Originally intended to have a theatrical release, Capone was released through Premium VOD by Vertical Entertainment and Redbox Entertainment on May 12, 2020, due to the COVID-19 pandemic. The film received mixed reviews from critics, with Hardy's performance earning some praise while Trank's script and the film's uneven tone were criticized.
Once the most feared bootlegger in Chicago, mobster Al Capone is brought down when he is convicted of tax evasion. At the age of 40, following nearly a decade of imprisonment, he is released after the government deems him to no longer be a threat as his mind is slowly rotting from untreated neurosyphilis.
Retired and living with his family in Palm Island, Florida, Capone remains under surveillance by FBI agents, as they think he may be faking his insanity. Forced to sell many of his remaining belongings to pay old debts and support himself, Capone begins to have hallucinations and loses control of his motor functions and explosive bowel movements as his disease progresses. He acknowledges that he hid $10 million before he was convicted, although he cannot remember where it is.
After Capone, whose memory is nearly gone, has a physical confrontation with his wife Mae, she instructs her husband's bodyguards to keep everyone away from him. Meanwhile, Capone has increasingly debilitating visions of the men he killed and many of the violent acts he committed. His mental capacity continues to deteriorate, until a psychiatrist hired to evaluate him declares that his IQ is no more than that of a child. Wracked with guilt, and having alienated all around him, Capone eventually dies of complications from his syphilis in January 1947 at the age of 48. His surviving family changes their name from Capone, and the money he allegedly hid away has never been recovered.
It was announced in October 2016 that Tom Hardy would star as Al Capone in the film, then known as Fonzo, which would be directed, written and edited by Josh Trank.[4] Filming was initially eyed to begin in the summer of 2017, with Hardy stating it would be released sometime in 2018.[5] Hardy instead ended up filming Venom in 2017, and in March 2018 announced Fonzo as his next project.[6] Later that month, Linda Cardellini, Matt Dillon, Kyle MacLachlan, Kathrine Narducci, Jack Lowden, Noel Fisher and Tilda Del Toro joined the cast.[7][8]
In its first few days of release, Capone was the number-two rented film on iTunes.[15] Over its first weekend, it ranked third on iTunes and fourth on both FandangoNow and Google Play.[16][17] Over its first ten days the film made $2.5 million from digital sales, a record for Vertical Entertainment.[18]IndieWire called the results "quite good" but "far from being a money-[maker]", saying that Vertical would see about 75% of the initial gross ($1.5 million), and that the film could leg out to $4–5 million in sales.[19] In its second weekend of release the film fell to 11th on iTunes and seventh on Fandango.[20] The weekend of August 7, upon lowering the price to $0.99, the film was the second-most rented on the iTunes Store and Apple TV.[21][22]
Critical response
On Rotten Tomatoes, the film holds an approval rating of 40% based on 140 reviews, with an average rating of 4.8/10. The website's consensus reads: "Tom Hardy makes the most of his opportunity to tackle a challenging role, but Capone is too haphazardly constructed to support his fascinating performance."[23] On Metacritic, the film has a weighted average score of 46 out of 100, based on 37 critics, indicating "mixed or average reviews".[24]
Writing for TheWrap, Steve Pond said: "It's nuts, it's a mess and it's pretty damn entertaining if you don't mind characters pooping the bed and getting stabbed in the neck", saying that "Tom Hardy laughs in the face of conventional notions of good v. bad acting."[25] Scout Tafoya writing for Consequence of Sound gave the film an A− grade and noted that "Somehow, Trank had energy left over, despite wrangling one of the most eccentric performers working, to make a satisfying haunted house film as well" and called it "one of the most bravely singular and uncommon films you'll see this year."[26]
Owen Gleiberman of Variety called the film "the last half hour of The Irishman crossed with the doddering-legend parts of Citizen Kane" and said that Hardy gives "a mumbly Method showboat performance that's authentic on the surface, but there isn't enough beneath the mob mannerisms."[27] David Ehrlich of IndieWire gave the film a "C−" grade and wrote: "Nevertheless, the director and his subject are ultimately buried together in the same boat: We're made to understand their suffering, but given no reason to root for their salvation."[28]
^"Archived copy"(PDF). Archived(PDF) from the original on December 30, 2020. Retrieved May 9, 2020.((cite web)): CS1 maint: archived copy as title (link)
