Buddy Knox | |
|---|---|
 Knox in 1957. | |
| Background information | |
| Birth name | Buddy Wayne Knox |
| Born | July 20, 1933 Happy, Texas, United States |
| Died | February 14, 1999 (aged 65) Bremerton, Washington, United States |
| Genres | Rock and roll, rockabilly, pop[1] |
| Occupation(s) | Singer, songwriter |
| Instrument(s) | Vocals, guitar |
| Years active | 1956–1980s |
| Labels | Triple-D Records Roulette Records Liberty Records United Artists Records |
Buddy Wayne Knox (July 20, 1933 – February 14, 1999) was an American singer-songwriter, best known for his 1957 rock & roll hit song, "Party Doll".
Knox was born on July 20, 1933[2] in the tiny farming community of Happy, Texas, United States, and learned to play the guitar in his youth.[3]
In his teens, he and some high-school friends formed a band called the "Rhythm Orchids".[3] After they performed on the same 1956 radio show as fellow Texan Roy Orbison and his "Teen Kings" band, Orbison suggested that Knox go to record producer Norman Petty, who had a recording studio in Clovis, New Mexico,[3] the same studio where Buddy Holly recorded several of his early hits, including "That'll Be the Day".
Knox's song "Party Doll" was released on the Roulette record label,[3] and went to number one on the Cash Box record chart in 1957 (after being picked from the tiny Triple-D label).[4] It sold over one million copies, and was awarded a gold disc by the RIAA.[5] This success was followed by "Rock Your Little Baby To Sleep", a number-17 hit, and "Hula Love", a number-9 hit.[3] While he never achieved the same level of artistic success as Holly or Orbison, Knox outlived both and enjoyed a long career in music. For his pioneering contribution, Knox was elected to the Rockabilly Hall of Fame. "Party Doll" was voted one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
In the early 1960s, Knox signed with Liberty Records and released several more mainstream pop records, featuring string arrangements and backing vocalists. "Lovey Dovey" and "Ling-Ting-Tong" were the most notable recordings from this era.[3] The sound captured on these recordings was a distinct departure from his earlier rockabilly work for Roulette. Liberty and principal record producer Snuff Garrett successfully employed the same production techniques for their other mainstream pop artists of the time, which included Johnny Burnette and Bobby Vee.[3]
In 1968, Knox, who had been living in semiretirement in Macon, Georgia, while running his publishing company, moved to Nashville, Tennessee, and signed a new recording contract with United Artists Records. Working with producer Bob Montgomery, Knox honed his traditional rockabilly style more toward the modern country sound of the day. His first album on United Artists earned him the nickname by which he would be known for the remainder of his life. The title song of the album, Gypsy Man, written by Sonny Curtis[3] and featuring Curtis' acoustic guitar work, received airplay on country music radio stations.
Several singles recorded by Knox between 1968 and 1974 were notable for his experimenting with a variety of sounds and styles, and from a creative and critical standpoint, may have been his most productive era. His version of Delaney Bramlett's "God Knows I Love You", along with his self-penned "Salt Lake City", placed Knox firmly in the midst of the new pop-music genre, being populated by artists such as Delaney & Bonnie, Eric Clapton, and others who were on the leading edge of the developing Southern rock style such as Black Oak Arkansas and the Allman Brothers Band. His cover version of James Hendricks' "Glory Train" was another stylistic stretch and featured a gospel-like chorus of backing vocalists. His cover of the Fleetwoods' "Come Softly to Me" demonstrated a vocal range not heard on his older recordings. He also reached out to the new generation of songwriters who would become prominent during Nashville's "Outlaw era" of the 1970s, as he was one of the first artists to record Mickey Newbury's "I'm Only Rockin'". Several other major country music artists later recorded this song, but under the alternate title of "T. Total Tommy". Knox also recorded songs by Alex Harvey, John D. Loudermilk, and Gary Paxton. On several of these recordings, Knox experimented with multitracking, something few artists had done up to that time.
For many decades from the 1970s to the 1990s, Knox was based in the small town of Dominion City, Manitoba, Canada,[6] and toured primarily in Western Canada and upper Midwest U.S., with occasional European appearances. In 1981, he starred in an independent Canadian movie Sweet Country Road.
Knox said the fame took a toll on his family life. Traveling 250 days a year for 35 years, he was voted "the most traveling entertainer in the world" by Billboard magazine, but he said it cost three marriages for him.
His son, Michael Knox, is a record producer.[7]
In 1992, he divorced and moved to British Columbia, where he was involved in several business ventures including a partnership in a local British Columbia nightclub.
Moving to Port Orchard, Washington, in 1997 to be with his fiancée, he experienced a fall and injured his hip. The doctor informed him at that time that he had terminal lung cancer.
Knox died on February 14, 1999,[2] in Bremerton, Washington. He is interred in Dreamland Cemetery, in Canyon, Texas.
Buddy Knox — Greatest Hits — all the Roulette and Liberty recordings
| Year | Titles Both sides from same album except where indicated |
Chart positions | Album | |||
|---|---|---|---|---|---|---|
| US | US R&B | CAN | UK | |||
| 1957 | "Party Doll" b/w "My Baby's Gone" (Non-album track) |
2 | 3 | 17 | 29 | Buddy Knox |
| "Rock Your Little Baby To Sleep" b/w "Don't Make Me Cry" |
23 | — | 12 | — | ||
| "Hula Love" b/w "Devil Woman" |
12 | 13 | 3 | — | ||
| 1958 | "Swingin' Daddy" b/w "Whenever I'm Lonely" |
80 | — | — | — | Non-album tracks |
| "Somebody Touched Me" b/w "C'mon Baby" |
22 | — | 22 | — | Buddy Knox & Jimmy Bowen | |
| 1959 | "That's Why I Cry" / | 88 | — | — | — | |
| "Teasable, Pleasable You" | 85 | — | — | — | ||
| "I Think I'm Gonna Kill Myself" b/w "To Be With You" |
55 | — | — | — | Non-album tracks | |
| "Taste Of The Blues" b/w "I Ain't Sharin' Sharon" |
— | — | — | — | ||
| 1960 | "Long Lonely Nights" b/w "Storm Clouds" |
— | — | — | — | |
| "Lovey Dovey" b/w "I Got You" (Non-album track) |
25 | — | — | — | Buddy Knox's Golden Hits | |
| 1961 | "Ling, Ting, Tong" b/w "The Kisses (They're All Mine)" (Non-album track) |
65 | — | — | — | |
| "Three Eyed Man" b/w "All By Myself" (from Buddy Knox's Golden Hits) |
— | — | — | — | Non-album track | |
| 1962 | "Chi-Hua-Hua" b/w "Open Your Lovin' Arms" |
— | — | — | — | Buddy Knox's Golden Hits |
| "She's Gone" b/w "Now There's Only Me" (Non-album track) |
— | — | — | 45 | ||
| "Three Way Love Affair" b/w "Dear Abby" (from Buddy Knox's Golden Hits) |
— | — | — | — | Non-album tracks | |
| 1963 | "Tomorrow Is A Comin'" b/w "Shadaroom" |
— | — | — | — | |
| "Thanks A Lot" b/w "Hitchhike Back To Georgia" |
— | — | — | — | ||
| 1964 | "Good Lovin'" b/w "All Time Loser" |
— | — | — | — | |
| "Jo Ann" b/w "Don't Make A Ripple" |
— | — | — | — | ||
| 1965 | "Good Time Girl" b/w "Livin' In A House Full Of Love" |
— | — | — | — | |
| "A Lover's Question" b/w "You Said Goodbye" |
— | — | — | — | ||
| 1966 | "That Don't Do Me No Good" b/w "A White Sport Coat (and A Pink Carnation)" |
— | — | — | — | |
| "Sixteen Feet Of Patio" b/w "Love Has Many Ways" |
— | — | — | — | ||
| 1968 | "Gypsy Man"A b/w "This Time Tomorrow" |
— | — | — | — | Gypsy Man |
| "Today My Sleepless Nights Came Back To Town" b/w "A Million Years Or So" |
— | — | — | — | ||
| 1969 | "God Knows I Love You" b/w "Night Runners" (from Gypsy Man) |
— | — | — | — | Non-album tracks |
| "Salt Lake City" b/w "I'm Only Rockin'" |
— | — | — | — | ||
| 1970 | "Back To New Orleans" b/w "Yesterday Is Gone" |
— | — | — | — | |
| "Glory Train" b/w "White Dove" |
— | — | — | — | ||
| 1971 | "Travelin' Light" b/w "Come Softly To Me" |
— | — | — | — | |
