Emily Jenkins is a social worker assigned to investigate the family of 10-year-old Lillith Sullivan, as her grades have declined and an emotional rift with her parents has emerged. Emily suspects that the parents have been abusing and overprotecting Lillith since the day she was born and proposes to her department to take the child away from her parents' custody. Eventually, Emily's suspicions are confirmed when Lillith's parents try to kill her by roasting her alive in their oven. Emily saves Lillith with the help of Detective Mike Barron.
Lillith is to be sent to a children's home, but she begs Emily to look after her instead. With the agreement of the board, Emily is assigned to take care of Lillith until a suitable foster family comes along. In the meantime, Lillith's parents are placed in a mental institution since they are no longer fit for their parental responsibility for the girl according to court.
After Lillith moves in, strange things begin to happen around Emily. Two weeks later another of Emily's cases, a boy named Diego, murders his parents, and Barron informs Emily that somebody phoned Diego from her house the night before the crime. As she is suspected of involvement in the incident, Lillith undergoes a psychiatric evaluation by Emily's best friend, Dr. Douglas J. Ames. During the session, Lillith turns the evaluation around, asking Douglas what his fears are and subtly threatening him. That night, after receiving a strange phone call at his apartment, Douglas is panicked by the sight of a mass of hornets coming out of his body and kills himself by snapping his own neck.
Emily becomes suspicious of having Lillith in her home, so she heads to the mental asylum for answers from Lillith's parents. They tell her that Lillith is a demon who feeds on feelings, and that they tried to kill her in an attempt to save themselves and others. Lillith's father tells Emily that the only way to kill Lillith is to get her to sleep. Shortly after Emily leaves the asylum, both parents die; her mother is imaginatively fatally burnt, and her father is stabbed in the eye with a fork.
Barron thinks Emily should seek psychiatric help but is later convinced when he receives a strange phone call in his home from Emily's cellphone, which is being used by Lillith. He arms himself at the police precinct to aid Emily in handling Lillith. However, he inadvertently shoots himself in the head with a shotgun when Lillith makes him imagine he is being attacked by dogs. That night, Emily has Lillith drink tea spiked with sedative. While Lillith is asleep, Emily sets fire to her house, hoping to get rid of her. However, the girl escapes unharmed.
The police offer to escort Emily and Lillith to a temporary place to stay. As Emily is following the police cars, she suddenly takes a different route and drives her car at a high speed, hoping to bring fear to Lillith. She then drives the car off a pier. As the car sinks, Emily struggles to lock Lillith (now in her true demon form) in the trunk. Emily then exits the car, but as she swims away, Lillith grabs her leg after punching a hole through the car's taillight, attempting to prevent her escape. Emily struggles to break free until Lillith finally lets go as the car continues to sink, killing Lillith inside. Emily climbs back ashore, relieved to be rid of Lillith hence bringing the case itself to a close.
Alternate ending
On the DVD as a deleted scene in the Special Features section, when the car sinks to the bottom, a man swims down to the car and rescues both Lillith and Emily. Emily is later seen in handcuffs, frantically pleading with her lawyer to tell her where Lillith is. Her lawyer orders for Emily to be shipped off to the asylum for schizophrenia, unfazed by her innocence. Meanwhile, Lillith arrives at the home of her new foster family.
On October 31, 2006, a fire started on the film's set in Vancouver. None of the cast were on the set at the time and nobody was seriously injured, though the set and studio were destroyed.[1] The film was shot in Vancouver in late 2006 and was released theatrically in the UK, other European, and in Latin American countries on August 13, 2009. The film was initially scheduled for U.S. release in August 2008, but was delayed twice before its final release date on October 1, 2010.
Reception
Critical response
Case 39 received mostly negative reviews from critics. On the review aggregator website Rotten Tomatoes, 21% of 76 critics' reviews are positive, with an average rating of 4.0/10. The website's consensus reads: "Director Christian Alvert has a certain stylish flair, but it's wasted on Case 39's frightless, unoriginal plot."[2]Metacritic, which uses a weighted average, assigned the film a score of 25 out of 100, based on 15 critics, indicating "generally unfavorable" reviews.[3]
Gareth Jones of Dread Central gave the film 2 out of 5 "knives", considering it a good thing that it was not released in the domestic market for over two years, saying: "I'm sure it will do decent business among the undemanding weekend-horror crowd and Zellweger fans when it eventually sees the light of day. Nobody else need apply."[4]Margaret Pomeranz of At the Movies Australia gave the film one out of 5 stars, calling it "one of the least scary, dumbest movies I've seen in a long time", while co-host David Stratton gave it 1½ out of 5, commenting that "once it sort of kicks into the plot – once it really gets down to the nitty gritty, like so many horror films it just becomes really ridiculous and silly."[5]
Box office
Case 39 grossed $13.3million in the United States and Canada, and $14.9million in other territories, for a worldwide total of $28.2million, against a budget of $26million.[6]
^Jones, Gareth (2009-09-09). "Case 39 (2009)". Dread Central. Archived from the original on 2009-09-12. Retrieved 2010-02-09. … found itself floundering without release for two years. That may actually be a blessing in itself…
