The film relies on interviews, archival film footage, still photographs, and Rustin's own recordings from the 1970s. The film documents his high school days, his move to Harlem in 1937 where he joined Josh White and His Carolinians to support himself, his arrest in 1940 for being a conscientious objector, his association with the Communist Party, and his history as a homosexual, for which he was once arrested on suspicion of being a sexual pervert. It also highlights his time as an advisor to Martin Luther King, Jr., the 1963 March on Washington, and footage of civil rights debates featuring Rustin, Malcolm X and Stokely Carmichael.[1]
Bennett Singer said he was worried there wouldn't be enough archival material to use in the film, but they found still photographs and some film footage of Rustin with Gandhi, Lyndon Johnson, Stokely Carmichael, and Malcolm X, which they slowed down and used in the documentary. Rustin's partner Walter Naegle also provided access to archival material he possessed. Singer said that Rustin was a talented singer as well, and had actually recorded two albums, and they were able to use his singing in the film as background music. Singer also disclosed that the FBI had monitored Rustin for thirty years, and they tapped his phone after the March on Washington for Jobs and Freedom. Before he died in 1987, Rustin had requested the FBI files; and his surviving partner Walter Naegle shared them with the filmmakers.[2]
Reviews
Robert Julian wrote in his review for the Bay Area Reporter that the pace of the film is slow, and he wanted to see more information on his private life and some insight into how he managed to support himself financially through his work as an activist.[3] Sam Adams of the Philadelphia City Paper said that the connection between the public figure and the private man is barely probed in the film and complained that two of his lovers only got about three minutes of screen time. Adams also argued that the extent to which his homosexuality likely motivated his activism, far more than it hindered it, remains unexplored.[4]
Film Threat said in their review that it was a fascinating film, but is a "bit too much of a love fest". However, they did compliment the film for educating audiences about how it was Rustin who organized the famous March on Washington, and then later in life was shunned by Malcolm X for being too "accommodating" and an "insider".[5] Film critic Joe Leydon praised the film's directors for "underscoring Rustin's matter-of-fact courage and self-effacing pragmatism" and also said the pair of directors were "too honest to attempt a canonization of their subject". Leydon said the only flaw he noticed was the "hokey faux-noir" part of the film where an FBI agent was seen typing up reports while ominously describing "incriminating evidence" that the agency possessed against Rustin.[6]
