Work by Jorge Luis Borges
The Book of Imaginary Beings was written by Jorge Luis Borges with Margarita Guerrero and published in 1957 under the original Spanish title Manual de zoología fantástica ("Handbook of fantastic zoology").[1][2][3] It contains descriptions of mythical beasts from folklore and literature. In 1967 the authors published an expanded edition retitled as El libro de los seres imaginaros. Borges collaborated on the first English translation, which was praised upon its publication in 1969.
Contents
Although a work of fiction, the book is situated in a tradition of Paper Museums, bestiaries, and natural history writing.[4] In the preface, Borges states that the book is to be read "as with all miscellanies... not... straight through... Rather we would like the reader to dip into the pages at random, just as one plays with the shifting patterns of a kaleidoscope"; and that "legends of men taking the shapes of animals" have been omitted.
Versions
The original 1957 publication of Manual de zoología fantástica contained eighty two entries. Thirty four additional entries were added to the retitled second edition. While collaborating on the 1969 English translation, Borges revised many of the original entries and added another four, bringing the total count to 120.[5]
In 2005, Penguin published an illustrated edition with a new English translation of the 116 entry 1967 edition as part of its series of Classics Deluxe editions.
Original editions
- Manual de zoología fantástica. Mexico D.F.: Fondo de Cultura Económica , 1957
- El libro de los seres imaginarios. Buenos Aires: Editorial Kier, S.A., 1967
English translations
- The Book of Imaginary Beings. Norman Thomas di Giovanni (tr.). E.P. Dutton, 1969.
- The Book of Imaginary Beings. Andrew Hurley (tr.), Peter Sís (illus.). Viking Penguin, 2005.
Reception
A review from Publishers Weekly praised the book, describing it as "perfect foils for classic Borgesian musings on everything from biblical etymology to the underworld, giving the creatures particularly vivid and perfectly scaled shape".[6] Reviewing the book for The Guardian, Caspar Henderson stated that the book was brief but also a "map of the endless labyrinth of human imagination and its contents" that was "dense and deep". The reviewer also commented that the entries on legends were "delightful".[7] Benjamin DeMott in The New York Times also complimented the book, stating that it was "an amusing tribute to the human gift for seeing the invisible and debating whether it whistles".[8] An article in Journal of Modern Literature, written by Melanie Nicholson, reported that some critics described the book as a "curious but unoriginal compilation of already-told tale". However, Nicholson stated that it was also "one worthy of serious consideration".[9]
Influence
A similar book, The Book of Barely Imagined Beings, was later authored by Caspar Henderson.[10]
