Singleton initially developed the film as a requirement for his application to film school in 1986 and sold the script to Columbia Pictures upon graduation in 1990. During writing, he drew inspiration from his own life and from the lives of people he knew and insisted he direct the project. Principal photography began in September 1990 and was filmed on location from October to November 1990. The film features breakout roles for Ice Cube, Gooding Jr., Chestnut, and Long.
Boyz n the Hood was screened in the Un Certain Regard section at the 1991 Cannes Film Festival.[4] It premiered in Los Angeles on July 2, 1991, and was theatrically released in the United States ten days later. The film became a critical and commercial success, grossing $57.5 million in North America and earning nominations for Best Director and Best Original Screenplay at the 64th Academy Awards. Singleton became the youngest person and the first African American to be nominated for Best Director. In 2002, the United States Library of Congress deemed it "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.[5][6]
Plot
In 1984, ten-year-old Jason (Tre) Styles III lives with his single mother, Reva Devereaux, in Inglewood, California. After Tre gets into a fight at school, his teacher calls Reva and says that although Tre is intelligent, he is immature and lacks respect. Frightened about Tre's future, Reva sends him to live in the Crenshaw neighborhood of South Central with his father, Jason (Furious) Styles Jr., from whom she hopes Tre will learn life lessons. Furious is strict and assigns Tre chores, but he is also a caring and attentive father. In Crenshaw, Tre reunites with his childhood friends Darrin "Doughboy" Baker, Doughboy's half-brother Ricky, and their friend Chris. That night, Tre hears Furious shooting at a burglar. Furious calls the LAPD, and two officers arrive an hour later. The white officer is civil and professional, while the black officer is hostile and demonstrates self-hatred. The next day, at Chris' suggestion, Tre and his friend group go to witness a dead body, after which they are bullied by a group of older boys. Later on, Tre and Furious return from a fishing trip to see Doughboy and Chris being arrested for theft.
Seven years later, a welcome home party is held for Doughboy, now a Rollin 60s Crips member, following his recent release from prison hoping to stay out. At the party are Chris, now paraplegic due to a gunshot wound, and new friends and fellow Crip members Dookie and Monster. Ricky is now a star running back at Crenshaw High School who hopes to earn a university scholarship. He lives with his mother Brenda, girlfriend Shanice, and their toddler son. A USC recruiter visits him and informs him that he must score at least a 700 on the SAT to qualify. Meanwhile, Tre has grown into a mature and responsible teenager who hopes to attend college with his girlfriend, Brandi. Their relationship is troubled over Tre's desire to have sex, while Brandi, a traditional Catholic, wants to wait until after marriage.
Later, during a street gathering on Crenshaw Blvd, Ferris, a Crenshaw Mafia Bloods member, provokes Ricky. Everybody comes to Ricky's defense, before Doughboy confronts Ferris and brandishes his handgun, leading to an argument between the gangs. Cooler heads prevail until Ferris fires an automatic MAC-10 into the air, with everybody fleeing the area.
After they leave, Tre and Ricky are pulled over by an LAPD patrol; the lead officer, Coffey, is the black officer who responded to the burglary years earlier. Coffey holds his gun at Tre's throat, threatening him. Distraught, Tre goes to Brandi's house, where he has a breakdown. After she comforts him, they have sex for the first time.
The next afternoon, Brenda asks Ricky to run an errand, and Ricky has a fight with Doughboy, with Brenda taking Ricky's side, and berating Doughboy. Afterward, Ricky and Tre head to a nearby drugstore. As they depart, a letter is delivered with Ricky's SAT results. After leaving the store, Ricky and Tre see Ferris and the Bloods driving around and cut through back alleys to avoid them before splitting up. As they walk in separate directions, the Bloods drive close to Ricky and one of them fatally guns him down. Doughboy, who realized Tre and Ricky were in trouble when he saw the car circling the block, is distraught over Ricky's death. Doughboy helps Tre carry Ricky's bloodied corpse home. After feeling devastated, Brenda and Shanice break into tears, with the women blaming Doughboy for causing the shooting, while he tries to unsuccessfully comfort both of them. Later, Brenda sobs over Ricky's test results - Ricky scored a 710, enough to qualify for the scholarship he sought.
Angered, the remaining boys vow vengeance on the Bloods. Furious finds Tre preparing to take his gun but seemingly convinces him to abandon his plans for revenge. Moments later, Brandi and Furious catch Tre sneaking out to join Doughboy. Later, as the gang drives around the city, Tre asks to be let out of the car and returns home. Doughboy finds the Bloods at a fast-food restaurant. Monster guns down the Bloods as they flee. Doughboy exits his car and shoots Ferris and another wounded gang member dead. Later that evening, after coming home, Furious waits for Tre. The two stare at each other with no words exchanged and enter their bedrooms for the night.
The next morning, Doughboy visits Tre, understanding Tre's reasons for abandoning the gang. Doughboy knows he will face retaliation for killing Ferris and accepts the consequences of his crime-ridden life. He questions why American media "don't know, don't show, or don't care about what's going on in the hood." He says that he has no brothers after Ricky's death, but Tre embraces him, saying he has "still got one brother left."
The epilogue text reveals that Ricky was buried the next day, Doughboy was murdered two weeks later, and Tre later goes to college with Brandi in Atlanta.
Singleton wrote the film based on his own life and that of people he knew.[8] When applying for film school, one of the questions on the application form was to describe "three ideas for films". One of the ideas Singleton composed was titled Summer of 84, which later evolved into Boyz n the Hood.[8] During writing, Singleton was influenced by the 1986 film Stand by Me, which inspired both an early scene where four young boys take a trip to see a dead body and the closing fade-out of main character Doughboy.[8]
Upon completion, Singleton was protective of his script, insisting that he be the one to direct the project, later explaining at a retrospective screening of the film "I wasn't going to have somebody from Idaho or Encino direct this movie."[3] He sold the script to Columbia Pictures in 1990, who greenlit the film immediately out of interest in making a film similar to the comedy-drama film Do the Right Thing (1989).
The role of Doughboy was written specially for Ice Cube, whom Singleton met while working as an intern at The Arsenio Hall Show.[8] Singleton also noted the studio was unaware of Ice Cube's standing as a member of rap group N.W.A.[8] Singleton claims Gooding and Chestnut were cast because they were the first ones who showed up to auditions,[8] while Fishburne was cast after Singleton met him on the set of Pee-wee's Playhouse, where Singleton worked as a production assistant and security guard.[9]
Long grew up in the area the film depicts and has said, "It was important as a young actor to me that this feels real because I knew what it was like go home from school and hear gunshots at night." Bassett referred to Singleton as her "little brother" on set. "I'd been in LA for about three years and I was trying, trying, trying to do films," she said. "We talked, I auditioned and he gave me a shot. I've been waiting to work with him ever since."[3]
The film was shot in sequence, with Singleton later noting that as the film goes on, the camera work gets better as Singleton was finding his foothold as a director.[3] He has a cameo in the film, appearing as a mailman handing over mail to Brenda as Doughboy and Ricky are having a scuffle in the front yard. Filming began on October 1, 1990 in South Central Los Angeles, with several gang members serving as consultants, on "wardrobe, vocal emphasis and dialogue changes" to ensure authenticity.[1]
Reception and legacy
Critical response
Review aggregation website Rotten Tomatoes gives the film an approval rating of 96% based on 69 reviews and an average score of 8.40/10. The website's critical consensus reads, "Well-acted and thematically rich, Boyz n the Hood observes urban America with far more depth and compassion than many of the like-minded films its success inspired."[10] At Metacritic, the film received an average score of 76 out of 100 based on 20 reviews, which indicates "generally favorable reviews".[11]
Cultural impact
Boyz n the Hood launched the acting careers of Gooding, Chestnut, and Long, who were relatively unknown before it. It also launched the Hollywood acting career of Ice Cube and was the first significant film roles for both Angela Bassett and Regina King.[3]
Australian alternative rock band TISM released a live VHS called Boyz n the Hoods in 1992, whose cover artwork is presented as a parody of the film's original VHS box, albeit with a fake disclaimer printed on the cover stating that due to a manufacturing error, the non-existent film was replaced with TISM's concert.
In the 2015 comedy film Get Hard, Kevin Hart's character Darnell is asked to talk about the reason for his fabricated incarceration years earlier. Fumbling for a story, he describes the final scene of Boyz n the Hood, passing it off as his own experience to Will Ferrell's character.
In the series finale of the show Snowfall, which Singleton co-wrote, co-created, co-executive produced and directed, the main characters Leon and Franklin walk by someone filming a movie on the street that looks very much like a scene with the young boys from John Singleton's Boyz n the Hood as a homage to the creator.
Boyz in the Hood essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN0826429777, pages [1]
