The Cass Corridor is the name of the neighborhood on the west end of Midtown Detroit. It includes the Cass Park Historic District, the Cass-Davenport Historic District and Old Chinatown. The corridor's main street, Cass Avenue, runs parallel with M-1 (Woodward Avenue), a main Detroit artery running north toward New Center. Though Cass runs from Congress Street, ending a few miles farther north at West Grand Boulevard, the Cass Corridor generally is defined as between Interstate 75 (I-75) at its southern end and Interstate 94 (I-94) to the north, and stretches from Woodward to the east and to the west: John C. Lodge (M-10 service drive) north of Temple, and Grand River Avenue south of Temple.
History
Third Man Records opened November 27, 2015, at the corner of Canfield and Cass [1]
In the 1970s, the Cass Corridor was a poor neighborhood known for drugs, prostitution and sex crimes against children. The area was of significance in the Oakland County Child Killer case.[3][4]
Creem, which billed itself as "America's Only Rock 'n' Roll Magazine," had its headquarters in the area. The student population contributes to the bohemian atmosphere in Cass Corridor. The artistic community has produced a number of significant artists, including Sixto Rodriguez, Negative Approach and The White Stripes, who played their first show at the Gold Dollar.[5] Cass Corridor is also the location of the annual Dally in the Alley arts festival.[6]
Since the 2000s, Joel Landy, president of the Cass Avenue Development construction company, has renovated and remodeled several buildings in the Cass Corridor.[7] Landy was also featured in the television series American Pickers[8] (season 3 episode "Motor City", September 19, 2011). Since 1997, Avalon International Breads has been located in the Cass Corridor.[9] In 2015, Jack White of the band The White Stripes, opened a retail store for his record label, Third Man Records at the corner of Canfield and Cass.[10]
From 2009, Dr. Alesia Montgomery of Michigan State University conducted a five-year study visualizing a reinvented Detroit as a green city, with a particular emphasis on the Cass Corridor.[11][12]
Cass Corridor Movement (1960–1980s)
In the 1960s through the 1980s, the Cass Corridor became an area of cultural significance, and is often referred to as the Cass Corridor Movement, or the Cass Corridor Group.[13][14] Artists began renting cheap studio space in the Cass Corridor, which was near Detroit's Cultural Center Historic District. The Willis Gallery was instrumental in the local artists meeting each other.[13] The curator of contemporary art at the Detroit Institute of Arts from 1968 until 1971, Sam Wagstaff, was influenced the formation of the movement.[13]
In 1980, a keystone exhibition at the Detroit Institute of Arts, Kick Out the Jams: Detroit’s Cass Corridor, 1963–1977, was organized by curators Mary Jane Jacob and Jay Belloli and featured 22 artists.[13]
^Mikolowski, Ken (2009). Gonzalez, Lisa Baylis; Schemske, Sandra (eds.). "Time and Place: of Detroit's Cass Corridor from the Wayne State University Collection. Exhibition Catalogue, Elaine L. Jacob Gallery, April 24–June 26, 2009"(PDF). Detroit, MI: College of Fine, Performing, and Communication Arts. Wayne State University. One of the advantages of living in post-riot Detroit was the wide availability of big, cheap space. Artists quickly found buildings for studios all along the Cass Corridor. Visiting those studios in the Vernor's building or Common Ground or a bit later, the Forsythe building, you would come across the artists making their art with found objects from the streets of Detroit.
United States of America
Michigan
Wayne
Detroit
