01))</ref> The clip, which was produced by Perish Factory visualises the new minimal sound of the band by featuring an animated [[Minimoog]] - as used on the track.<ref name="Butterfingers"/>

Reviewing "Butterfingers", Daily Music Guide described it as showing ''"the new Bomb the Bass plug straight into a place where scuffed Formica is sexier than leather, and red LED is the font of all knowledge. Having worked through all those zeroes and ones only to come up wanting, Bomb the Bass have seemingly gone back to come forwards once again, with the result being a track that easily lives up to the sum of its parts."''<ref name="Butterfingers by Bomb the Bass">((cite news|last=Jansen|first=Steve|title=Review of Butterfingers by Bomb The Bass|publisher=Daily Music Guide|date=2008-04-21|url=http://www.dailymusicguide.com/Reviews/bomb_the_bass_butterfingers_review.aspx?print=yes|access-date=2008-05-10|archive-url=https://web.archive.org/web/20120327021243/http://www.dailymusicguide.com/Reviews/bomb_the_bass_butterfingers_review.aspx?print=yes|archive-date=27 March 2012|url-status=dead|df=dmy-all))</ref>

Bomb the Bass confirmed they would perform their first London gig in almost 20 years, at the [[London Astoria]] on 4 June 2008; and are also billed as appearing at the UK dance music festival, [[The Big Chill (music festival)|The Big Chill]], on 2 August 2008, in [[Ledbury]], [[Herefordshire]]<ref name="Butterfingers"/> and the [[Zürich]] festival, [[Lethargy]] '08.<ref name="Butterfingers"/>

In an online interview with Tim Simenon<ref name="Interview with Tim Simenon">((cite news|last=Jansen|first=Steve|title=Interview with Tim Simenon|publisher=Daily Music Guide|date=2008-03-29|url=http://www.dailymusicguide.com/Interviews/bomb_the_bass_tim_simenon_london_astoria_future_chaos.aspx?print=yes|access-date=2008-03-29|archive-url=https://web.archive.org/web/20120807202945/http://www.dailymusicguide.com/Interviews/bomb_the_bass_tim_simenon_london_astoria_future_chaos.aspx?print=yes|archive-date=7 August 2012|url-status=dead|df=dmy-all))</ref> in May 2008, it was remarked that ''Future Chaos'' was to be released in August 2008. In the same interview, Simenon commented that the album had taken so long to complete partly because he had wanted to change direction, to take on a more simplistic, less cluttered feel - necessitating a restart and re-record.

===Back to the racks, Back to Light: BTB from 2009–2010===
In September 2009, using [[Twitter]], Simenon revealed that work was almost complete on the follow-up to ''Future Chaos''.<ref>((cite web|url=https://twitter.com/bomb_the_bass|title=Bomb The Bass (@bomb_the_bass)|publisher=[[Twitter]]|access-date=25 June 2016))</ref> Around the same time and also via Twitter, Jakeone of Toob announced he had just completed remix duties on a new track called ''The Infinites''.<ref>((cite web|url=https://twitter.com/jakeoneuk|title=Jake Williams (@jakeoneuk)|publisher=[[Twitter]]|access-date=25 June 2016))</ref> [[Back to Light]] was released in March 2010.

===Touring, ''In the Sun'', Mega Dis and break-up===
Bomb the Bass spent most of 2011 and 2012 touring and recording their next album with drummer Christian Eigner. In 2012, the official BTB online shop was opened, with instrumental versions of "Future Chaos" and "Back to Light" being made available to purchase, along with a compilation album ''[[Rare and Unreleased (Bomb the Bass album)|Rare and Unreleased]]''. The new album ''[[In the Sun (album)|In the Sun]]'' was released in May 2013 on Simenon's own label O*Solo Recordings. The band celebrated their 25th anniversary by releasing a mega mix [[Mega Dis]] as a digital single in October 2013.

After that, Tim Simenon went to form a short lived band Ghost Capsules. Since the release of ''In the Sun'', Bomb the Bass quietly dissolved.
Simenon relocated to Prague and went for other ventures. In 2020, he confirmed that he has finished working in the music industry.<ref>((Cite web|date=2020-03-11|title=Bomb The Bass Interview: 'All of a sudden I was in the job that I'd always dreamed about doing'|url=https://www.classicpopmag.com/2020/03/bomb-the-bass-interview/|access-date=2021-05-03|website=Classic Pop Magazine|language=en-US))</ref>

==Discography==
===Studio albums===
{| class="wikitable"
|-
! Year
! Album
! Label
! style="width:35px;"|<small>[[UK Albums Chart|UK]]</small><br><ref name="UK"/>
! style="width:35px;"|<small>[[ARIA Chart|AUS]]</small><br><ref name="Aus2">((cite web|url= https://www.bubblingdownunder.com/2023/02/week-commencing-3-february-1992.html |title=Bubbling Down Under Week Commencing 3 February1992 |website=Bubbling Down Under|access-date=5 February 2023))</ref>
! [[Music recording sales certification|Certifications]]
|-
| 1988
| ''[[Into the Dragon]]'' 
| rowspan="2"|[[Rhythm King Records]]
| align=center | 18
| align=center | —
|
* [[British Phonographic Industry|BPI]]: Gold<ref>((cite web|title=Bomb the Bass - Into the Dragon|url=https://www.bpi.co.uk/award/3359-1180-2|website=bpi.co.uk|access-date=20 August 2022))</ref>
|-
| 1991
| ''[[Unknown Territory (Bomb the Bass album)|Unknown Territory]]''
| align=center | 19
| align=center | 172
|
|-
| 1995
| ''[[Clear (Bomb the Bass album)|Clear]]''
| [[Island Records|Fourth and Broadway]]
| align=center | 22
| align=center | 122
|
|-
| 2008
| ''[[Future Chaos]]'' 
| rowspan="2"|[[!K7]] / [[Electric Tones]]
| align=center | —
| align=center | —
|
|-
| 2010
| ''[[Back to Light]]''
| align=center | —
| align=center | —
|
|-
| 2013
| ''In the Sun'' 
| O*Solo Recordings
| align=center | —
| align=center | —
|
|-
| colspan="6" style="text-align:center; font-size:9pt;"| "—" denotes releases that did not chart.
|}

===Compilation albums===
* ''The CD Singles'' (Rhythm King Records, 1989)
* ''[[Beat Dis – The Very Best of Bomb the Bass]]'' (Camden, 1999)

===EPs===
* ''Clear Cut'' ([[Morr Music]], 2001) ((small|(with [[Lali Puna]])))
* ''Tracks'' (Electric Tones, 2001) ((small|(with [[Jack Dangers]])))
* ''Mega Dis'' (O*Solo Recordings, 2013)

===Singles===
{| class="wikitable plainrowheaders" style="text-align:center;"
|-
! rowspan="2"| Year
! rowspan="2" style="width:28em;"| Single
! colspan="11"| Peak positions
! rowspan="2"| [[Music recording sales certification|Certifications]]
! rowspan="2"| Album
|- 
! width="35"| <small>[[UK Singles Chart|UK]]</small><br><ref name="UK"/>
! width="35"| <small>[[Irish Singles Chart|IRE]]</small>
! width="35"| <small>[[MegaCharts|NED]]</small>
! width="35"| <small>[[Ultratop|BEL<br>(FLA)]]</small>
! width="35"| <small>[[Media Control Charts|GER]]</small><br><ref>((cite web|url=http://www.officialcharts.de/suche.asp?search=bomb+the+bass&x=0&y=0&country=de |title=Bomb The Bass - German Chart |publisher=charts.de |access-date=2014-05-12))((dead link|date=December 2021|bot=medic))((cbignore|bot=medic))</ref>
! width="35"| <small>[[Ö3 Austria Top 40|AUT]]</small>
! width="35"| <small>[[Swiss Hitparade|SWI]]</small>
! width="35"| <small>[[Sverigetopplistan|SWE]]</small>
! width="35"| <small>[[ARIA Charts|AUS]]</small><br><ref name=aus>Australian ([[ARIA Charts|ARIA Chart]]) peaks:
*Top 50 peaks: ((cite web|url=http://australian-charts.com/showinterpret.asp?interpret=Bomb+The+Bass|title=australian-charts.com > Bomb the Bass in Australian Charts|publisher=Hung Medien|access-date=2017-04-25))
*Top 100 peaks from January 1990 to December 2010: ((cite book|last=Ryan|first=Gavin|title=Australia's Music Charts 1988–2010|year=2011|publisher=Moonlight Publishing|location=Mt. Martha, VIC, Australia))
*"Say a Little Prayer": ((cite web|url=http://i.imgur.com/LF8xehi.jpg|title=The ARIA Report issue 252, week ending 11th December 1994: Chartifacts column|publisher=Imgur.com (original document published by [[Australian Recording Industry Association|ARIA]])|access-date=2015-09-17))
* "Darkheart": ((cite web|url=http://i.imgur.com/VJGqE15.jpg|title=The ARIA Australian Top 100 Singles Chart – Week Ending 30 Apr 1995|publisher=Imgur.com (original document published by ARIA)|access-date=2017-04-25))
* "Winter in July: ((cite web|url=https://www.bubblingdownunder.com/2022/08/week-commencing-5-august-1991.html | title=Bubbling Down Under Week Commencing 5 August 1991|access-date=6 August 2022))</ref><ref name="Aus2"/>
! width="35"| <small>[[Official New Zealand Music Chart|NZ]]</small>
! width="35"| <small>[[Hot Dance Club Songs|US Dance]]</small><br><ref>((cite web |url=http://www.billboard.com/artist/295900/bomb-bass/chart?f=359 |title=Bomb The Bass - US Dance Club Songs |publisher=billboard.com |access-date=2014-05-12 |archive-date=15 December 2018 |archive-url=https://web.archive.org/web/20181215183108/https://www.billboard.com/artist/295900/bomb-bass/chart?f=359 |url-status=dead ))</ref>
|-
| rowspan="3"|1988
! scope="row"| "[[Beat Dis]]"
| 2 || 4 || 8 || 10 || 6 || 3 || 4 || — || — || 5 || 1
|
* BPI: Silver<ref>((cite web|title=Bomb the Bass - Beat Dis|url=https://www.bpi.co.uk/award/741-1180-1|website=bpi.co.uk|access-date=20 August 2022))</ref>
| align="left" rowspan="3"| ''Into the Dragon''
|-
! scope="row"| "Megablast/Don't Make Me Wait"
| 6 || 12 || 29 || — || 33 || — || 19 || — || — || 19 || —
|
|-
! scope="row"| "[[I Say a Little Prayer|Say a Little Prayer]]" <small>(feat. Maureen)</small>
| 10 || 11 || 9 || 18 || — || — || — || — || 54 || 21 || —
|
|-
| rowspan="3"|1991
! scope="row"| "Love So True" <small>(credited to Tim Simenon)</small>
| 84 || — || — || — || — || — || — || — || — || — || —
|
| align="left" rowspan="3"| ''Unknown Territory''
|-
! scope="row"| "Winter in July"
| 7 || 21 || 6 || 37 || 39 || — || 21 || 32 || 174 || — || —
|
|-
! scope="row"| "The Air You Breathe"
| 52 || — || 54 || — || — || — || — || — || 162 || — || —
|
|-
| rowspan="1"|1992
! scope="row"| "Keep Giving Me Love" <small>(a re-recording of "Love So True")</small>
| 62 || — || — || — || — || — || — || — || — || — || —
|
| align="left" rowspan="1"| Single only
|-
| rowspan="2"|1994
! scope="row"| "[[Bug Powder Dust]]" <small>(feat. [[Justin Warfield]])</small>
| 24 || — || — || — || — || — || — || — || 34 || — || —
|
| align="left" rowspan="4"| ''Clear''
|-
! scope="row"| "Darkheart" <small>(feat. Spikey Tee)</small>
| 35 || — || — || — || — || — || — || — || 95 || — || —
|
|-
| rowspan="2"|1995
! scope="row"| "1 to 1 Religion" <small>(feat. Carlton)</small>
| 53 || — || — || — || — || — || — || — || — || — || —
|
|-
! scope="row"| "Sandcastles"
| 54 || — || — || — || — || — || — || — || — || — || —
|
|-
| rowspan="2"|2001
! scope="row"| "Clear Cut" <small>(feat. [[Lali Puna]])</small>
| — || — || — || — || — || — || — || — || — || — || —
|
| align="left" rowspan="2"| Singles only
|-
! scope="row"| "Tracks"
| — || — || — || — || — || — || — || — || — || — || —
|
|-
| rowspan="1"|2008
! scope="row"| "Butterfingers" <small>(feat. [[Fujiya & Miyagi]])</small>
| — || — || — || — || — || — || — || — || — || — || —
|
| align="left" rowspan="1"| '' Future Chaos''
|-
| align="center" colspan="14" style="font-size:9pt"| "—" denotes releases that did not chart or were not released.
|}

==See also==
* [[List of artists who reached number one on the U.S. Dance Club Songs chart]]

==References==
((Reflist))

==Further reading==
*((cite magazine|title=Bomb the Bass|magazine=Music Technology|page=38|date=October 1988|volume=2|issue=12|issn=0957-6606|oclc=24835173))

==External links==
* ((cite web |url=http://www.bombthebass.com/ |title=.....bomb the bass |access-date=2010-04-23 |url-status=dead |archive-url=https://web.archive.org/web/20100411052458/http://www.bombthebass.com/ |archive-date=11 April 2010)) 
* ((Discogs artist))

((Authority control))

[[Category:English record producers]]
[[Category:English house musicians]]
[[Category:English electronic musicians]]
[[Category:Hip house musicians]]
[[Category:Musicians from London]]
[[Category:Rhythm King artists]]

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